Diary of a Mad Fat Girl’s plus-sized spitfire Graciela “Ace” Jones returns in a hilarious new adventure from New York Times bestselling author Stephanie McAfee. Ace has left the tiny Mississippi town of Bugtussle for the palm fronds and mojitos of Pelican Cove, Florida. She’s finally opening her long-dreamed-of art gallery, is kick-starting a life with her fiancé, Mason, and has vowed to leave her straight-talking, sassy ways behind her. From now on, she’s going to be as sweet as sugar. Unfortunately, something comes along to sour her plans. That something is Mrs. Lenore Kennashaw and her coterie of crones. They’re a bunch of snippy, snarky, and just plain mean ’ol ladies who aren’t quite as smart or rich as they’d like to think they are. But that doesn’t stop them from treating everyone else like second-class citizens. And when Ace inadvertently takes some of the steam from Mrs. Kennashaw’s stride, she becomes their #1 enemy. But with the support of a new group of fabulous friends, as well as her friends from Bugtussle—and her always-faithful chiweenie Buster Loo—Ace will find a way to make it, even if she has to throw some weight around…

Diary of a Mad Fat Girl’s plus-sized spitfire Graciela “Ace” Jones returns in a hilarious new adventure from New York Times bestselling author Stephanie McAfee. Ace has left the tiny Mississippi town of Bugtussle for the palm fronds and mojitos of Pelican Cove, Florida. She’s finally opening her long-dreamed-of art gallery, is kick-starting a life with her fiancé, Mason, and has vowed to leave her straight-talking, sassy ways behind her. From now on, she’s going to be as sweet as sugar. Unfortunately, something comes along to sour her plans. That something is Mrs. Lenore Kennashaw and her coterie of crones. They’re a bunch of snippy, snarky, and just plain mean ’ol ladies who aren’t quite as smart or rich as they’d like to think they are. But that doesn’t stop them from treating everyone else like second-class citizens. And when Ace inadvertently takes some of the steam from Mrs. Kennashaw’s stride, she becomes their #1 enemy. But with the support of a new group of fabulous friends, as well as her friends from Bugtussle—and her always-faithful chiweenie Buster Loo—Ace will find a way to make it, even if she has to throw some weight around…

A Novella of Bugtussle, Mississippi Back in Bugtussle, Mississippi, after her relationship with her ex-fiancé has fallen apart, Ace Jones is naturally depressed. What’s worse is that every time she leaves the house, she winds up in some kind of altercation. She can’t help but wonder if she’s an idiot magnet, or if she’s the smart-mouth stirring things up. Hoping for a little peace of mind, Ace gives in to the advice of her best friend and goes to see a therapist. But she quickly discovers that the road to nirvana isn’t what it’s cracked up to be. And as Ace goes from one therapeutic misadventure to another, the plus-sized spitfire becomes more determined than ever to find enlightenment—even if it means bending herself into a pretzel to do it. Includes excerpts from Diary of a Mad Fat Girl, Happily Ever Madder, and Down and Out in Bugtussle.

New York Times bestselling author Stephanie McAfee delivers another irreverent, laugh-out-loud page-turner about the (mis)adventures of plus-size spitfire Graciela “Ace” Jones. With her fiancé now her ex-fiancé, Ace has hightailed it back to Bugtussle, Mississippi, and back to her Gramma Jones’s house. Her best friends, Lilly and Chloe, are delighted she’s back, but Ace still has some challenges ahead of her. For one thing, her replacement as Bugtussle High School’s art teacher, Cameron Becker, refuses to vacate the position. So Ace is stuck working as a substitute teacher while harboring fantasies of running Miss Becker out of town. On top of that, Lilly and Chloe are obsessed with setting her up on less-than-romantic blind dates—even though all she wants is a break from her pitiful love life. To ease her troubled mind, Ace resolves to restore her grandmother’s gardens to their former glory. But in the well-worn gardening book she’s dug out of her grandmother’s attic there are a series of suspicious notes that indicate her grandmother may have had a special someone in her past. Now, with her faithful chiweenie, Buster Loo, by her side, Ace is determined to get to the bottom of her grandmother’s secret life, all the while hoping her own life isn’t about to implode....

