A truly amazing 18th century life restored to history - Tsar's godson and nobleman, Russian Bluebeard, engineer of genius - who began life in an African village. When Major-General Gannibal died in 1781 in his eighties, he could look back on a long and successful life. He was the godson of Peter the Great, the Empress Elizabeth had given him nobility, thousands of acres, villages of serfs. His French education and a natural gift for mathematics had led him to fame as a fireworks expert and the architect of a string of fortifications from the Arctic Circle to China. As a husband he was a provincial Bluebeard, but his descendants would include the great poet Pushkin and a bevy of British aristocrats. Yet Abram Petrovich Gannibal had been born in very different circumstances. He was a black African, perhaps from Ethiopia, perhaps from modern Chad, sold as a child into slavery. In a brilliant biography Hugh Barnes who has tracked Gannibal's footsteps across three continents restores an extraordinary life to history.

A wide-ranging consideration of the nature and significance of Pushkin's African heritage Roughly in the year 1705, a young African boy, acquired from the seraglio of the Turkish sultan, was transported to Russia as a gift to Peter the Great. This child, later known as Abram Petrovich Gannibal, was to become Peter's godson and to live to a ripe old age, having attained the rank of general and the status of Russian nobility. More important, he was to become the great-grandfather of Russia's greatest national poet, Alexander Pushkin. It is the contention of the editors of this book, borne out by the essays in the collection, that Pushkin's African ancestry has played the role of a "wild card" of sorts as a formative element in Russian cultural mythology; and that the ways in which Gannibal's legacy has been included in or excluded from Pushkin's biography over the last two hundred years can serve as a shifting marker of Russia's self-definition. The first single volume in English on this rich topic, Under the Sky of My Africa addresses the wide variety of interests implicated in the question of Pushkin's blackness-race studies, politics, American studies, music, mythopoetic criticism, mainstream Pushkin studies. In essays that are by turns biographical, iconographical, cultural, and sociological in focus, the authors-representing a broad range of disciplines and perspectives-take us from the complex attitudes toward race in Russia during Pushkin's era to the surge of racism in late Soviet and post-Soviet contemporary Russia. In sum, Under the Sky of My Africa provides a wealth of basic material on the subject as well as a series of provocative readings and interpretations that will influence future considerations of Pushkin and race in Russian culture.

In the spring of 1703, a young African boy stepped off a slave ship in Constantinople, the gateway between East and West. Huddling in chains, with other frightened captives, the seven-year-old claimed to be a prince of Abyssinia, a "noble Moor" kidnapped and stolen out of Africa. His tragedy was shared by millions of black people caught up in the Islamic slave trade, but his destiny was unique: rescued by Peter the Great, the young African became Abram Petrovich Gannibal. Russia's westernizing tsar adopted the child and, in a bizarre nature-and-nurture experiment, lavished on him the best education available in the new "European" capital of Saint Petersburg. Gannibal, the "Negro of Peter the Great," soared to dizzying heights as a soldier, diplomat, mathematician and spy. He was fêted in glittering salons, from the Winter Palace to the Louvre, and came to know Voltaire and Montesquieu, who praised him as the "dark star of Russia's enlightenment." At the same time, his military exploits, from northern Spain to the icy wastes of Siberia -- to say nothing of his marital problems -- sealed Gannibal's reputation as the Russian Othello. African prince or not, the ex-slave founded a dynasty of his own in Russia, where he came to embody the strengths and weaknesses of the country itself -- volatile, courageous, handsome, gifted and always astonishing. His descendants included not only Alexander Pushkin, Russia's greatest poet, but also, in England, several Mountbattens and others close to the royal family.

Two appendixes from Nabokov's famous edition of Eugene Onegin: his study of versification in English and Russian poetry, and his "term paper" on Pushkin’s Ethiopian ancestor. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

“Bethea’s book conveys the story of an amazingly ambitious attempt to preserve the humanities while also saving the future of disadvantaged high school students in Chicago. … Highly recommended.” — Library Journal (starred review) The Pushkin Project tells the story of how a Russian studies professor changes course late in his career by reeducating himself in evolutionary thought and founding a summer institute that partners with inner-city high schools to implement a new set of learning strategies for underserved youth. These “cognitive cross-training” strategies involve introducing students from Hispanic and Black neighborhoods in the west and south sides of Chicago to the Russian culture and language, with an emphasis on poet, playwright, and novelist Alexander Pushkin. Through the lens of modern evolutionary thought, students adopt not only a new and different language and culture, but also a different sort of literary hero, one whose African heritage within the majority culture speaks to them directly. This inspiring and compelling story provides fascinating insights into Russia's national poet, brings the sciences and humanities together, and provides new directions in teaching young people from historically disadvantaged backgrounds.

