Beleaguered parents will breath sighs of relief and gratitude over this bestselling guide to raising teenagers. In this revised edition, Dr. Anthony E. Wolf tackles the changes in recent years with the same wit and compassion as the original edition. Dr. Wolf points out that while the basic issues of adolescence and the relationships between parents and their children remain much the same, today's teenagers navigate a faster, less clearly anchored world. Wolf's revisions include a new chapter on the Internet, a significantly modified section on drugs and drinking, and an added piece on gay teenagers. Although the rocky and ever-changing terrain of contemporary adolescence may bewilder parents, Get Out of My Life, But First Could You Drive Me & Cheryl to the Mall? gives them a great road map.

Paul Collins and his family abandoned the hills of San Francisco to move to the Welsh countryside-to move, in fact, to the village of Hay-on-Wye, the "Town of Books" that boasts fifteen hundred inhabitants-and forty bookstores. Taking readers into a secluded sanctuary for book lovers, and guiding us through the creation of the author's own first book, Sixpence House becomes a heartfelt and often hilarious meditation on what books mean to us.

The Washington Post "10 Best Graphic Novels of the Year" New York magazine "The Year's Most Giftable Coffee-Table Books" Newsday "Best Fall Books" The Verge "10 Best Comics of the Year" Oklahoman "Best Graphic Novels of the Year" Winner of the New York City Book Award From the #1 NYT bestselling author of Can't We Talk About Something More Pleasant?, Roz Chast, an "absolutely laugh-out-loud hysterical" (AP) illustrated ode/guide/thank-you to Manhattan. New Yorker cartoonist and NYT bestselling author Roz Chast, native Brooklynite-turned-suburban commuter deemed the quintessential New Yorker, has always been intensely alive to the glorious spectacle that is Manhattan--the daily clash of sidewalk racers and dawdlers, the fascinating range of dress codes, and the priceless, nutty outbursts of souls from all walks of life. For Chast, adjusting to life outside the city was surreal (you can own trees!? you have to drive!?), but she recognized that the reverse was true for her kids. On trips into town, they would marvel at the strange visual world of Manhattan--its blackened sidewalk gum wads, "those West Side Story–things" (fire escapes)--its crazily honeycombed systems and grids. Told through Chast's singularly zany, laugh-out-loud, touching, and true cartoons, Going into Town is part New York stories (the "overheard and overseen" of the island borough), part personal and practical guide to walking, talking, renting, and venting--an irresistible, one-of-a-kind love letter to the city.

Born just prior to the outbreak of World War II and inspired by his hero, a Captain of a firefighting vessel, the author joined the Royal Navy at 15 years of age, purely to experience the life at sea as told by his hero and the great wide mysterious world depicted in the Encyclopaedia. Hugh shares the rigours of the training ship “Ganges”, the excitement of his first war ship in the Mediterranean and several other drafts including being present at the Cyprus Emergency and the infamous Suez Crisis. This was also the time of his coming of age, the pain of unrequited love and the bewildering initiation by an older woman who should have known better. Life as a merchant seaman followed, expanding his horizons even further, eventually merging with the diaspora of eager sunseekers to Australia in 1963. Worked in a copper mine in Queensland before the sea beckoned once more. Then south to Tasmania and enjoyed a different sea life as a lobster fisherman. The author shared many unexpected encounters with colourful characters and events which taught him life lessons in an entertaining, humorous and honest manner. A lusty account of a young recalcitrant, desperate to become a worthy human.

Aunt Matilda dresses funny and is slightly clumsy. Though she knows she is being looked at and laughed at, Aunt Matilda doesn't mind and keep's smiling. Today Aunt Matilda is in town with her Niece who is 7 years old, and even though Aunt Matilda's clothes shine brighter than the sun with a raggedy old hat and she trips on this and that, Aunt Matilda isn't bothered by the looks and laughter of others - but her niece is.... How does the visit to town go with those laughing and pointing and an embarrassed niece?... Aunt Matilda is perhaps a lesson for all of us.

An emergency SOS from his past gives him a purpose--and a target on his back Sean Falcone hasn’t been able to find a place since leaving the military. He needs a mission. When his buddy’s little sister texts a mysterious SOS, he hurries to help her out. Hoping to keep her safe, he heads north to Phail, Vermont. As they grow closer, he realizes his mission isn’t to find a place, it’s to find a person. When the threat follows them to Vermont, he’ll risk it all to keep her safe. *** No Going Back is the second book in Jemi Fraser's No Fail Heroes romantic suspense series. Each of these small-town romances can be read as a stand-alone. The book contains some strong language and sexy times. Enjoy the read!

Two bear cubs, Gabby and Pete, visit a nearby town. For some reason, they are not warmly greeted by panicked residents all over town—from the ice cream store to the post office. All—bears and people—are rescued when the ranger comes to investigate the situation. Full-color illustrations throughout enhance the reading experience for newly independent readers.

Many people dream of "someday buying a small quaint place in the country, to own two cows and watch the birds," in the words of Texas ranchwoman Amanda Spenrath Geistweidt. But only a few are cut out for the unrelenting work that makes a family ranching operation successful. Don't Make Me Go to Town presents an eloquent photo-documentary of eight women who have chosen to make ranching in the Texas Hill Country their way of life. Ranging from young mothers to elderly grandmothers, these women offer vivid accounts of raising livestock in a rugged land, cut off from amenities and amusements that most people take for granted, and loving the hard lives they've chosen. Rhonda Lashley Lopez began making photographic portraits of Texas Hill Country ranchwomen in 1993 and has followed their lives through the intervening years. She presents their stories through her images and the women's own words, listening in as the ranchwomen describe the pleasures and difficulties of raising sheep, Angora goats, and cattle on the Edwards Plateau west of Austin and north of San Antonio. Their stories record the struggles that all ranchers face—vagaries of weather and livestock markets, among them—as well as the extra challenges of being women raising families and keeping things going on the home front while also riding the range. Yet, to a woman, they all passionately embrace family ranching as a way of life and describe their efforts to pass it on to future generations.

THE STORY: In the words of the NY Daily News, the play deals with the humdrum life led by two aging sisters whom time has temporarily turned into rivals for the affections of one man, whom, in their youth, they wanted no part of. Locale of the pla