This is the story of Benny the son of David Levi, the central figure of "Of Guns & Mules" and the five-year period he spent serving with the British army in World War II. Volunteering in the summer of 1940, Benny becomes a driver in a Jewish-Palestinian unit and sees active service in Egypt and North Africa. After taking part in the defeat of Rommel's Afrika Corps, he is sent to Italy via Malta. There he undergoes combat training and, as a fighter in the newly formed Jewish Brigade, participates in the Allies final push against the Nazis. He also takes part in the unofficial revenge squads that hunt down and kill escaping SS officers. During the war Benny meets and falls in love with Tamar and also learns about the plight of Jews who were killed in the Holocaust. When not on duty, and with American support, Benny and his friends help those who survived the Holocaust, rescuing many concentration camp survivors and helping them reach Mandatory Palestine. After the war is over, the Brigade is sent to Belgium. Here, Benny continues to help the Jewish survivors before returning to Tel Aviv to begin a new life with Tamar.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

Revenge is a primal force at the heart of conflict and justice—as ancient as humanity itself. It can be found in nearly all societies and, culturally, we are fascinated by it—as countless novels, dramas, films, and computer games attest. “Getting even” can restore the balance of relationships and bring order. It can fill the vacuum left by imperfect or unjust justice systems. It can rescue people trapped in oppressive conditions. But revenge can also get out of control; spirals of revenge are notoriously destructive and impervious to appeals for peace and forgiveness. In this bold new book, Stephen Fineman lifts the lid on revenge, exposing its intriguing contours in arenas as diverse as the workplace, intimate relationships, the search for societal justice, war, and politics. He explores the psychology and experience of revenge and touches on more recent manifestations, like cyber-stalking and revenge pornography, in order to ask important questions: How best can we prevent the most damaging effects of revenge? When should retribution be tolerated, or even celebrated? If we are all potential avengers, what does that say about us? In an age when digital media has created a new generation of armchair avengers, settling real or imaginary scores and starting-up new ones, Revenge is more than timely. Thoughtful and critical, Revenge tackles one of society’s oldest and greatest vices.

Guns of Revenge is an action packed western with numerous gunfights from the first page to the last. The story takes place immediately after the civil war with Cort Patrick's home town being attacked by Bull Taggart and his men to revenge the death of Bull's brother. Cort and his men then sought to wipe out Taggart and his gang to avenge the attack on his town. Bull led a band of southern guerilla's who made Quantrill look like a choir boy. Cort and his men rode for the North and dogged Bull's trail throughout the war making Cort and Bull mortal enemies. The story is one of action and revenge that was part of the tale of the west after the civil war.

From the National Book Award–winning author of The Absolutely True Diary of a Part-Time Indian, the tale of a troubled boy’s trip through history. Half Native American and half Irish, fifteen-year-old “Zits” has spent much of his short life alternately abused and ignored as an orphan and ward of the foster care system. Ever since his mother died, he’s felt alienated from everyone, but, thanks to the alcoholic father whom he’s never met, especially disconnected from other Indians. After he runs away from his latest foster home, he makes a new friend. Handsome, charismatic, and eloquent, Justice soon persuades Zits to unleash his pain and anger on the uncaring world. But picking up a gun leads Zits on an unexpected time-traveling journey through several violent moments in American history, experiencing life as an FBI agent during the civil rights movement, a mute Indian boy during the Battle of Little Bighorn, a nineteenth-century Indian tracker, and a modern-day airplane pilot. When Zits finally returns to his own body, “he begins to understand what it means to be the hero, the villain and the victim. . . . Mr. Alexie succeeds yet again with his ability to pierce to the heart of matters, leaving this reader with tears in her eyes” (The New York Times Book Review). Sherman Alexie’s acclaimed novels have turned a spotlight on the unique experiences of modern-day Native Americans, and here, the New York Times–bestselling author of The Lone Ranger and Tonto Fistfight in Heaven and The Absolutely True Diary of a Part-Time Indian takes a bold new turn, combining magical realism with his singular humor and insight. This ebook features an illustrated biography of Sherman Alexie including rare photos from the author’s personal collection.

Ruby Gill is a rogue MI6 agent, the daughter of an Indian father and Palestinian mother. Her mission is to destroy a Palestinian-Israeli peace summit in New Delhi. Ruby's father, whom she has not seen since age three, is now head of India's antiterrorist police. When the two first meet, Ravinder Gill believes his long-lost daughter has come for a reunion . . . but as time goes by, he begins to suspect that she is the terrorist he's searching for. Combining a fascinating mix of terrorist operational detail contrasted with the coming together of a father and daughter who once loved each other but are now on opposite sides of a deadly encounter, Mukul Deva's Weapon of Vengeance is a gripping thriller filled with explosive action and weighty characters.

Todd Strasser’s acclaimed account of school violence that Kirkus Reviews calls “vivid, distressing, and all too real.” For as long as they can remember, Brendan and Gary have been mercilessly teased and harassed by the jocks who rule Middletown High. But not anymore. Stealing a small arsenal of guns from a neighbor, they take their classmates hostage at a school dance. In the panic of this desperate situation, it soon becomes clear that only one thing matters to Bendan and Gary: revenge.

This sweeping naval history chronicles the many British vessels to bare the name Revenge, from the sixteenth-century galleon to the twentieth-century submarine. The glory years of the Royal Navy can be glimpsed between Sir Francis Drake’s Revenge and the Polaris submarine of the same name, built four centuries later. In its various forms, Revenge was at the Armada, the Azores, Trafalgar, and Jutland and with weapons capable of terrible destruction. The first Revenge, a 46-gun galleon launched in 1577, symbolized the boldness and flair of that period. Commanded by the legendary Drake, it was faster and more maneuverable than the massive Spanish galleons. Many years later, the mighty 25,000-ton battleship was representative of the strength of the British Empire at its peak. The first Revenge would have comfortably fitted across the beam of this battleship. More than a study of these mighty ships, The Story of the HMS Revenge describes their commanders and crews as well. Illustrated throughout, it captures the flavor of life on board and details technological developments, and of course, the actions in which they were involved.

"A privateer, strickly speaking, was a private armed vessel carrying no cargo and devoted exclusively to warlike use."--Intro., p. 14.