The Inspiration for the New Major Motion Picture RINGS A mysterious videotape warns that the viewer will die in one week unless a certain, unspecified act is performed. Exactly one week after watching the tape, four teenagers die one after another of heart failure. Asakawa, a hardworking journalist, is intrigued by his niece's inexplicable death. His investigation leads him from a metropolitan tokyo teeming with modern society's fears to a rural Japan—a mountain resort, a volcanic island, and a countryside clinic—haunted by the past. His attempt to solve the tape's mystery before it's too late—for everyone—assumes an increasingly deadly urgency. Ring is a chillingly told horror story, a masterfully suspenseful mystery, and post-modern trip. The success of Koji Suzuki's novel the Ring has lead to manga, television and film adaptations in Japan, Korea, and the U.S.

RITA-nominated author P. J. Alderman’s delightful new mystery series blends haunting ghosts with hunting criminals as therapist Jordan Marsh dives deep into the past to solve a modern murder. A recent transplant to Washington State’s charming seaside town of Port Chatham, Jordan is still getting used to sharing her slightly run-down but historic lodging with ghosts. As if living with the long-deceased isn’t enough of a challenge, she’s just found a corpse: The town’s notorious womanizer Holt Stillwell is lying on the beach with a bullet in his head. Before Jordan can reel in a suspect, another victim surfaces. And this one isn’t taking murder lying down. Holt’s ancestor Michael Seavey, the Pacific Northwest’s most infamous shanghaier, has materialized in Jordan’s house, seeking to solve his own death in a suspicious shipwreck in 1893. With two murders to solve and a killer on the loose, Jordan faces yet another equally terrifying prospect: her growing attraction to the very alive and criminally attractive pub owner Jase Cunningham. From the Paperback edition.

An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Times Critics' Top Book of 2021 • A National Book Critics Circle Award Finalist When we first met, I was a child, and she had been dead for centuries. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.

Caina has a deadly problem. Specifically, she carries the Ring of Rasarion Yagar, a relic created by the tyrannical necromancer-king who once ruled Ulkaar. The deadly sorcerers of the malevolent Umbarian Order wish to seize the Ring for themselves, as do the sinister priests of the ruthless Temnoti cult. And to make matters worse, the Ring is not the only powerful relic of Rasarion Yagar. And unless Caina can escape her foes, the wielders of those relics will kill her...

Emma Whitecastle would rather spend time with her boyfriend than help Joanna Reid get rid of her husband's ghost. But when she finds out Joanna's daughter has broken her engagement and attempted suicide, Emma and Granny Apples are compelled to investigate. The multifaceted mystery unfolds in Hollywood, where a vengeful spirit strikes too close for comfort as Emma and Granny unearth a clue hidden in a haunted diamond. When the case leads Emma and a suave stranger to the historic mining town of Jim Thorpe, Pennsylvania, Emma must call upon a ghostly group of Molly Maguires to ease the pain of a century-old marriage gone bad. Praise: "Jaffarian's welcome third entry in her paranormal series sparkles as brilliantly as the story's haunted diamond."—Library Journal (starred review) "Jaffarian's comic timing, seemingly simple plotting and perfectly pitched dialogue make this entry in the Granny Apples series a complete delight."—RT Book Reviews "Award-winning author Jaffarian provides plot surprises and plenty of dark elements to texture this well-crafted cozy. Emma is a complicated heroine, and readers of Victoria Laurie and other paranormal suspense authors will be most pleased."—Booklist "A sweet and sassy third Granny Apples mystery."—Publishers Weekly

The author of Prism of the Night takes readers into the world of real-life ghost hunters, revealing their high- and low-tech methods for rooting out spirits.

Stunning Japanese novel with a chilling twist – the follow-up to Ring and Spiral.

Ghost in the Well is the first study to provide a full history of the horror genre in Japanese cinema, from the silent era to Classical period movies such as Nakagawa Nobuo's Tokaido Yotsuya kaidan (1959) to the contemporary global popularity of J-horror pictures like the Ring and Ju-on franchises. Michael Crandol draws on a wide range of Japanese language sources, including magazines, posters and interviews with directors such as Kurosawa Kiyoshi, to consider the development of kaiki eiga, the Japanese phrase meaning "weird" or "bizarre" films that most closely corresponds to Western understandings of "horror". He traces the origins of kaika eiga in Japanese kabuki theatre and traditions of the monstrous feminine, showing how these traditional forms were combined with the style and conventions of Hollywood horror to produce an aesthetic that was both transnational and peculiarly Japanese. Ghost in the Well sheds new light on one of Japanese cinema's best-known genres, while also serving as a fascinating case study of how popular film genres are re-imagined across cultural divides.

When Muhammad Ali met Joe Frazier in Manila for their third fight, their rivalry had spun out of control. The Ali-Frazier matchup had become a madness, inflamed by the media and the politics of race. When the "Thrilla in Manila" was over, one man was left with a ruin of a life; the other was battered to his soul. Mark Kram covered that fight for Sports Illustrated in an award-winning article. Now his riveting book reappraises the boxers -- who they are and who they were. And in a voice as powerful as a heavyweight punch, Kram explodes the myths surrounding each fighter, particularly Ali. A controversial, no-holds-barred account, Ghosts of Manila ranks with the finest boxing books ever written.