For too long Australians have been dominated by European gardening trends. Gordon Ford, like no other landscape designer before him, mastered the natural Australian style. Gordon Ford was early influenced by the English natural style landscape school of the eighteenth century. But his great skill has been to work with Australia's natural elements and to develop gardens that not only honoured the rugged beauty of the Australian landscape, but did so in a way that captured its apparent timelessness -- his gardens look as if they have always been there. In shaping our visual world, Gordon Ford focused on the essential balance between mass and void in his designs. His balance of the natural elements of rocks, water, trees and other plants achieves a timeless harmony -- we feel totally satisfied but uncertain as to where Mother nature stars and Gordon Ford finishes.

"Roberts intertwines McGregor's corporate, civic, and personal lives to trace his pioneering role in the automobile industry. Some themes from McGregor's career that are considered here include company growth, the technical and cultural concept of the automobile, the impact of automotive transportation, technological reliance on Detroit, parent-branch relations, the effects of border proximity, industrial and political lobbying, labor relations, secondary manufacturing, public involvement, and the Great War. In addition, Roberts probes McGregor's often-subservient relationship with the enigmatic Henry Ford and examines how McGregor drew praise and political ire in calling for regional governance in the "Border Cities" opposite Detroit. In the years before his premature death, McGregor and his company dominated and defined the growing automotive industry in Windsor-Detroit, and their story deserves to be more widely known.".

This substantial volume is the first major resource on the life and work of Gordon Onslow Ford (1912-2003), the British-born painter who was the youngest member of André Breton's surrealist group in Paris, and who spent more than 50 years in the San Francisco Bay Area. Marked by an initial interest in automatist techniques, Onslow Ford's painting gradually developed through studies of Eastern philosophy, mysticism and ecology resulting in complex and varied works that incorporated cosmic charts and biomorphic abstraction. In this superb publication, a series of thoroughly researched essays, previously unpublished archival material and over 200 color illustrations trace Onslow Ford's time spent in Paris, stints in New York and Mexico, culminating in his move in 1947 to the Bay Area. Organized and published by the Lucid Art Foundation (cofounded by Onslow Ford in 1998), this is a long-overdue and impressively executed survey.

No church founder or planter likely intends to start a church with the stated goal of allowing abuse or abusing those within it. Yet sadly and too often, even in the best of churches abuse does occur. The bitter fruit of abuse does not appear from nowhere. Its origins, the soil in which it grows, and the structures that support it need be understood if we are to eradicate this fruit from within our churches and Christian organizations. Bitter Fruit: Dysfunction and Abuse in the Local Church describes those psychologies, social psychologies, and inadequate theologies that are frequently true in churches that enable abuse, regardless of the form the abuse may take. It is vital that you understand these things if you are a pastor, leader, or lay person seeking to maintain a healthy church environment.

Written by the chief military correspondent of the New York Times and a prominent retired Marine general, this is the definitive account of the invasion of Iraq. A stunning work of investigative journalism, Cobra II describes in riveting detail how the American rush to Baghdad provided the opportunity for the virulent insurgency that followed. As Gordon and Trainor show, the brutal aftermath was not inevitable and was a surprise to the generals on both sides. Based on access to unseen documents and exclusive interviews with the men and women at the heart of the war, Cobra II provides firsthand accounts of the fighting on the ground and the high-level planning behind the scenes. Now with a new afterword that addresses what transpired after the fateful events of the summer of 2003, this is a peerless re-creation and analysis of the central event of our times.

"These letters, all but one of which have never before been published, cover the years 1930-1939 - from Gordon's completion of her first novel, Penbally, to Ford's death."--BOOK JACKET.

How America's high standard of living came to be and why future growth is under threat In the century after the Civil War, an economic revolution improved the American standard of living in ways previously unimaginable. Electric lighting, indoor plumbing, motor vehicles, air travel, and television transformed households and workplaces. But has that era of unprecedented growth come to an end? Weaving together a vivid narrative, historical anecdotes, and economic analysis, The Rise and Fall of American Growth challenges the view that economic growth will continue unabated, and demonstrates that the life-altering scale of innovations between 1870 and 1970 cannot be repeated. Gordon contends that the nation's productivity growth will be further held back by the headwinds of rising inequality, stagnating education, an aging population, and the rising debt of college students and the federal government, and that we must find new solutions. A critical voice in the most pressing debates of our time, The Rise and Fall of American Growth is at once a tribute to a century of radical change and a harbinger of tougher times to come.

The sexual politics of a faculty wives dinner. The psychological gamesmanship of an inappropriate therapist. The emotional minefield of an extended family wedding . . . Whatever the subject, Emily Fox Gordon’s disarmingly personal essays are an art form unto themselves—reflecting and revealing, like mirrors in a maze, the seemingly endless ways a woman can lose herself in the modern world. With piercing humor and merciless precision, Gordon zigzags her way through “the unevolved paradise” of academia, with its dying breeds of bohemians, adulterers, and flirts, then stumbles through the perils and pleasures of psychotherapy, hoping to find a narrative for her life. Along the way, she encounters textbook feminists, partying philosophers, perfectionist moms, and an unlikely kinship with Kafka—in a brilliant collection of essays that challenge our sacred institutions, defy our expectations, and define our lives.

Ur-Surrealist Yves Tanguy belonged to the inner circle of the 1920s Parisian avant-garde, alongside such figures as Salvador Dal', Max Ernst, and Alberto Giacometti, making essential contributions to Surrealist manifestoes, magazines, and exhibitions. Tanguy's artistic obsession was the world of imagination, of dreams and reveries, and his cryptically codified imagery continues to perplex audiences today. His paintings seem to exist in a hazy, oddly beautiful limbo dimension beyond time and space, a world at once vertiginous and calm, disturbing and breathtaking. The central focus of Yves Tanguy and Surrealism is the Surrealist mode, to which Tanguy dedicated himself like no other painter of his time, cementing the movement's place in the history of visual art. On the basis of previously unpublished documents and works, authors discuss Tanguy's otherworldly oeuvre in all its aspects--from his development as an artist to the reception of his work in the United States. With stunning reproductions in full color as well as black and white, Yves Tanguy and Surrealism is an extensive overview of the work of an artist whose forays into the creative unknown continue to resonate.