Bitter Fruit is a comprehensive and insightful account of the CIA operation to overthrow the democratically elected government of Jacobo Arbenz of Guatemala in 1954. First published in 1982, this book has become a classic, a textbook case of the relationship between the United States and the Third World. The authors make extensive use of U.S. government documents and interviews with former CIA and other officials. It is a warning of what happens when the United States abuses its power.

An examination of escalating conflicts between Blacks and Koreans in American cities, focusing on the Flatbush Boycott of 1990. Claire Jean Kim rejects the idea that Black-Korean conflict constitutes racial scapegoating and argues instead that it is a response to white dominance in society.

William Grimshaw offers an insider's chronicle of the tangled relationship between the black community and the Chicago Democratic machine from its Great Depression origins to 1991. What emerges is a myth-busting account not of a monolithic organization but of several distinct party regimes, each with a unique relationship to black voters and leaders.

Bitter Fruits of Bondage is the late Armstead L. Robinson’s magnum opus, a controversial history that explodes orthodoxies on both sides of the historical debate over why the South lost the Civil War. Recent studies, while conceding the importance of social factors in the unraveling of the Confederacy, still conclude that the South was defeated as a result of its losses on the battlefield, which in turn resulted largely from the superiority of Northern military manpower and industrial resources. Robinson contends that these factors were not decisive, that the process of social change initiated during the birth of Confederate nationalism undermined the social and cultural foundations of the southern way of life built on slavery, igniting class conflict that ultimately sapped white southerners of the will to go on. In particular, simmering tensions between nonslaveholders and smallholding yeoman farmers on the one hand and wealthy slaveholding planters on the other undermined Confederate solidarity on both the home front and the battlefield. Through their desire to be free, slaves fanned the flames of discord. Confederate leaders were unable to reconcile political ideology with military realities, and, as a result, they lost control over the important Mississippi River Valley during the first two years of the war. The major Confederate defeats in 1863 at Vicksburg and Missionary Ridge were directly attributable to growing disenchantment based on class conflict over slavery. Because the antebellum way of life proved unable to adapt successfully to the rigors of war, the South had to fight its struggle for nationhood against mounting odds. By synthesizing the results of unparalleled archival research, Robinson tells the story of how the war and slavery were intertwined, and how internal social conflict undermined the Confederacy in the end.

Nelly Roussel (1878–1922)—the first feminist spokeswoman for birth control in Europe—challenged both the men of early twentieth-century France, who sought to preserve the status quo, and the women who aimed to change it. She delivered her messages through public lectures, journalism, and theater, dazzling audiences with her beauty, intelligence, and disarming wit. She did so within the context of a national depopulation crisis caused by the confluence of low birth rates, the rise of international tensions, and the tragedy of the First World War. While her support spread across social classes, strong political resistance to her message revealed deeply conservative precepts about gender which were grounded in French identity itself. In this thoughtful and provocative study, Elinor Accampo follows Roussel's life from her youth, marriage, speaking career, motherhood, and political activism to her decline and death from tuberculosis in the years following World War I. She tells the story of a woman whose life and work spanned a historical moment when womanhood was being redefined by the acceptance of a woman's sexuality as distinct from her biological, reproductive role—a development that is still causing controversy today.

The most widely read and the most translated writer in Urdu, Saadat Hasan Manto constantly challenged the hypocrisy and sham morality of civilized society.

The murder of a first-year university student shocks the city of Durham. The victim, Emily Brabents, was from the privileged and popular set at Joyce College, a cradle for the country's future elite. As Detective Inspector Erica Martin investigates the college, she finds a close-knit community fuelled by jealousy, obsession and secrets. The very last thing she expects is an instant confession... The picture of Emily that begins to emerge is that of a girl wanted by everyone, but not truly known by anyone - that is, except for Daniel Shepherd: her fellow student and ever-faithful friend, and the only one who cares. The only one who would do ANYTHING for her...

Enjoy these fascinating stories of how real people responded to conflict situations in unusual and creative ways. Some intensely moving, some funny, some startling or surprising -- these stories bring tears to the eyes and open the heart with a deep appreciation for what is possible. This book covers the full spectrum of life - from conflicts all of us face, to situations of extreme violence or war. The solutions each person finds here are unique - no two are exactly the same, so you'll stay on the edge of your seat through the last page. "She awoke from a deep sleep to a strange man kicking in the door to her bedroom. She couldn't imagine him waiting patiently while she reached under her pillow for her gun. In a moment of fear and courage, she took an unusual action that she believes saved her life, steering them both away from the violent ending that seemed inevitable..." Read this and 60 other short stories that will inspire you--and perhaps lead you to discover creative solutions in your own life in unexpected ways.

Despite the participation of African American women in all aspects of home-front activity during World War II, advertisements, recruitment posters, and newsreels portrayed largely white women as army nurses, defense plant workers, concerned mothers, and steadfast wives. This sea of white faces left for posterity images such as Rosie the Riveter, obscuring the contributions that African American women made to the war effort. In Bitter Fruit, Maureen Honey corrects this distorted picture of women's roles in World War II by collecting photos, essays, fiction, and poetry by and about black women from the four leading African American periodicals of the war period: Negro Digest, The Crisis, Opportunity, and Negro Story. Mostly appearing for the first time since their original publication, the materials in Bitter Fruit feature black women operating technical machinery, working in army uniforms, entertaining audiences, and pursuing a college education. The articles praise the women's accomplishments as pioneers working toward racial equality; the fiction and poetry depict female characters in roles other than domestic servants and give voice to the bitterness arising from discrimination that many women felt. With these various images, Honey masterfully presents the roots of the postwar civil rights movement and the leading roles black women played in it. Containing works from eighty writers, this anthology includes forty African American women authors, most of whose work has not been published since the war. Of particular note are poems and short stories anthologized for the first time, including Ann Petry's first story, Octavia Wynbush's last work of fiction, and three poems by Harlem Renaissance writer Georgia Douglas Johnson. Uniting these various writers was their desire to write in the midst of a worldwide military conflict with dramatic potential for ending segregation and opening doors for women at home. Traditional anthologies of African American literature jump from the Harlem Renaissance to the 1960s with little or no reference to the decades between those periods. Bitter Fruit not only illuminates the literature of these decades but also presents an image of black women as community activists that undercuts gender stereotypes of the era. As Honey concludes in her introduction, "African American women found an empowered voice during the war, one that anticipates the fruit of their wartime effort to break silence, to challenge limits, and to change forever the terms of their lives."

An NPR Best Book of the Year "Unsettling and eerie, Bitter Orange is an ideal chiller." —Time Magazine From the author of Our Endless Numbered Days and Swimming Lessons, Bitter Orange is a seductive psychological portrait, a keyhole into the dangers of longing and how far a woman might go to escape her past. From the attic of Lyntons, a dilapidated English country mansion, Frances Jellico sees them—Cara first: dark and beautiful, then Peter: striking and serious. The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she’s distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors' private lives. To Frances’s surprise, Cara and Peter are keen to get to know her. It is the first occasion she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes until the ash piles up on the crumbling furniture. Frances is dazzled. But as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up, and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence, a small crime brings on a bigger one: a crime so terrible that it will brand their lives forever.