Global Strategic Management is written by award winning lecturers in strategy, involved with the Community of European Business Schools and International Business (CEMS) who have a wealth of experience teaching strategy to future business leaders. For those teaching courses in strategy to those going on to work in organisations working in a global environment, this text will meet a number of key teaching and learning needs

Details ways for the reader to find out what online discussion and information groups exist on the Internet, and explains how to connect with them. The book features mini-reviews of 2300 newsgroups, Frequently Asked Question (FAQ) files and a 5500-word, alphabetically-organized subject index.

Xeric Award-winning cartoonist Kevin Mutch skewers theory-spouting academics, sleazy art dealers, and obnoxious over-sharers. In this graphic novel, Adam Kline is an aspiring digital artist stuck in a thankless university adjunct position, married to an ambitious woman sick of supporting his pipe dreams, and is completely ignored by the New York art scene. Miraculously, though, his fortunes seem to be turning around. However, there's just one problem ― his mysterious medical condition keeps blacking him out at the most inopportune times, and slowly blurs his perceptions of reality and fantasy… And, if that wasn't enough, he has to content with eerie, pitch-black void, flesh-eating zombies, and a vast, secret network of bug-eyed, bald-headed aliens.

Megg is a depressed, drug-addicted witch. Mogg is her black cat. Their friend, Owl, is an anthropomorphized owl. They hang out a lot with Werewolf Jones. This may sound like a pure stoner comedy, but it transcends the genre: these characters struggle unsuccessfully to come to grips with their depression, drug use, sexuality, poverty, lack of work, lack of ambition, and their complex feelings about each other in ways that have made Megg and Mogg sensations on Hanselmann's GirlMountain tumblr. This is the first collection of Hanselmann's work, freed from its cumbersome Internet prison, and sure to be one of the most talked about graphic novels of 2014, featuring all of the “classic” Megg and Mogg episodes from the past five years as well as over 70 pages of all-new material.

This is a literary collection of interconnected comics stories about monsters ― giant monsters, tiny monsters, robot monsters, cosmic monsters ― some of whom work for the benefit of humankind, others as agents of chaos. Taking place over different planes of existence, trippy and deadpan, the stories share a perspective seen from a world gone horribly wrong. Worlds behind worlds are revealed ― including our own.

“It’s the perfect book to pick up to restore your faith in comics or help show infinite diversity in infinite combinations on display on paper using the world’s greatest artform.” — Comics Bulletin The Best American Comics showcases the work of both established and up-and-coming contributors and highlights both fiction and nonfiction — from graphic novels, pamphlet comics, newspapers, magazines, minicomics, and the Web — to make a unique, stunning collection. Frank Miller (Sin City, 300) called guest editor Scott McCloud “just about the smartest guy in comics.”

A true cornerstone of the Japanese underground scene of the 1960s Seiichi Hayashi produced Red Colored Elegy between 1970 and 1971, in the aftermath of a politically turbulent and culturally vibrant decade that promised but failed to deliver new possibilities. With a combination of sparse line work and visual codes borrowed from animation and film, the quiet, melancholy lives of a young couple struggling to make ends meet are beautifully captured in this poetic masterpiece. Uninvolved with the political movements of the time, Ichiro and Sachiko hope for something better, but they’re no revolutionaries; their spare time is spent drinking, smoking, daydreaming, and sleeping—together and at times with others. While Ichiro attempts to make a living from his comics, Sachiko’s parents are eager to arrange a marriage for her, but Ichiro doesn’t seem interested. Both in their relationship and at work, Ichiro and Sachiko are unable to say the things they need to say, and like any couple, at times say things to each other that they do not mean, ultimately communicating as much with their body language and what remains unsaid as with words. Red Colored Elegy is informed as much by underground Japanese comics of the time as it is by the French nouvelle vague, and its cultural referents range from James Dean to Ken Takakura. Its influence in Japan was so great that Morio Agata, a prominent Japanese folk musician and singer/songwriter, debuted with a love song written and named after it.

Ernest Hemingway casts a long shadow in literature--reaching beyond his status as a giant of 20th-century fiction and a Nobel Prize winner--extending even into comic books. Appearing variously with Superman, Mickey Mouse, Captain Marvel, and Cerebus, he has even battled fascists alongside Wolverine in Spain and teamed up with Shade to battle adversaries in the Area of Madness. Robert K. Elder's research into Hemingway's comic presence demonstrates the truly international reach of Hemingway as a pop culture icon. In more than 120 appearances across multiple languages, Hemingway is often portrayed as the hypermasculine legend: bearded, boozed up, and ready to throw a punch. But just as often, comic book writers see past the bravado to the sensitive artist looking for validation. Hemingway's role in these comics ranges from the divine to the ridiculous, as his image is recorded, distorted, lampooned, and whittled down to its essential parts. As Elder notes, comic book creators and Hemingway share a natural kinship. The comic book page demands an economy of words, much like Hemingway's less-is-more "iceberg theory," only in graphic form. In addition, he turned out to be the perfect avatar for comic book artists wanting to tell history-rich stories, as he experienced beautiful places during the most chaotic times: Paris in the 1920s, Spain during the Spanish Civil War, Cuba on the brink of revolution, France during World War I and during World War II just after the Allies landed in Normandy. Hemingway in Comics provides a unique lens for considering one of our most influential authors. Not only for the dedicated Hemingway fan, this book will appeal to all those with an appreciation for comics, pop culture, and the absurd.