Critical essays about William Shakespeare's "Hamlet".

Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the international contributors to Hamlet: New Critical Essays contribute major new interpretations on the conception and writing, editing, and cultural productions of Hamlet. This book is the most up-to-date and comprehensive critical analysis available of one of Shakespeare's best-known and most engaging plays.

Edited by Joseph Pearce Contributors to this volume: Crystal Downing Anthony Esolen Gene Fendt Richard Harp Joseph Pearce Andrew Moran Jim Scott Orrick R.V. Young Arguably Shakespeare's finest and most important play, Hamlet is also one of the most misunderstood masterpieces of world literature. ""To be or not to be"", may be the question, but the answer has eluded many generations of critics. What does it mean ""to be""? And is everything as it seems to be? These are the questions that are asked and answered in the introduction by Joseph Pearce, author of The Quest for Shakespeare, and in the tradition-oriented critical essays by leading Shakespeare scholars that can be found in this groundbreaking edition of Shakespeare's masterpiece. To see or not to see, that is the question. The Ignatius Critical Edition of Hamlet will help many people truly see the play and its deepest meaning in a new and surprising light. The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. Whereas many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works. Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. The series is particularly aimed at tradition-minded literature professors offering them an alternative for their students. The initial list will have about 15 - 20 titles. The goal is to release three books a season, or six in a year.

Critical essays about William Shakespeare's "Hamlet".

Despite the outpour of interpretations, from critics of all schools, on Shakespeare's dramatic works and other poetic works, A Lover's Complaint has been almost totally ignored by criticism. This collection of essays is designed to bring to the poem the attention it deserves for its beauty, its aesthetic, psychological and conceptual complexity, and its representation of its cultural moment. A series of readings of A Lover's Complaint, particularly engaging with issues of psychoanalysis and gender, the volume cumulatively builds a detailed picture of the poem, its reception, and its critical neglect. The essays in the volume, by leading Shakespeareans, open up this important text before scholars, and together generate the long-overdue critical conversation about the many intriguing facets of the poem.

In these Shakespearean essays originally published together in 1979, the distinguished literary critic L. C. Knights offers the fruits of his long-term thinking about individual plays (notably, Hamlet, Julius Caesar, Macbeth, Lear) and explores the ways in which a deep and imaginative understanding of Shakespeare's work can relate to and enrich other areas of knowledge - politics, history, social and emotional relationships, the nature of theatrical experience ... Certain critical assumptions are of course implicit here: that great works of art have a continuing life which is renewed through perception; that the vitality generated by such works is for all men and that the critic's function is to encourage all readers to see as much as they can for themselves, not to dogmatize or try to impose a particular reading. L. C. Knights admirably fulfils this function in these essays most of which have been gathered from the three volumes entitled Explorations, Further Explorations and Explorations 3.

A comprehensive collection of the best writing about this Shakespearian play, both as dramatic literature and theatrical performance, this book is an excellent resource companion to the text. This collected wisdom was originally published in 1986. It contains pieces of commentary from as far back as the late 18th Century but also highly acclaimed critical pieces from more recent years, organised into six general themes.

'Hamlet and the Vision of Darkness' is a radical new interpretation of the most famous play in the English language. By exploring Shakespeare's engagements with the humanist traditions of early modern England and Europe, Rhodri Lewis reveals a 'Hamlet' unseen for centuries: an innovative, coherent, and exhilaratingly bleak tragedy in which the governing ideologies of Shakespeare's age are scrupulously upended.

Hamlet may be the most influential play ever written. It is certainly one of the most famous and important. This volume offers diverse views of the work that many consider William Shakespeare's masterpiece. Essays provide close analyses of language, discussion of the play as a work (and film), and various contextual approaches, including essays on historical, cultural, social, philosophical, and gender contexts.

An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.