This is THE book on anger, the first book to explain exactly why we get mad, what anger really is - and how to cope with and use it. Often confused with hostility and violence, anger is fundamentally different from these aggressive behaviours and in fact can be a healthy and powerful force in our lives. What is anger? Who is allowed to be angry? How can we manage our anger? How can we use it? It might seem like a day doesn't go by without some troubling explosion of anger, whether we're shouting at the kids, or the TV, or the driver ahead who's slowing us down. In this book, the first of its kind, Dr. Ryan Martin draws on 20 years plus of research, as well as his own childhood experience of an angry parent, to take an all-round view on this often-challenging emotion. It explains exactly what anger is, why we get angry, how our anger hurts us as well as those around us, and how we can manage our anger and even channel it into positive change. It also explores how race and gender shape society's perceptions of who is allowed to get angry. Dr. Martin offers questionnaires, emotion logs, control techniques and many other tools to help readers understand better what pushes their buttons and what to do with angry feelings when they arise. It shows how to differentiate good anger from bad anger, and reframe anger from being a necessarily problematic experience in our lives to being a fuel that energizes us to solve problems, release our creativity and confront injustice.

Dreams, desire, darkened streets and the sudden miracles that appear there, the deep places of the mind. Two groups made these the heart of a radical project of liberation: queers and surrealism. Madder Love is an anthology of cutting-edge writing that bridges the space between surrealism and queer writing. Features the work of Will Aitken, Stephen Beachy, Jeffery Beam, Stephen Boyer, Tom Cardamone, Sven Davisson, Peter Dubé, Craig L. Gidney, Nicholas Hayes, Trebor Healey, Kevin Killian, Shaun Levin and Rob Stephenson.

RAE'S BACK! But now it's 1990. The Berlin wall is down and the Happy Mondays are up, really up, but the new decade's brought new mortifications for Rae Earl and she's MADDER and FATTER than ever. About to enter the most important year of her life - her actual bloody A Level year - everyone expects her to concentrate on schoolwork but how can she when Haddock's backside is still a national treasure and revision at home is just NOT HAPPENING! It's hell outside the house too, if hell was in Stamford, Lincolnshire, and punishment for sins was a fiery eternity of awkwardness. In My Madder Fatter Diary, Rae reveals her real-life teenage diary once again, transporting us to a Britain instantly recognisable to those who remember Bryan Adams at the top of the charts and anybody who's been eighteen and agonisingly embarrassed by EVERYTHING. It's wet-your-knickers hilarious. It's blub-your-eyes-out sad. It's the touching, romantic, MAD, FAT story of what happened next.

The behind-the-scenes story of the making of the iconic movie Network, which transformed the way we think about television and the way television thinks about us "I'm mad as hell, and I'm not going to take this anymore!" Those words, spoken by an unhinged anchorman named Howard Beale, "the mad prophet of the airwaves," took America by storm in 1976, when Network became a sensation. With a superb cast (including Faye Dunaway, William Holden, Peter Finch, and Robert Duvall) directed by Sidney Lumet, the film won four Academy Awards and indelibly shaped how we think about corporate and media power. In Mad As Hell, Dave Itzkoff of The New York Times recounts the surprising and dramatic story of how Network made it to the screen. Such a movie rarely gets made any more—one man's vision of the world, independent of studio testing or market research. And that man was Paddy Chayefsky, the tough, driven, Oscar-winning screenwriter whose vision—outlandish for its time—is all too real today. Itzkoff uses interviews with the cast and crew, as well as Chayefsky's notes, letters, and drafts to re-create the action in front of and behind the camera at a time of swirling cultural turmoil. The result is a riveting account that enriches our appreciation of this prophetic and still-startling film. Itzkoff also speaks with today's leading broadcasters and filmmakers to assess Network's lasting impact on television and popular culture. They testify to the enduring genius of Paddy Chayefsky, who foresaw the future and whose life offers an unforgettable lesson about the true cost of self-expression.

Madder, matter, mater--a weed, a state of mind, a material, a meaning, a mother. Poet and horticulturist Marco Wilkinson searches for the roots of myths and memories among plant families and family trees. "My life, these weeds." Marco Wilkinson's intimate vignettes of intergenerational migration, queer sexuality, and willful forgetting use the language of plants as both structure and metaphor--particularly weeds: invisible yet ubiquitous, unwanted yet abundant, out-of-place yet flourishing. Madder combines meditations on nature with memories of Wilkinson's Rhode Island childhood and glimpses of his maternal family's life in Uruguay. The son of a fierce immigrant mother who tried to erase his absent father from their lives, Wilkinson investigates his heritage with a mixture of anger and empathy as he wrestles with the ambiguity of the past. Using a verdant iconography rich with wordplay and symbolism, Wilkinsonoffers a mesmerizing portrait of finding belonging in an uprooted world.