"A collection of thematically related essays on a variety of works by Shakespeare"--P. 11.

42 easy-to-read, ready-to-inspire sample essays on Shakespeare''s Hamlet. Inside you will find three 1,500-word essays on each of the following 14 characters, relationships and themes: #1: The Character of Hamlet Born a prince, parented by a jester, haunted by a ghost, destined to kill a king rather than become one, and remembered as the title character of a play he did not want to be in. #2: The Character of Claudius His "ambition" (3.3) for Denmark''s throne leads him to commit one murder only to find that he must plot a second to cover up the first. When this plan fails, his next scheme leads to his own death and that of the woman he loved. #3: The Character of Gertrude "Have you eyes?" (3.4), Prince Hamlet demands of his mother. Gertrude''s "o''erhasty marriage" (2.2) dooms her life and the lives of everyone around her when her wished-for, happily-ever-after fairytale ends in a bloodbath. #4: The Character of Ophelia Ophelia''s sanity is overwhelmed by Elsinore''s maddening world of deception and betrayal. Her "self-slaughter" (1.2) is her revenge against everyone who dismissed, silenced and humiliated her. #5: Relationship of Hamlet and the Ghost By surrendering Denmark to his rival''s son, Hamlet grants to the angry Ghost of his "dear father murdered" (2.2) the forgiveness his suffering soul needed more than the revenge he demanded. #6: Relationship of Hamlet and Claudius Claudius is haunted by the murder he has committed ("O heavy burden!", 3.1). Hamlet by the one he hasn''t yet ("Am I a coward?", 2.2). In the end, the prince by two means kills the "arrant knave" (1.5) whose poison claimed the lives of both his parents and who had twice plotted to murder him. #7: Relationship of Hamlet and Gertrude A haunted-by-the-past ("Must I remember?", 1.2) Hamlet seeks the truth about his father''s death. A live-in-the-moment ("All that is I see", 3.4) Gertrude seeks to protect her second husband and throne. #8: Relationship of Hamlet and Ophelia Their relationship begins in uncertainty, descends into mutual deceit and rejection, and ends with their double surrender to death: she, to the "weeping brook" (4.7); he, to Claudius'' "he shall not choose but fall" (4.7) rigged fencing duel. #9: Relationship of Hamlet and Horatio "Those friends thou hast ... Grapple them unto thy soul with hoops of steel" (1.3). Horatio is Hamlet''s trusted confidant in life and vows to remain the keeper of his memory after the prince''s death. #10: Relationship of Claudius and Gertrude A marriage of practical interest. Claudius wanted something (the kingship) he did not have; Gertrude had something (the status of queen) she wanted to hold onto. #11: The Themes of Hamlet A king murdered, an inheritance stolen, a family divided: Elsinore''s older generation destroys its younger when two brothers -- one living, one undead -- battle in a "cursed spite" (1.5) over a crown and queen. #12: The Theme of Revenge Two young men journey from revenge, through obsession and anger, to forgiveness. And the revenge sought in act one by the Ghost on his brother Claudius becomes in act five the revenge of old King Fortinbras on old King Hamlet. #13: The Theme Deception and Appearance versus Reality ''Seems'' and ''is'' are as tragically far apart as Rosencrantz and Guildenstern are comically similar in a play-long triple pun on the verb ''to act'': to take action, to behave deceitfully, and to perform in theater. #14: The Theme of Madness Is Hamlet ever really insane? If not, why is he pretending to be? Is the prince''s behavior the cause of Ophelia''s traumatic breakdown? Book website: www.essaykit.com.

In these Shakespearean essays originally published together in 1979, the distinguished literary critic L. C. Knights offers the fruits of his long-term thinking about individual plays (notably, Hamlet, Julius Caesar, Macbeth, Lear) and explores the ways in which a deep and imaginative understanding of Shakespeare's work can relate to and enrich other areas of knowledge - politics, history, social and emotional relationships, the nature of theatrical experience ... Certain critical assumptions are of course implicit here: that great works of art have a continuing life which is renewed through perception; that the vitality generated by such works is for all men and that the critic's function is to encourage all readers to see as much as they can for themselves, not to dogmatize or try to impose a particular reading. L. C. Knights admirably fulfils this function in these essays most of which have been gathered from the three volumes entitled Explorations, Further Explorations and Explorations 3.

