Winner of The Ontario Historical Society’s Fred Landon Award for Best Regional History. With 300 photos and 11 maps. A work of unexpected delights and surprises: here is a one-of-a-kind guidebook that pinpoints the best of Ontario’s architectural heritage in its most charming towns, offers tantalizing and informative details of provincial history, indulges the near universal vice of real-estate voyeurism, and beckons even the most reluctant to physical exercise. Katherine Ashenburg is our knowledgeable and charmingly opinionated companion on walking tours of ten small (populations 1000 to 27,000) Ontario communities that provide a rewarding variety of domestic and public architecture in a walkable compass. Each tour begins with a brief historical sketch of the town, then, with the aid of a detailed map, guides the reader/walker to some 60 sites over a leisurely but carefully plotted two-and-a-half to three-and-a-half hour stroll. We visit churches and jails, libraries and town halls, theatres and factories, and all manner of houses - homes of startling grandiosity and humble integrity. We become conversant with belvederes and ogee arches, Flemish bond and board and batten, at ease with Regency and Queen Anne, Italianate and Romanesque. And along the way, Ashenburg reveals the town’s true personality, its distinctive architectural styles, forms and materials, and the genius, ambition, and vanities of its founders and builders. Every town - Perth, Picton, Cobourg, St. Mary’s, Niagara-on-the-Lake, Merrickville, Port Hope, Paris, Stratford and Goderich - is a day’s excursion from Toronto by a car or public transit; most are day-trips from either Ottawa or London. Over 300 black and white photographs capture the highlights; 11 maps show the way. For easy reference, there is a helpful, illustrated Guide to Historical Styles and an exhaustive Glossary of Architectural terms - everything from Apse to Voussoir.

NEW YORK TIMES BESTSELLER • A roadmap to what lies ahead and the decisions we must make now to stave off the next global economic and financial crisis, from one of the world’s most influential economic thinkers and the author of When Markets Collide • Updated, with a new chapter and author’s note “The one economic book you must read now . . . If you want to understand [our] bifurcated world and where it’s headed, there is no better interpreter than Mohamed El-Erian.”—Time Our current economic path is coming to an end. The signposts are all around us: sluggish growth, rising inequality, stubbornly high pockets of unemployment, and jittery financial markets, to name a few. Soon we will reach a fork in the road: One path leads to renewed growth, prosperity, and financial stability, the other to recession and market disorder. In The Only Game in Town, El-Erian casts his gaze toward the future of the global economy and markets, outlining the choices we face both individually and collectively in an era of economic uncertainty and financial insecurity. Beginning with their response to the 2008 global crisis, El-Erian explains how and why our central banks became the critical policy actors—and, most important, why they cannot continue is this role alone. They saved the financial system from collapse in 2008 and a multiyear economic depression, but lack the tools to enable a return to high inclusive growth and durable financial stability. The time has come for a policy handoff, from a prolonged period of monetary policy experimentation to a strategy that better targets what ails economies and distorts the financial sector—before we stumble into another crisis. The future, critically, is not predestined. It is up to us to decide where we will go from here as households, investors, companies, and governments. Using a mix of insights from economics, finance, and behavioral science, this book gives us the tools we need to properly understand this turning point, prepare for it, and come out of it stronger. A comprehensive, controversial look at the realities of our global economy and markets, The Only Game in Town is required reading for investors, policymakers, and anyone interested in the future.

Many people dream of "someday buying a small quaint place in the country, to own two cows and watch the birds," in the words of Texas ranchwoman Amanda Spenrath Geistweidt. But only a few are cut out for the unrelenting work that makes a family ranching operation successful. Don't Make Me Go to Town presents an eloquent photo-documentary of eight women who have chosen to make ranching in the Texas Hill Country their way of life. Ranging from young mothers to elderly grandmothers, these women offer vivid accounts of raising livestock in a rugged land, cut off from amenities and amusements that most people take for granted, and loving the hard lives they've chosen. Rhonda Lashley Lopez began making photographic portraits of Texas Hill Country ranchwomen in 1993 and has followed their lives through the intervening years. She presents their stories through her images and the women's own words, listening in as the ranchwomen describe the pleasures and difficulties of raising sheep, Angora goats, and cattle on the Edwards Plateau west of Austin and north of San Antonio. Their stories record the struggles that all ranchers face—vagaries of weather and livestock markets, among them—as well as the extra challenges of being women raising families and keeping things going on the home front while also riding the range. Yet, to a woman, they all passionately embrace family ranching as a way of life and describe their efforts to pass it on to future generations.

