Reference to types of glass and the history of numerous glass houses.

"Glass can be decorative or utilitarian, and its forms often reflect technological innovations and social change. Drawing on an insightful selection from the Yale University Art Gallery and other collections at Yale, American Glass illuminates the vital and often intimate roles that glass has played in the nation's art and culture. Spectacularly illustrated, the publication showcases eighteenth-century mold-blown vessels, nineteenth-century pressed glass, innovative studio work, and luminous stained-glass windows by John La Farge and Louis Comfort Tiffany, the latter reproduced as a lush gatefold. These are considered alongside beguiling objects that broaden our expectations of glass and speak to the centrality of the medium in American life, including one of the oldest complex microscopes in the United States, an early Edison light bulb, glass-plate photography, jewelry, and more. With an essay on the history of collecting American glass and discussions of each object that present new scholarship, this engaging book tells the long and rich history of glass in America--from prehistoric minerals to contemporary sculptures"--Dust jacket front flap.

"This book is the first volume of a series designed to provide a comprehensive overview, in color, of American glass from the 1920s and 1930s"-- Introduction.

For readers of Hillbilly Elegy and Strangers in Their Own Land WINNER OF THE OHIOANA BOOK AWARDS AND FINALIST FOR THE 87TH CALIFORNIA BOOK AWARDS |NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: New York Post • Newsweek • The Week • Bustle • Books by the Banks Book Festival • Bookauthority.com The Wall Street Journal: "A devastating portrait...For anyone wondering why swing-state America voted against the establishment in 2016, Mr. Alexander supplies plenty of answers." Laura Miller, Slate: "This book hunts bigger game.Reads like an odd?and oddly satisfying?fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers." The New Yorker : "Does a remarkable job." Beth Macy, author of Factory Man: "This book should be required reading for people trying to understand Trumpism, inequality, and the sad state of a needlessly wrecked rural America. I wish I had written it." In 1947, Forbes magazine declared Lancaster, Ohio the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass House, journalist Brian Alexander uses the story of one town to show how seeds sown 35 years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion. The Anchor Hocking Glass Company, once the world’s largest maker of glass tableware, was the base on which Lancaster’s society was built. As Glass House unfolds, bankruptcy looms. With access to the company and its leaders, and Lancaster’s citizens, Alexander shows how financial engineering took hold in the 1980s, accelerated in the 21st Century, and wrecked the company. We follow CEO Sam Solomon, an African-American leading the nearly all-white town’s biggest private employer, as he tries to rescue the company from the New York private equity firm that hired him. Meanwhile, Alexander goes behind the scenes, entwined with the lives of residents as they wrestle with heroin, politics, high-interest lenders, low wage jobs, technology, and the new demands of American life: people like Brian Gossett, the fourth generation to work at Anchor Hocking; Joe Piccolo, first-time director of the annual music festival who discovers the town relies on him, and it, for salvation; Jason Roach, who police believed may have been Lancaster’s biggest drug dealer; and Eric Brown, a local football hero-turned-cop who comes to realize that he can never arrest Lancaster’s real problems.

Classified check list and historical treatise.

The purpose of this book is to present new information about the late 19th & early 20th century cut glass industry in Corning, New York. The book focuses on T. G. Hawkes & Co because of the recent discovery of the latter's archival materials, 1880-1890.

If you are curious about the fuss some people make about American glass, if you are a collector who has concentrated on a single phase of your hobby, or if you are a student of Americana who would like to see how glass relates to the rest of the decorative arts, this book was written for you.

Profiles fifty sites across the United States that trace the cultural history of the country, discussing the people and events that led to each site's importance, from the National Mall in D.C. to Pearl Harbor in Hawaii.

Glass is one of the world's oldest materials for art and, in America, one of the newest. In the United States in the last 30 years, glass has emerged as a vital component of America's visual arts. Glass, basically sand melted to a liquid with the consistency of honey, can be blown into fragile bubbles, cast into sculptural architectural components, fused, painted, carved, and engraved, to name only a few techniques in the glass artist's vocabulary. This survey includes recent examples of art in glass by 13 artists selected from more than a thousand in the United States. They follow no single trend or tradition but draw freely from the world and its visual history. Whether their art takes inspiration from Egyptian canopic jars, medieval stained-glass windows, or Venetian glass techniques, American artists working in glass use the world for their sketchbooks and are masters of their art.

The Early American Pattern Glass Society, with the help of a committee of eight experienced pattern glass collectors and dealers from across the United States, has completely reviewed and revised the content of this wonderful book originally compiled in the 1950s and 1960s by Alice Hulett Metz. Considered by many collectors as the "Bible" of collecting, Metz's Early American Pattern Glass has been dubbed the "only book needed to buy, sell, or collect." Nine hundred black and white photographs of approximately 1,500 patterns from Aberdeen to Zephyr are shown. Clear pictures, authoritative reproduction information, uses, rarities, bargain patterns, plate numbers from standard texts, and accurate indexing are provided. The original format and commentary have been left intact, and updated information has been supplied where appropriate. Collectors will be pleased with the resurrection of this essential guide to early American pattern glass.