These essays offer fresh ideas about Shakespeare. Everett argues that patterns in the major tragedies are drawn from the most common human experiences, and that Shakespeare used his great public settings to suggest myths of the personal life. The first essay "Growing," proposes a new reading that recovers an older forgotten view of the place of the young within the social order. Other essays exemplify a wide range of approaches to Shakespeare's tragic texts, including a reading of Romeo and Juliet that presents the Nurse as a key to Shakepeare's tragic conception, and an essay on the "inaction" of Troilus and Cressida that brings out the extraordinary originality of this unclassifiable play. In addition, the book provides ancillary studies of Hamlet and Othello, together with new approaches to the texts which show how these plays manifest their meanings, even in the smallest details of word and phrase.

What goes through a man's mind when he is playing Hamlet? How does Shakespeare's best-known play actually work, from the inside? Steven Berkoff is an actor, playwright, and director with an extraordinary talent for conveying powerful ideas and emotions. His production of Hamlet, in which he took the title role, began in Edinburgh in 1979, went on to the Round House in London, and toured throughout Europe for the next two years. The company completed its final performance as guests of Jean-Louis Barrault at his Rond Point Theater, where the audience gave the production a tempestuous ovation. During the tour Berkoff kept a journal and recorded the workings of the play from the director/actor's point of view. On the basis of that diary Berkoff has created an intensely personal analysis of the play with a line-by-line examination of the text and the way he approached it in his production. His detailed observations show how his imagination covers a wide range of human experience--from love and death to the nature of marriage and the messianic fervor of Hamlet. I Am Hamlet not only reveals the mind of a fascinating actor and director at work, it is also a singular encounter with a part that "touches the complete alphabet of human experience" and that every actor feels he is born to play.

Critical essays about William Shakespeare's "Hamlet".

In the three decades since her revolutionary and seminal article "The Character of Hamlet's Mother," Carolyn Heilbrun has been a prophet in the field of women and literature, gender and culture. This collection of graceful and uncompromising essays charts her development as a feminist writer and critic, which has culminated in such groundbreaking works as REINVENTING WOMANHOOD and WRITING A WOMAN'S LIFE. Shakespeare's Gertrude was first among many literary figures illuminated by Heilbrun's feminist sensibility. Others include Homer's Penelope -- an archetypal single parent, weaving herself a new life for which she was given no script; Jo in LITTLE WOMEN, a model of autonomy for generations of female readers; Elizabeth Bennet, remarkable for the promise of friendship in her marriage with Darcy; and Harrriet Vane, outrageously unique on many counts. The consistency and clarity of Heilbrun's vision in matched only by its heterogeneity, as she discusses Margaret Mead and Freud's daughters, Virginia Woolf and James Joyce, resistance to feminist studies in academia, mothers and daughters, fiction and myth, tomboys and surrogate sons, and the detective story, of which Heibrun herself (as Amanda Cross) is one of the ablest practitioners. HAMLET'S MOTHER AND OTHER WOMEN will spark recognition, again and again, in readers on their own quest for female redefinition. "[A] witty, learned collection of essays . . . filled with delicate, sometimes startling gems of perception . . . . Provocative." -- New York Newsday

This is an account of some of the most bizarre areas of human psychology, ranging from extraordinary states of mind such as love, faith and anger to full-blown psychosis. It examines disorders such as schizophrenia or Tourette's syndrome and bizarre mental states that lead to dancing mania, demonic possession, hypocondria or self-mutilation. The author discusses the unusual mental make-ups of criminals, saints, paedophiles and mediums and the extraordinary mental states most of us experience - self delusion as a defense mechanism.

'Hamlet and the Vision of Darkness' is a radical new interpretation of the most famous play in the English language. By exploring Shakespeare's engagements with the humanist traditions of early modern England and Europe, Rhodri Lewis reveals a 'Hamlet' unseen for centuries: an innovative, coherent, and exhilaratingly bleak tragedy in which the governing ideologies of Shakespeare's age are scrupulously upended.