In this fresh and funny follow-up to the Ezra Jack Keats Honor Book A Crow of His Own, rooster Clyde is forced to adjust to new roommates on the farm when Fran the goat and her kid, Rowdy, take up residence. Can Clyde handle having a new kid in town? Rooster Clyde has just settled in and found his voice when everyone demands that he take his hard-earned crow down a notch so as to not disturb newcomer Rowdy. That doesn't sit well with Clyde. Neither does the fact that motherly goose Roberta seems to have taken the new animals' side. The farm community learning to deal with a young member of the group is the main story in text and is paired with a wordless story in illustrations that shows Farmer Jay and Farmer Kevin getting ready for their adopted child to arrive on the farm.

Five original stories where strange changes occur, from a boy and a cat changing places and a young man learning the price of selfishness to an invisible princess finding herself.

This book shows the reader how to use variations of the classic Log Cabin block to create 19 quilted projects that will keep your decor in festive fashion throughout the year.'

"The best seller in New England on ghosts. All first-person adventures and misadventures of two ghost-busters who not only confront spirits in haunted houses, inns and museums, but snap their pictures as well. Eight photos of ghosts accompany the stories. You will find fascinating history, spine-tingling terror and surprising humor in this book."

From the curse of the lottery winners to the good feng shui of a local restaurant, this quirky, wacky, weird, and wonderful collection of superstitions uncovers the truth about some of our most familiar beliefs, as well as others that are much stranger. It turns out that everywhere in the world, people still put their trust in luck, magic, and mystery. By the end of this look at the bizarre world of illogic it’s clear: superstition is alive and well...and really spellbinding!

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

"Four characteristic scenarios by the inventor of the Happening concept."--Back cover

In early October 1959, thirty-two-year-old Allan Kaprow presented a performance piece entitled "18 Happenings in 6 Parts." This unique conjunction of visual, aural, and physical events, performed for an intimate art world audience by his friends and colleagues, would change the course of art history. The genre of artwork that evolved from this debut would become known as Happenings. Author Mildred Glimcher, an art historian, author, and close observer of contemporary art for more than fifty years, provides a vivid and comprehensive look not only at the events, but also at the culture and society that surrounded it. This new volume provides a comprehensive look at this revolutionary art form. Prepared in conjunction with an exhibition at the Pace Gallery in New York, it focuses on the years that saw the movement's birth in New York and Provincetown, Mass., and the artists who made the genre a legend: Red Grooms, Allan Kaprow, Robert Whitman, Jim Dine, Claes Oldenburg, Simone Forti, Carolee Schneemann. Together, they created a new and outrageous art form with an "anything goes" attitude, one whose influence is still felt within the contemporary art world. Glimcher visits the formative years of the movement in great detail, describing each performance piece in words and photographs. The radical nature of the time and the works is evidenced by Red Grooms's The Burning Building, Claes Oldenburg's Ray Gun Spex, Jim Dine's A Shining Bed, and many more. Happenings is heavily illustrated with photographs from the era, many drawn from a previously unpublished cache by Robert McElroy.

This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue - at times contentious - between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings--born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking--challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century.

Strange experiences that real people have had.