**** BCCL3 cites the 4-volume classic (Macmillan, 1952) of which this is an abridgement. Strong, an attorney, reveals much about the practice of law in New York City. He was also a trustee of Columbia University, a vestryman of Trinity Episcopal Church, a close follower of local, state, and national politics, and a lover of music. His diary reflects these interests during the period from 1835 to 1875. In the 1970s, the definitive twelve-volume Danish edition of Andersen's diaries was published. In preparing a one-volume selection of the diaries for an English-speaking audience, Conroy and Rosell (both Scandinavian languages and literature, U. of Washington) have chosen excerpts that show many facets of Andersen's personality and his artistic world. The volume includes an introduction, annotations, and a detailed index, and is illustrated by a selection of Andersen's charming sketches. Annotation copyrighted by Book News, Inc., Portland, OR

Beloved by generations of children and adults around the world for tales such as "The Ugly Duckling" and "The Emperor's New Clothes," Hans Christian Andersen (1805-1875) revolutionized children's literature. Although others before him had collected and retold folk stories and fairy tales, Andersen was the first to create the stories himself, instilling a previously stilted genre with new humor, wisdom, and pathos. Drawing on letters, diaries, and other original sources (many never before translated from the Danish), Wullschlager shows in this compelling, extensively researched biography how Andersen's writings—darker and more diverse than previously recognized—reflected the complexities of his life, a far cry from the "happily ever after" of a fairy tale. As we follow in his footsteps from Golden Age Copenhagen to the princely courts of Germany and the villas of southern Italy, Andersen becomes a figure every bit as fascinating as a character from one of his stories—a gawky, self-pitying, and desperate man, but also one of the most gifted storytellers the world has ever known.

Hans Christian Andersen is indisputably the best known of all Scandinavian writers, his tales and stories having been translated probably into more languages than any other work except the Bible. He is also one of the greatest travelers of nineteenth-century belles lettres and few were the major European cities, capitals, and countries he did not visit, many of them several times: Vienna, Berlin, Dresden, Leipzig, Weimar, Paris, and London. He met and became friends with some of the most outstanding representatives of the European artistic community: Charles Dickens, Victor Hugo, Alexandre Dumas père, Franz Grillparzer, Heinrich Heine, the Brothers Grimm, Wilhelm von Kaulbach, Franz Liszt, Felix Mendelssohn-Bartholdy, Clara and Robert Schumann, to mention a few.Andersen was the first notable Danish writer of proletarian origin, and even though he was never able to overcome his personal traumas, he became extremely successful in climbing the social ladder receiving invitations wherever he went from nobility and royalty and being showered with recognition and decorations. He read aloud to and was feted by Maximilian II of Bavaria, Friedrich Wilhelm IV of Prussia, Grand Duchess Sophia of Austria, and Friedrich August II of Saxony. Even though he also was a frequent visitor at the Danish court Andersen always felt more appreciated abroad.In spite of Andersen's status as a world-renowned writer, no critical treatment has thus far discussed him as a key figure in European contemporary culture and a cosmopolitan personality. The contributors to the present volume -- all of whom are acclaimed Andersen scholars -- have made extensive use of the vast material available in Andersen's diaries, almanacs, autobiographies, and letters. Most of this material, now made available in English for the first time, allows a new Andersen to emerge, different from the traditional portrayal of him as a content and happy storyteller -- a myth indeed! To the contrary, all contributors of this volume discuss his complexity, the traumas and disillusionments of a professional artist constantly struggling to maintain his position and incessantly worried about running out of inspiration.This volume -- besides presenting biographical information in an international perspective -- focuses on Andersen's fascinating psychological make-up, his taste in music, literature, and the pictorial arts, the contemporary critical reception of his work, and explores his creative universe in a more general sense including his poetry, novels, plays, and travelogues. Andersen's overall artistic achievements are viewed in the context of world literature.

By the time Anthon Lund was born in Denmark in 1844, Soren Kierkegaard was already producing his ideas on existentialism and Hans Christian Andersen had just penned the tales that would make him world-famous. In this environment, Anthon--who was raised by his father and grandmother after his mother's death--became a voracious reader by the age of six. He converted to Mormonism, immigrated to the United States, and became an apostle and later counselor to the LDS church president--also Salt Lake temple president and Church Historian. His diaries cover the tensions between Apostle Moses Thatcher and his colleagues; the rejection by the U.S. House of Representatives of Utah's Congressman, B.H. Roberts; the stormy hearings over whether to seat LDS apostle Reed Smoot in the U.S. Senate; and publication of The History of the Church. Lund's accounts of the inner workings of the church hierarchy are at times formal but otherwise chatty, the latter quality making him a favorite diarist among historians.

