Gulag Casual, by acclaimed illustrator and cartoonist Austin English, presents some of the most mature and sustained work yet from a constantly challenging and essential artist. This new suite of short stories collects material from 2010–2015, showcasing the kind of imaginative imagery which firmly establishes English as one of the most innovative cartoonists in practice today.

Only a few years after Britain defeated fascism came the Mau Mau uprising in Kenya - a mass armed rebellion by the Kikuyu people, demanding the return of their land and freedom. The draconian response of Britain's colonial government was to detain nearly the entire Kikuyu population of 1.5 million and to portray them as sub-human savages. Detainees in their thousands - possibly a hundred thousand or more - died from exhaustion, disease, starvation and systemic physical brutality. For decades these events remained untold. Caroline Elkins conducted years of research to piece together this story, unearthing reams of documents and interviewing several hundred Kikuyu survivors. Britain's Gulag reveals, for the first time, the full savagery of the Mau Mau war and the ruthless determination with which Britain sought to control its empire.

Since 1980, the number of people in U.S. prisons has increased more than 450%. Despite a crime rate that has been falling steadily for decades, California has led the way in this explosion, with what a state analyst called "the biggest prison building project in the history of the world." Golden Gulag provides the first detailed explanation for that buildup by looking at how political and economic forces, ranging from global to local, conjoined to produce the prison boom. In an informed and impassioned account, Ruth Wilson Gilmore examines this issue through statewide, rural, and urban perspectives to explain how the expansion developed from surpluses of finance capital, labor, land, and state capacity. Detailing crises that hit California’s economy with particular ferocity, she argues that defeats of radical struggles, weakening of labor, and shifting patterns of capital investment have been key conditions for prison growth. The results—a vast and expensive prison system, a huge number of incarcerated young people of color, and the increase in punitive justice such as the "three strikes" law—pose profound and troubling questions for the future of California, the United States, and the world. Golden Gulag provides a rich context for this complex dilemma, and at the same time challenges many cherished assumptions about who benefits and who suffers from the state’s commitment to prison expansion.

In the archives of the Memorial International Human Rights Centre in Moscow is an extraordinary diary, a rare first-person testimony of a commander of guards in a Soviet labour camp. Ivan Chistyakov was sent to the Gulag in 1935, where he worked at the Baikal-Amur Corrective Labour Camp for over a year. Life at the Gulag was anathema to Chistyakov, a cultured Muscovite with a nostalgia for pre-revolutionary Russia, and an amateur painter and poet. He recorded its horrors with an unmatchable immediacy, documenting a world where petty rivalries put lives at risk, prisoners hacked off their fingers to bet in card games, railway sleepers were burned for firewood and Siberian winds froze the lather on the soap. From his stumbling poetic musings on the bitter landscape to his matter-of-fact grumbles about his stove, from accounts of the conditions of the camp to reflections on the cruelty of loneliness, this diary is unique - a visceral and immediate description of a place and time whose repercussions still affect the shape of modern Russia.

In 1934, Joseph Stalin enacted sodomy laws, unleashing a wave of brutal detentions of homosexual men in large Soviet cities. Rustam Alexander recounts the compelling stories of people whose lives were directly affected by those laws, including a naïve Scottish journalist based in Moscow who dared to write to Stalin in an attempt to save his lover from prosecution, and a homosexual theatre student who came to Moscow in pursuit of a career amid Stalin’s harsh repressions and mass arrests. We also meet a fearless doctor in Siberia who provided medical treatment for gay men at his own peril, and a much-loved Soviet singer who hid his homosexuality from the secret police. Each vignette helps paint the hitherto unknown picture of how Soviet oppression of gay people originated and was perpetuated from Stalin’s rule until the demise of the USSR. This book comes at a time when homophobia is again rearing its ugly head under Putin’s rule.

Stalin's reign of terror in the Soviet Union has been called 'the other Holocaust'. During the Stalin years, it is thought that more innocent men, women and children perished than in Hitler's destruction of the European Jews. Many millions died in Stalin's Gulag of torture prisons and forced-labour camps, yet others survived and were freed after his death in 1953. This book is the story of the survivors. Long kept secret by Soviet repression and censorship, it is now told by renowned author and historian Stephen F. Cohen, who came to know many former Gulag inmates during his frequent trips to Moscow over a period of thirty years. Based on first-hand interviews with the victims themselves and on newly available materials, Cohen provides a powerful narrative of the survivors' post-Gulag saga, from their liberation and return to Soviet society, to their long struggle to salvage what remained of their shattered lives and to obtain justice. Spanning more than fifty years, "The Victims Return" combines individual stories with the fierce political conflicts that raged, both in society and in the Kremlin, over the victims of the terror and the people who had victimized them. This compelling book will be essential reading for anyone interested in Russian history.

Each issue has distinctive cover art; most contain interviews and artwork by comic artists and cartoonists.

The human cost of the Gulag, the Soviet labor camp system in which millions of people were imprisoned between 1920 and 1956, was staggering. Aleksandr Solzhenitsyn and others after him have written movingly about the Gulag, yet never has there been a thorough historical study of this unique and tragic episode in Soviet history. This groundbreaking book presents the first comprehensive, historically accurate account of the camp system. Russian historian Oleg Khlevniuk has mined the contents of extensive archives, including long-suppressed state and Communist Party documents, to uncover the secrets of the Gulag and how it became a central component of Soviet ideology and social policy.

“The Big Green Tent, for all its grand ambition, manages an intimacy that can leave a reader reeling . . . a masterpiece.” ―Colin Dwyer, NPR With epic breadth and intimate detail, Ludmila Ulitskaya’s remarkable novel tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for individual integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. Ludmila Ulitskaya’s novel is a revelation of life in dark times. “As grand, solid and impressively all-encompassing as the title implies . . . Ulitskaya's readers will find it hard not to imagine themselves in her characters' place, to ponder what choices we'd make in similar situations.” ―Lara Vapnyar, The New York Times Book Review “A gripping tale.” ―Leonid Bershidsky, The Atlantic “Compelling, addictive reading.” ―Masha Gessen, The New Yorker “[Ulitskaya] writes page-turners that just happen to be monumentally important.” ―Boris Kachka, New York magazine “Worthy of shelving alongside Doctor Zhivago: memorable and moving.” ―Kirkus Reviews, starred review