Hans Christian Andersen was the most prominent Danish author of the nineteenth century. Now known primarily for his fairy tales, during his lifetime he was equally famous for his novels, travelogues, poetry, and stage works, and it was through these genres that he most often reflected on the world around him. With the bicentennial of Andersen's birth in 2005, there is still much about the writer that is not yet common knowledge. This book explores a single aspect of that void - his interest in and relationship to the musical culture of nineteenth-century Europe. Why look to Andersen for information about music? To begin, Andersen had a musical background. He enjoyed a brief career as an opera singer and dancer at the Royal Theater in Copenhagen, and in later years he went on to produce opera libretti for the Danish and German stage. Andersen was also an avid music devotee. He made thirty major European tours during his seventy years, and on each of these trips he regularly attended opera and concert performances, recording his impressions in a series of travel diaries. In short, Andersen was a well-informed listener, and as this book reveals, his reflections on the music of his age serve as valuable sources for the study of music reception in the nineteenth century. Over the course of his life, Andersen embraced and then later rejected performers such as Maria Malibran, Franz Liszt, and Ole Bull, and his interest in opera and instrumental music underwent a series of dramatic transformations. In his final years, Andersen promoted figures as disparate as Wagner and Mendelssohn, while strongly objecting to Brahms. Although such changes in taste might be interpreted as indiscriminate by modern-day readers, this study shows that such shifts in opinion were not contradictory, but rather quite logical given the social and cultural climate of the age.

This book is suitable for children age 9 and above. Hans Christian Andersen's fairy tales are very well-known throughout the whole world. His popular stories include The Ugly Duckling, The Little Mermaid and The Princess and the Pea. Read about how a boy from simple beginnings became a famous poet and writer loved by children all over the world and respected by royalty.

Danish poet and novelist Hans Christian Andersen (1805-1875) is best known for the dozens of fairy tales he wrote, including "The Little Mermaid," "The Ugly Duckling," and "The Snow Queen." Andersen's sense of fantasy, power of description, and acute sensitivity are strikingly evident in his autobiography. Andersen masterfully depicts the extreme poverty of his provincial childhood and the international celebrity of his later years, and also provides insights into the sources of many of his most famous tales.

With a single kiss, a young maid saves her beloved from the Snow Queen’s icy imprisonment. When splinters from an evil troll’s magic mirror get into the heart and eye of Kai, he is tricked into accompanying the Snow Queen to her palace, and only the innocence and kindness of Gerda’s heart can save him. The inspiration for Frozen, Hans Christian’s Andersen’s “The Snow Queen” is one of the most beloved fairy tales in history. HarperPerennialClassics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

If you are a music lover, you will want to carry this clever and colorful journal with you everywhere. You can use it to write your thoughts, record your dreams, reflect on your goals, and relax at the end of a busy day. Or, use it to record class assignments, keep a to-do list, or write down anything you don't want to forget. Journal is small enough to fit in a purse or backpack so you can carry it with you and write when you want. Product Description: 6 x 9 120 lined pages Uniquely designed matte finish cover Creme lined interior paper We have lots of great journals and notebooks, so be sure to check out our other listings by clicking on the "Author Name" link just below the title of this journal. Give one to your school music teacher, your best friend, or your church choral director.

Beloved by generations of children and adults around the world for tales such as "The Ugly Duckling" and "The Emperor's New Clothes," Hans Christian Andersen (1805-1875) revolutionized children's literature. Although others before him had collected and retold folk stories and fairy tales, Andersen was the first to create the stories himself, instilling a previously stilted genre with new humor, wisdom, and pathos. Drawing on letters, diaries, and other original sources (many never before translated from the Danish), Wullschlager shows in this compelling, extensively researched biography how Andersen's writings—darker and more diverse than previously recognized—reflected the complexities of his life, a far cry from the "happily ever after" of a fairy tale. As we follow in his footsteps from Golden Age Copenhagen to the princely courts of Germany and the villas of southern Italy, Andersen becomes a figure every bit as fascinating as a character from one of his stories—a gawky, self-pitying, and desperate man, but also one of the most gifted storytellers the world has ever known.

The most beloved and popular collection in the realm of juvenile fiction. Each tale entertains, teaches and leaves a mark on the reader's heart and mind. Andersen blends together gentle humour, irony and fantasy to bring us characters that have enchanted readers through the ages. The best feature of these stories is that they teach useful lessons without being overtly moralistic. Utterly delightful!

Hans Christian Andersen, the Danish storyteller whose fairy tales are known all over the world, was also a gifted artist. He made hundreds, perhaps thousands, of paper cuttings of swans, clowns, toy theaters, windmills, angels, and other whimsical images. Often he made the paper cuttings while telling a story, then gave them to the children listening to him. In this inspired biography, Beth Wagner Brust tells the story of Andersen as an artist who used his many talents to escape the poverty into which he was born and who entertained others with not only his famous stories but also his innovative and original art.

**** BCCL3 cites the 4-volume classic (Macmillan, 1952) of which this is an abridgement. Strong, an attorney, reveals much about the practice of law in New York City. He was also a trustee of Columbia University, a vestryman of Trinity Episcopal Church, a close follower of local, state, and national politics, and a lover of music. His diary reflects these interests during the period from 1835 to 1875. In the 1970s, the definitive twelve-volume Danish edition of Andersen's diaries was published. In preparing a one-volume selection of the diaries for an English-speaking audience, Conroy and Rosell (both Scandinavian languages and literature, U. of Washington) have chosen excerpts that show many facets of Andersen's personality and his artistic world. The volume includes an introduction, annotations, and a detailed index, and is illustrated by a selection of Andersen's charming sketches. Annotation copyrighted by Book News, Inc., Portland, OR