Kidd chronicles the lives and Masonic histories of Elizabeth St. Leger Aldworth, Hannah Mather Crocker, Henriette Heiniken, Mary Ann Belding Sproul, Catherine Sweet Babigton, an Irish Girl, Vinnie Ream Hoxie, Helene-Countess Hadik Barkoczy, Salome Anderson, Isabella Scoon and many others.First she lays the foundation of factual history of female participation in Masonry in three chapters, one on women in medieval Mason Guilds, one on women in early Modern Freemasonry and one on Adoptive Masonry. We learn that from the 1200s on some women were admitted to the Guilds and a few even rose to be Master. In Operative Masonry Kidd documents women in the Operative Lodges with some even rising to the position of Dame or female Master.

Strange happenings occur while visiting a haunted house.

"Based on the characters created by Susan Meddaugh."

When Anna's and Jason's parents decide to move to a new house, the kids are less than thrilled. Especially when they suspect that their "new" house is haunted! But this ghost isn't spooky at all. In fact, this ghost seems to have a sense of humor! Readers will be "haunted" by the humorous antics in this delightfully illustrated ghost story. This short, 32-page hi-lo book will appeal to reluctant readers who enjoy a good whodunnit.

Expanded and with great new stories, this is the biggest and best anthology of ghostly hauntings ever. Over 40 tales of visitation by the undead - from vengeful and violent spirits, set on causing harm to innocent people tucked up in their homes, to rarer and more kindly ghosts, returning from the grave to reach out across the other side. Yet others entertain desires of a more sinister bent, including the erotic. This new edition includes a selection of favourite haunted house tales chosen by famous screen stars Boris Karloff, Peter Cushing and Christopher Lee. Plus a top ranking list of contributors that includes Stephen King, Bram Stoker, Ruth Rendell, and James Herbert - all brought together by an anthologist who himself lives in a haunted house. Stories include: Something unspeakable lurks in a Connecticut apartment closet, in Stephen King's 'The Boogeyman'; An Irish castle holds something truly horrifying in wait, in 'The Whistling Room' by William Hope Hodgson; The lecherous old ghost of a Georgian country house eyes up his latest tenant, in Norah Lofts' 'Mr Edward'; An ancient mansion on a shelf of rock previously occupied by a doomed castle, in 'In Letters of Fire' by Gaston Le Roux; The hunter is hunted in James Herbert's tale of nineteenth-century country mansion, 'The Ghost Hunter'; Psychic phenomena and poltergeists, avenging spirits and phantom lovers - curl up and read on, but never imagine you are safe from a visit...

*Includes "The House on Ashley Avenue," currently in development as a NETFLIX FEATURE FILM! There are haunted places in the world, all existing in reality and every bit as tangible and accessible as the house next door. Sometimes it is the house next door. In this brilliant debut collection, Ian Rogers explores the border-places between our world and the dark reaches of the supernatural. A mysterious double murder draws the attention of an insurance company with a special interest in the paranormal. A honeymoon cabin with an unspeakable appetite finally meets its match. A suburban home is transformed into the hunting ground for a new breed of spider. A nightmarish jazz club at the crossroads of reality plays host to those who can break a deal with the devil...for a price. With remarkable deftness, Rogers draws together the deadly and the disturbing in twenty-two showcase stories that will guide you through terrain at once familiar and startlingly fresh. Blurbs: "Ian is a fantastic storyteller of horror. He has an ability to create a unique reading experience with great scares and memorable characters. I knew the moment I finished reading Every House Is Haunted that Ian was someone I wanted to work with." - Sam Raimi, Director of Doctor Strange in the Multiverse of Madness "...the 22 stories in Rogers's debut collection demonstrate the author's talent for finding the terrifying in the seemingly ordinary... This work of classic horror in the style of Shirley Jackson, Richard Matheson, and early Stephen King should attract fans of a more refined kind of horror." - Library Journal "...Rogers offers some real gems. Every House Is Haunted is a harbinger of great things to come." - San Francisco Book Review IAN ROGERS is an award-winning author whose short fiction has appeared in Tor.com, Cemetery Dance, Broken Pencil, and Shadows & Tall Trees. His work has been selected for The Best Horror of the Year and Imaginarium: The Best Canadian Speculative Writing. For more information, visit www.ian-rogers.com..

Simon Lester Henry Strauss is not in the least afraid of any haunted house, but there is something else that terrifies him.

A friendly skeleton presents a guided tour through a haunted house while inviting young children to feel inside built-in pockets that contain texturized images of a hairy spider leg, vampire fangs, slimy brains and other tactile elements that culminate in a spooky pop-up final spread, in a story complemented by a glow-in-the-dark front cover.

Felix Allsey is a travel writer with a keen eye for the paranormal, and he’s carved out a unique, if only slightly lucrative, niche for himself in nonfiction; he writes travelogues of the country’s most haunted places, after haunting them himself. When he convinces the owner of the infamous Rotterdam Mansion to let him stay on the premises for 13 nights, he believes he’s finally found the location that will bring him a bestseller. As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day. When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That’s when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he’s writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that’s been staring these men in the face all along: In Rotter House, who’s haunting who?

A haunted house is explored.