Countless young people in the Midwest, South, and Southwest went to dances and stage shows in the early to mid-twentieth century to hear a territory band play. Territory bands traveled from town to town, performing jazz and swing music, and Tulsa-based musician Ernie Fields (1904–97) led one of the best. In Going Back to T-Town, Ernie’s daughter, Carmen Fields, tells a story of success, disappointment, and perseverance, extending from the early jazz era to the 1960s. This is an enlightening account of how this talented musician and businessman navigated the hurdles of racial segregation during the Jim Crow era. Because few territory bands made recordings, their contributions to the development of jazz music are often overlooked. Fortunately, Ernie Fields not only recorded music but also loved telling stories. He shared his “tales from the road” with his daughter, a well-known Boston journalist, and his son, Ernie Fields Jr., who has carried on his legacy as a successful musician and music contractor. As much as possible, Carmen Fields tells her father’s story in his own voice: how he weathered the ups and downs of the music industry and maintained his optimism even while he faced entrenched racial prejudice and threats of violence. After traveling with his band all over the United States, Fields eventually caught the attention of renowned music producer John Hammond. In 1939, Hammond arranged for recording sessions and bookings that included performances in the famed Apollo Theater in New York. Ernie finally scored a top-ten hit in 1959 with his rock-and-roll rendition of “In the Mood.” At a time when most other territory bands had faded, the Ernie Fields Orchestra continued to perform. A devoted husband and family man, Ernie Fields also respected and appreciated his fellow musicians. The book includes a “Roll Call” of his organization’s members, based on notes he kept about them. Going Back to T-Town is a priceless source of information for historians of American popular music and African American history.

Born just prior to the outbreak of World War II and inspired by his hero, a Captain of a firefighting vessel, the author joined the Royal Navy at 15 years of age, purely to experience the life at sea as told by his hero and the great wide mysterious world depicted in the Encyclopaedia. Hugh shares the rigours of the training ship “Ganges”, the excitement of his first war ship in the Mediterranean and several other drafts including being present at the Cyprus Emergency and the infamous Suez Crisis. This was also the time of his coming of age, the pain of unrequited love and the bewildering initiation by an older woman who should have known better. Life as a merchant seaman followed, expanding his horizons even further, eventually merging with the diaspora of eager sunseekers to Australia in 1963. Worked in a copper mine in Queensland before the sea beckoned once more. Then south to Tasmania and enjoyed a different sea life as a lobster fisherman. The author shared many unexpected encounters with colourful characters and events which taught him life lessons in an entertaining, humorous and honest manner. A lusty account of a young recalcitrant, desperate to become a worthy human.

Two bear cubs, Gabby and Pete, visit a nearby town. For some reason, they are not warmly greeted by panicked residents all over town—from the ice cream store to the post office. All—bears and people—are rescued when the ranger comes to investigate the situation. Full-color illustrations throughout enhance the reading experience for newly independent readers.

Why did the chickens cross the road? To get to town, of course! When those four lily-livered chickens are accidentally dumped off the farmer?s truck, they have no choice but to follow the feed trail through a day of crazy hijinks. What ensues is a raucous adventure through town, including foreign food, weird noises, and strange birds. Sidesplitting silliness abounds in this third riotously funny read-aloud by Leslie Helakoski, once again illustrated with Henry Cole?s boisterous art.

Faction Paradox: A group of time-travelling ritualists, saboteurs and subterfugers -- essentially, the criminal-cult to end all criminal-cults. The Faction seeks to subvert history to its own ends, preferably by letting its rivals kill each other off, then swooping in to seize whatever's left -- presuming the Universe survives... An examination of ritual and suburban horror, This Town Will Never Let Us Go features the 19-year-old Inangela, a city-dweller who's under observation by Faction Paradox's elders and archons. Before this story's done, Inangela's going to encounter the Great Urban Horror – an unidentified force seeking to tunnel its way out of the ground and feed on the surface world.

Neddy is a small but precocious seven year old who wears sunglasses due to his light sensitive eyes. He and his larger than average size twelve year old cousin, Little Roy, are best friends who enjoy adventures together in their idyllic hometown. On a sunny day in May, they take a walk through downtown in order to mail a package containing a birthday present for Neddys grandmother. But when Neddy and Little Roy arrive at the post office they find that they have lost the package and have no idea how to locate it. Fortunately for the boys, one of the leading ladies of the town, Mrs. Mamie Mercer, comes to their rescue. The town is nearly turned upside down when Neddy and Little Roy, aided by Mrs. Mercer and friends, search for the missing package but during their adventure, the boys learn the importance of responsibility, teamwork and perseverance.

Washington Post "10 Best Graphic Novels of the Year" New York Magazine "The Year’s Most Giftable Coffee Table Books" Newsday "Best Fall Books" The Verge "The Ten Best Comics of the Year" An Indie Next Pick Winner of the New York City Book Award From the #1 NYT bestselling author of Can’t We Talk About Something More Pleasant?, Roz Chast, an "absolutely laugh-out-loud hysterical" (AP) illustrated ode/guide/thank-you to Manhattan. New Yorker cartoonist and NYT bestselling author Roz Chast, native Brooklynite-turned-suburban commuter deemed the quintessential New Yorker, has always been intensely alive to the glorious spectacle that is Manhattan--the daily clash of sidewalk racers and dawdlers; the fascinating range of dress codes; and the priceless, nutty outbursts of souls from all walks of life. For Chast, adjusting to life outside the city was surreal--(you can own trees!? you have to drive!?)--but she recognized that the reverse was true for her kids. On trips into town, they would marvel at the strange visual world of Manhattan--its blackened sidewalk gum-wads, "those West Side Story-things" (fire escapes)--and its crazily honeycombed systems and grids. Told through Chast’s singularly zany, laugh-out-loud, touching, and true cartoons, Going Into Town is part New York stories (the "overheard and overseen" of the island borough), part personal and practical guide to walking, talking, renting, and venting--an irresistible, one-of-a-kind love letter to the city.