The Smith family have just moved to the country, outside the boyhood town Rick Smith had grown up around. The house that they've bought is an old farmhouse Rick remembered as an iconic relic of local lore as being haunted. Rick had heard stories, of course, just as most everyone in the community had heard of the ghost stories out at the old house. Only it wouldn't be until the Smiths would settle into the place that suppositions would begin to occur, when sounds they would hear in the night would grow into supernatural phenomenon that will terrify the Smith family for the rest of their lives.

A rollicking, spooky-fun trip through the most haunted home in America: the White House! It was late October, the moon was pale, late in October when it came by mail: a letter, a missive, a kind invitation to drum at THE MOST HAUNTED HOUSE IN THE NATION! When the Skeleton Drummers receive an invitation from the First Lady to perform at the biggest Halloween party of a lifetime—or afterlife—the band must pack their instruments, rise from the earth, and prepare to rock the White House. With gusto and bone-rattling beats, the skeletons BOOM! BANG! and CLANG! as the crowd of trick-or-treaters dance on the president's lawn. But when the party moves inside, something's not quite right: there's a chill in the air and a prickle of fright. There's one thing you might not know: The White House is haunted from top to toe! With rhyming, rhythmic text from Jarrett Dapier and wonderfully macabre illustrations from Lee Gatlin, this musical tour of America's most famous home is full of spooky surprises at every turn.

Most haunted houses were once the scenes of gruesome events or some deep human unhappiness. Rose Hall Great House in Jamaica is no exception. The mistress of the house, Annie Palmer, began her reign of terror at 18. As a girl, her parents had relocated from Ireland to Haiti and promptly died of yellow fever, leaving Annie in the care of a Haitian nanny rumored to be a voodoo priestess. It is said that she trained Annie in the occult. After marrying John Palmer in 1780, Annie reportedly murdered him by poisoning his coffee. Thereafter, she had numerous boyfriends murdered along with two more husbands. When Annie finally died, the slaves burned all of her possessions and buried her as deep in the ground as they could. The house is still said to be haunted by “The White Witch of Rose Hall,” and the story of Annie’s haunting is the basis for over a dozen gothic novels. This nonfiction account of a haunted house along with 10 other haunted house histories will keep young readers on the edge of their seats!

With thorough research that includes recorded testimony from the 1970s and recent interviews, the story of what some call ?the world?s most haunted house? is told. The saga begins with a family history of the hardworking and caring Goodins, then recounts the start of the poltergeist happenings in 1971, their increasing frequency through 1975, and the family?s struggle to normalize their lives. The author includes family photographs, photographs of pieces of evidence, transcripts of interviews, and opinions from paranormal experts to give credence to this true paranormal story.

A popular phenomenon since antiquity, the image of the haunted house is one that has translated elegantly into the modern medium of film. The haunted house transcends genre, appearing in mysteries, gothic romances, comedies and horror films. This book is the first comprehensive historical and critical study of themes surrounding haunted houses in film. Covering more than 100 films, it spans from the Mystery House thrillers of the silent era to the high-tech, big budget productions of the 21st Century. Included are the works of such acclaimed directors as D.W. Griffith, Robert Wise, Mario Bava, Alfred Hitchcock, Stanley Kubrick, Tim Burton and Guillermo Del Toro. The book also covers the real-life "haunted house" phenomenon and movies based on paranormal case files, including those featured in films like the Conjuring series.

It is one of the best spooky stories, definitely spine-chilling. Mysterious and vivacious action in the story mesmerizes the reader. The horrifying effect is created as the arcane setting of fires, shaking of the house, loud and incessant noises, distinct knocking as sledge-hammers on the walls and the furniture moves in day-light without any visible cause. Interesting and fear-provoking!

Two twelve-year-old detectives solve a series of mysteries using sketches of important clues.

Since her mom died, Andie’s family has crumbled. Instead of working, her dad gambles away insurance money, while her sister, Paige, has put her future on hold in order to pick up extra waitressing shifts. Andie’s afraid of what will happen if people find out just how bad things are. She’s not sure how long she can hide the fact that there’s no food or money in the house...or adults, for that matter. When her science partner suggests they study paranormal activity, Andie gets an idea. She wants a sign from her mom—anything to tell her it’s going to be okay. Maybe the rest of her family does too. So she starts a project of her own. Pretending to be her mother’s ghost, Andie sprays perfume, changes TV channels, and moves pictures. Haunting her house is Andie’s last hope to bring her family back into the land of the living. For anyone who loved Counting by 7s, The Haunted House Project is a journey through loss and grief, but ultimately a story of hope and self-reliance. As much as Andie has been changed by her mother’s death, the changes she makes herself are the ones that are most important.

When Edgar Allan Poe set down the tale of the accursed House of Usher in 1839, he also laid the foundation for a literary tradition that has assumed a lasting role in American culture. “The House of Usher” and its literary progeny have not lacked for tenants in the century and a half since: writers from Nathaniel Hawthorne to Stephen King have taken rooms in the haunted houses of American fiction. Dale Bailey traces the haunted house tale from its origins in English gothic fiction to the paperback potboilers of the present, highlighting the unique significance of the house in the domestic, economic, and social ideologies of our nation. The author concludes that the haunted house has become a powerful and profoundly subversive symbol of everything that has gone nightmarishly awry in the American Dream.