Hans Christian Andersen is indisputably the best known of all Scandinavian writers, his tales and stories having been translated probably into more languages than any other work except the Bible. He is also one of the greatest travelers of nineteenth-century belles lettres and few were the major European cities, capitals, and countries he did not visit, many of them several times: Vienna, Berlin, Dresden, Leipzig, Weimar, Paris, and London. He met and became friends with some of the most outstanding representatives of the European artistic community: Charles Dickens, Victor Hugo, Alexandre Dumas père, Franz Grillparzer, Heinrich Heine, the Brothers Grimm, Wilhelm von Kaulbach, Franz Liszt, Felix Mendelssohn-Bartholdy, Clara and Robert Schumann, to mention a few. Andersen was the first notable Danish writer of proletarian origin, and even though he was never able to overcome his personal traumas, he became extremely successful in climbing the social ladder receiving invitations wherever he went from nobility and royalty and being showered with recognition and decorations. He read aloud to and was feted by Maximilian II of Bavaria, Friedrich Wilhelm IV of Prussia, Grand Duchess Sophia of Austria, and Friedrich August II of Saxony. Even though he also was a frequent visitor at the Danish court Andersen always felt more appreciated abroad. In spite of Andersen's status as a world-renowned writer, no critical treatment has thus far discussed him as a key figure in European contemporary culture and a cosmopolitan personality. The contributors to the present volume -- all of whom are acclaimed Andersen scholars -- have made extensive use of the vast material available in Andersen's diaries, almanacs, autobiographies, and letters. Most of this material, now made available in English for the first time, allows a new Andersen to emerge, different from the traditional portrayal of him as a content and happy storyteller -- a myth indeed! To the contrary, all contributors of this volume discuss his complexity, the traumas and disillusionments of a professional artist constantly struggling to maintain his position and incessantly worried about running out of inspiration. This volume -- besides presenting biographical information in an international perspective -- focuses on Andersen's fascinating psychological make-up, his taste in music, literature, and the pictorial arts, the contemporary critical reception of his work, and explores his creative universe in a more general sense including his poetry, novels, plays, and travelogues. Andersen's overall artistic achievements are viewed in the context of world literature.

The 2005 bicentenary of Hans Christian Andersen's birth is an opportunity to re-evaluate the achievement of one of the great figures of the fairy tale and storytelling tradition, a beloved writer famous for The Snow Queen and The Little Mermaid, The Ugly Duckling and The Red Shoes and many other now classic tales. Jack Zipes broadens our understanding of Andersen by exploring the relation of the Danish writer's work to the development of literature and of the fairy tale in particular. Based on thirty-five years of researching and writing on Andersen, this new book is a welcome reconsideration of Andersen's place and of his reception in English-speaking countries and on film.

This volume of the Golden Age of Illustration Series contains Hans Christian Andersen's 'The Steadfast Tin Soldier', first published in May of 1838. This classic fairy tale has been continuously in print in different editions since its first publication, with many, many, different artists illustrating the story over the years. This edition features a beautiful collection of the best of that art, taken from the likes of Arthur Rackham, W. Heath Robinson, Kay Nielsen, Mabel Lucie Attwell, Anne Anderson, Milo Winter, among others. This series of books celebrates the Golden Age of Illustration. During this period, the popularity, abundance and - most importantly - the unprecedented upsurge in the quality of illustrated works marked an astounding change in the way that publishers, artists and the general public came to view this hitherto insufficiently esteemed art form. The Golden Age of Illustration Series, has sourced the rare original editions of these books and reproduced the beautiful art work in order to build a unique collection of illustrated fairy tales.

On the bicentennial of Hans Christian Andersen’s birth, this collection takes Andersen out of the nursery and places him squarely in the literary pantheon. While Andersen’s tales continue to seize the imagination with their singular blend of simplicity, eccentricity, and charm, English-language readers have until now had to content themselves with inaccurate retellings and inadequate translations. Diana Crone Frank, a Danish novelist and linguist, and Jeffrey Frank, a novelist and editor at the New Yorker, offer a much-needed modern translation. In this collection are twenty-two tales that best represent Andersen’s literary legacy, including such classics as “The Little Mermaid,” “The Ugly Duckling,” “Thumbelisa,” and “The Emperor’s New Clothes,” as well as largely unfamiliar stories like “By the Outermost Sea.” Illuminating notes clarify references in the tales. And in an introductory essay, the Franks explore the writer and his times, placing the enigmatic and often bizarre figure of Andersen among his literary contemporaries, such as Charles Dickens and Søren Kierkegaard, with whom he crossed paths; and they bring to life Andersen’s fascinating relationship with the United States. Illustrated with the delicate and beautiful drawings that accompanied the original Danish publication, The Stories of Hans Christian Andersen will delight readers of all ages.