Vladimir Nabokov's famous and brilliant commentary on Pushkin's Eugene Onegin When Vladimir Nabokov first published his controversial translation of Pushkin’s Eugene Onegin in 1964, the great majority of the edition was taken up by Nabokov’s witty and exhaustive commentary. Presented here in its own volume, the commentary is a unique scholarly masterwork by one of the twentieth century’s greatest writers—a work that Nabokov biographer Brian Boyd calls “the most detailed commentary ever made on” Onegin and “indispensable to all serious students of Pushkin’s masterpiece.” In his commentary, Nabokov seeks to illuminate every possible nuance of this nineteenth-century classic. He explains obscurities, traces literary influences, relates Onegin to Pushkin’s other work, and in a characteristically entertaining manner dwells on a host of interesting details relevant to the poem and the Russia it depicts. Nabokov also provides translations of lines and stanzas deleted by the censor or by Pushkin himself, variants from Pushkin’s notebooks, fragments of a continuation called “Onegin’s Journey,” the unfinished and unpublished “Chapter Ten,” other continuations, and an index. A work of astonishing erudition and passion, Nabokov’s commentary is a landmark in the history of literary scholarship and in the understanding and appreciation of the greatest work of Russia’s national poet.

From the nobility in the kingdom of Borno to being kidnapped into slavery, the inspiring life-story of Nicholas Said is an epic journey through the nineteenth century that takes him from Africa to the Ottoman Empire, and finally from Czarist Russia to the American Civil War, becoming a sergeant in one of the first African American regiments in the Union Army. In the late 1830s a young Black man was born into a world of wealth and privilege in the powerful, thousand-year-old African kingdom of Borno. But instead of becoming a respected general like his fearsome father (who was known as The Lion), Nicolas Said’s fate was to fight a very different kind of battle. At the age of thirteen, Said was kidnapped and sold into slavery, beginning an epic journey that would take him across Africa, Asia, Europe, and eventually the United States, where he would join one of the first African American regiments in the Union Army. Nicholas Said would then spend the rest of his life fighting for equality. Along the way, Said encountered such luminaries as Queen Victoria and Czar Nicholas I, fought Civil War battles that would turn the war for the North, established schools to educate newly freed Black children, and served as one of the first Black voting registrars. In The Sergeant, Said’s epic (and largely unknown) story is brought to light by globe-trotting, Pulitzer-prize-winning journalist Dean Calbreath in a meticulously researched and approachable biography. Through the lens of Said’s continent-crossing life, Calbreath examines the parallels and differences in the ways slavery was practiced from a global and religious perspective, and he highlights how Said’s experiences echo the discrimination, segregation, and violence that are still being reckoned with today. There has never been a more voracious appetite for stories documenting the African American experience, and The Sergeant’s unique perspective of slavery from a global perspective will resonate with a wide audience.

Winner, 2022 Brian Boyd Prize for Best Second Book on Nabokov This book shows how ethics and aesthetics interact in the works of one of the most celebrated literary stylists of the twentieth century: the Russian American novelist Vladimir Nabokov. Dana Dragunoiu reads Nabokov’s fictional worlds as battlegrounds between an autonomous will and heteronomous passions, demonstrating Nabokov’s insistence that genuinely moral acts occur when the will triumphs over the passions by answering the call of duty. Dragunoiu puts Nabokov’s novels into dialogue with the work of writers such as Alexander Pushkin, William Shakespeare, Leo Tolstoy, and Marcel Proust; with Kantian moral philosophy; with the institution of the modern duel of honor; and with the European traditions of chivalric literature that Nabokov studied as an undergraduate at Cambridge University. This configuration of literary influences and philosophical contexts allows Dragunoiu to advance an original and provocative argument about the formation, career, and legacies of an author who viewed moral activity as an art, and for whom artistic and moral acts served as testaments to the freedom of the will.

A record of the darker races.

The story of a doctor’s family torn apart by Soviet politics, persecution, and the Jewish struggle for freedom during the Cold War. Available now for the first time in English, Doctor Levitin is a modern classic in Jewish literature. A major work of late twentieth-century Russian and Jewish literature since its first publication in Israel in 1986, it has also seen three subsequent Russian editions. It is the first in David Shrayer-Petrov’s trilogy of novels about the struggle of Soviet Jews and the destinies of refuseniks. In addition to being the first novel available in English that depicts the experience of the Jewish exodus from the former USSR, Doctor Levitin is presented in an excellent translation that has been overseen and edited by the author’s son, the bilingual scholar Maxim D. Shrayer. Doctor Levitin is a panoramic novel that portrays the Soviet Union during the late 1970s and early 1980s, when the USSR invaded Afghanistan and Soviet Jews fought for their right to emigrate. Doctor Herbert Levitin, the novel’s protagonist, is a professor of medicine in Moscow whose non-Jewish wife, Tatyana, comes from the Russian peasantry. Shrayer-Petrov documents with anatomical precision the mutually unbreachable contradictions of the Levitins’ mixed marriage, which becomes an allegory of Jewish-Russian history. Doctor Levitin’s Jewishness evolves over the course of the novel, becoming a spiritual mission. The antisemitism of the Soviet regime forces the quiet intellectual and his family to seek emigration. Denied permission to leave, the family of Doctor Levitin is forced into the existence of refuseniks and outcasts, which inexorably leads to their destruction and a final act of defiance and revenge on the Soviet system. A significant contribution to the works of translated literature available in English, David Shrayer-Petrov’s Doctor Levitinis ideal for any reader of fiction and literature. It will hold particular interest for those who study Jewish or Russian literature, culture, and history and Cold War politics.