The behind-the-scenes story of the making of the iconic movie Network, which transformed the way we think about television and the way television thinks about us "I'm mad as hell, and I'm not going to take this anymore!" Those words, spoken by an unhinged anchorman named Howard Beale, "the mad prophet of the airwaves," took America by storm in 1976, when Network became a sensation. With a superb cast (including Faye Dunaway, William Holden, Peter Finch, and Robert Duvall) directed by Sidney Lumet, the film won four Academy Awards and indelibly shaped how we think about corporate and media power. In Mad As Hell, Dave Itzkoff of The New York Times recounts the surprising and dramatic story of how Network made it to the screen. Such a movie rarely gets made any more—one man's vision of the world, independent of studio testing or market research. And that man was Paddy Chayefsky, the tough, driven, Oscar-winning screenwriter whose vision—outlandish for its time—is all too real today. Itzkoff uses interviews with the cast and crew, as well as Chayefsky's notes, letters, and drafts to re-create the action in front of and behind the camera at a time of swirling cultural turmoil. The result is a riveting account that enriches our appreciation of this prophetic and still-startling film. Itzkoff also speaks with today's leading broadcasters and filmmakers to assess Network's lasting impact on television and popular culture. They testify to the enduring genius of Paddy Chayefsky, who foresaw the future and whose life offers an unforgettable lesson about the true cost of self-expression.

“I’m mad as hell, and I’m not going to take it anymore!” The words of Howard Beale, the fictional anchorman in 1976’s hit film Network, struck a chord with a generation of Americans. In this colourful new history, Dominic Sandbrook ranges seamlessly over the political, economic, and cultural high (and low) points of American life in the 1970s, exploring the roots of the fears, resentments, cravings, and disappointments we know so well today. From Richard Nixon and Ronald Reagan to Anita Bryant and Jerry Falwell, he shows how the 1970s saw the emergence of a new right-wing populism, setting the stage for the bitter partisanship and near-total cynicism of our modern political landscape.

The host of the nationally syndicated program Coast to Coast AM shares the problems that drive him crazy every night, as well as what makes him mad about the current conditions/situation in the country he loves.

Today’s raucous revolt against Washington and Wall Street is a classic populist uprising. In Mad as Hell, political pollsters Scott Rasmussen and Doug Schoen discuss how the Tea Party movement is fundamentally remaking our two-party system and what it means for the future of American politics. For political junkies of every stripe—from both the left and the right side of the aisle—Mad as Hell is mandatory reading.

A survivor on the run After refusing the laws of her sadistic pack, Skye Markham barely escapes with her life, seeking sanctuary with the feared Blackwater pack. Hunted by her former Alpha and his soldiers, she's determined to create a life even though she knows they will come for her. An alpha with a pack to protect As the next alpha in line, Remy Holt has spent years guarding the Blackwater pack and his family from those who seek to seize control and destroy them. The last thing he needs or wants is Skye Markham and the dangers she brings with her adding to the stress on his pack, but his wolf has a different opinion. He wants her, and after one moment that shouldn't have been possible, he knows he'll never be able to let her go. A bond unlike any other Skye thought she was finally safe, but as her bond with Remy strengthens, the shifter world starts to break apart at the seams. Missing shifters, a dying population, and pack wars are all causing their sanctuary to crumble around them, and Skye is trapped in the middle of it all. Someone is out to destroy the pack and if they succeed, there will bring down everything Remy has sought to protect and for Skye... maybe there is no such thing as a sanctuary. SANCTUM is the first book in the Blackwater Pack series. It is 135,000 words. Possible trigger warnings: abuse, violence, language, and bullying.

"[W]e can't come off as a bunch of angry white men.” Robert Bennett, chairman of the Ohio Republican Party One of the enduring legacies of the 2012 Presidential campaign was the demise of the white American male voter as a dominant force in the political landscape. On election night, after Obama was announced the winner, a distressed Bill O'Reilly lamented that he didn't live in “a traditional America anymore.” He was joined by others who bellowed their grief on the talk radio airwaves, the traditional redoubt of angry white men. Why were they so angry? Sociologist Michael Kimmel, one of the leading writers on men and masculinity in the world today, has spent hundreds of hours in the company of America's angry white men – from white supremacists to men's rights activists to young students –in pursuit of an answer. Angry White Men presents a comprehensive diagnosis of their fears, anxieties, and rage. Kimmel locates this increase in anger in the seismic economic, social and political shifts that have so transformed the American landscape. Downward mobility, increased racial and gender equality, and a tenacious clinging to an anachronistic ideology of masculinity has left many men feeling betrayed and bewildered. Raised to expect unparalleled social and economic privilege, white men are suffering today from what Kimmel calls "aggrieved entitlement": a sense that those benefits that white men believed were their due have been snatched away from them. Angry White Men discusses, among others, the sons of small town America, scarred by underemployment and wage stagnation. When America's white men feel they've lived their lives the ‘right' way – worked hard and stayed out of trouble – and still do not get economic rewards, then they have to blame somebody else. Even more terrifying is the phenomenon of angry young boys. School shootings in the United States are not just the work of “misguided youth” or “troubled teens”—they're all committed by boys. These alienated young men are transformed into mass murderers by a sense that using violence against others is their right. The future of America is more inclusive and diverse. The choice for angry white men is not whether or not they can stem the tide of history: they cannot. Their choice is whether or not they will be dragged kicking and screaming into that inevitable future, or whether they will walk openly and honorably – far happier and healthier incidentally – alongside those they've spent so long trying to exclude.

The “riveting”* true story of the fiery summer of 1970, which would forever transform the town of Oxford, North Carolina—a classic portrait of the fight for civil rights in the tradition of To Kill a Mockingbird *Chicago Tribune On May 11, 1970, Henry Marrow, a twenty-three-year-old black veteran, walked into a crossroads store owned by Robert Teel and came out running. Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life. Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away. Tim Tyson’s gripping narrative brings gritty blues truth and soaring gospel vision to a shocking episode of our history. FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “If you want to read only one book to understand the uniquely American struggle for racial equality and the swirls of emotion around it, this is it.”—Milwaukee Journal Sentinel “Blood Done Sign My Name is a most important book and one of the most powerful meditations on race in America that I have ever read.”—Cleveland Plain Dealer “Pulses with vital paradox . . . It’s a detached dissertation, a damning dark-night-of-the-white-soul, and a ripping yarn, all united by Tyson’s powerful voice, a brainy, booming Bubba profundo.”—Entertainment Weekly “Engaging and frequently stunning.”—San Diego Union-Tribune