"This book is the first volume of a series designed to provide a comprehensive overview, in color, of American glass from the 1920s and 1930s"-- Introduction.

Green was a popular color for glassware made during the Depression and its popularity among collectors is very evident today. This book includes examples of forty-six patterns and brief histories of the glass companies, along with a chapter of incidental pieces from such firms as Anchor Hocking, Bartlett-Collins, Federal, Hazel-Atlas, Imperial, L. E. Smith, U. S. Glass and others. An indispensable guide for all who collect Depression Era glass and enjoy the beauty of green glassware.

Reference to types of glass and the history of numerous glass houses.

On the face of it, Evelyn Piper has it all: a loving husband, a devoted daughter, and a secure lifestyle. However, she is also the owner of a cut-glass bowl given to her in anger by a rejected suitor. This bowl seems to act as the connecting thread between all the tragedies that befall Evelyn and her family. With the deft use of symbolism, Fitzgerald creates a short story that encourages the reader to reflect on their own lives, material wealth, and past regrets. An introspective read for fans of the author of ‘The Great Gatsby.’ F. Scott Fitzgerald (1896-1940) is one of the greatest American novelists of the 20th century and the author of the classics ‘Tender is the Night’ and ‘The Great Gatsby’, with the latter having been made into a film starring Leonardo DiCaprio and Carey Mulligan. Skillfully capturing the prosperity of post-World War One America, his writing helped illustrate the 1920s Jazz Age that he and his wife Zelda Fitzgerald were at the centre of.

One of the classic studies of the Great Depression, featuring a new introduction by the author with insights into the economic crises of 1929 and today. In the twenty-five years since its publication, critics and scholars have praised historian Robert McElvaine’s sweeping and authoritative history of the Great Depression as one of the best and most readable studies of the era. Combining clear-eyed insight into the machinations of politicians and economists who struggled to revive the battered economy, personal stories from the average people who were hardest hit by an economic crisis beyond their control, and an evocative depiction of the popular culture of the decade, McElvaine paints an epic picture of an America brought to its knees—but also brought together by people’s widely shared plight. In a new introduction, McElvaine draws striking parallels between the roots of the Great Depression and the economic meltdown that followed in the wake of the credit crisis of 2008. He also examines the resurgence of anti-regulation free market ideology, beginning in the Reagan era, and argues that some economists and politicians revised history and ignored the lessons of the Depression era.

The first of two new volumes, this book contains material from authentic catalogs of the 1920s, which depict styles of authentic residential (ceiling, sconces, lamps), commercial, and outdoor lighting that illuminated America during the Depression era. Companies represented include Gill Glass and Fixture Company, Gillinder and Sons Inc., Meletio Electrical Supply Co., and Halcolite Company, Inc. The styles shown span the eras from the daring Art Deco to the classics. 8.5 x 11. 2001 values.

"More than 25,000 updated prices, 240 popular categories, collectibles from 1930s to today, expert collecting advice, histories, references"--Cover

An exploration of the causes and effects of the stock market crash of 1929.

“Remarkably,” writes Ted Atkinson, “during a period roughly corresponding to the Great Depression, Faulkner wrote the novels and stories most often read, taught, and examined by scholars.” This is the first comprehensive study to consider his most acclaimed works in the context of those hard times. Atkinson sees Faulkner’s Depression-era novels and stories as an ideological battleground--in much the same way that 1930s America was. With their contrapuntal narratives that present alternative accounts of the same events, these works order multiple perspectives under the design of narrative unity. Thus, Faulkner’s ongoing engagement with cultural politics gives aesthetic expression to a fundamental ideological challenge of Depression-era America: how to shape what FDR called a “new order of things” out of such conflicting voices as the radical left, the Popular Front, and the Southern Agrarians. Focusing on aesthetic decadence in Mosquitoes and dispossession in The Sound and the Fury, Atkinson shows how Faulkner anticipated and mediated emergent sociocultural forces of the late 1920s and early 1930s. In Sanctuary; Light in August; Absalom, Absalom!; and “Dry September,” Faulkner explores social upheaval (in the form of lynching and mob violence), fascism, and the appeal of strong leadership during troubled times. As I Lay Dying, The Hamlet, “Barn Burning,” and “The Tall Men” reveal his “ambivalent agrarianism”--his sympathy for, yet anxiety about, the legions of poor and landless farmers and sharecroppers. In The Unvanquished, Faulkner views Depression concerns through the historical lens of the Civil War, highlighting the forces of destruction and reconstruction common to both events. Faulkner is no proletarian writer, says Atkinson. However, the dearth of overt references to the Depression in his work is not a sign that Faulkner was out of touch with the times or consumed with aesthetics to the point of ignoring social reality. Through his comprehensive social vision and his connections to the rural South, Hollywood, and New York, Faulkner offers readers remarkable new insight into Depression concerns.