Matt Groening developed together with his friend and colleague David X. Cohen the TV-Show Futurama, set in New York in the year 3000. Groening describes his ‘vision of the future’ in Futurama as corporate, commercial and confusing which is not what he expects it to be, and it is not necessarily valuing this world as good or bad. Thus, the assumption of this study is that Futurama presents a stereotyped science fiction-world that deals with themes and problems of our present time. This becomes clear when looking at the excessive use of allusions and references to political and historical events as well as to popular and classical culture. The creators comment that way on topics that concern us – or at least should concern us – today. The task of this study is to identify these topics and references (focusing on America as a political entity), and thereby discuss the points of criticism Futurama raises.

Matt Groening developed together with his friend and colleague David X. Cohen the TV-Show Futurama, set in New York in the year 3000. Groening describes his ‘vision of the future’ in Futurama as corporate, commercial and confusing which is not what he expects it to be, and it is not necessarily valuing this world as good or bad. Thus, the assumption of this study is that Futurama presents a stereotyped science fiction-world that deals with themes and problems of our present time. This becomes clear when looking at the excessive use of allusions and references to political and historical events as well as to popular and classical culture. The creators comment that way on topics that concern us – or at least should concern us – today. The task of this study is to identify these topics and references (focusing on America as a political entity), and thereby discuss the points of criticism Futurama raises.

An indispensable resource, this book provides wide coverage on aliens in fiction and popular culture. The wide impact that the imagined alien has had upon Western culture has not been surveyed before; in many cases the essays in Aliens in Popular Culture are the first written on the topic. The book is a compendium of short entries on notable uses of aliens in popular culture across different media and platforms by almost 90 researchers in the field. It covers science fiction from the late nineteenth century into the twenty-first century, including books, films, television, comics, games, and even advertisements. Individual essays point to the ways in which the imagined alien can be seen as a reflection of different fears and tensions within society, above all in the Anglo-American world. The book additionally provides an overview for context and suggestions for further reading. All varieties of readers will find it to be a comprehensive reference about the extra-terrestrial in popular culture.

Examination Thesis from the year 2005 in the subject American Studies - Miscellaneous, grade: 2,7, Johannes Gutenberg University Mainz (Amerikanistik), course: Abschlussarbeit 1. Staatsexamen, language: English, comment: Die Arbeit wurde nach Bewertung nochmals uberarbeitet., abstract: It is a valid question whether an animated cartoon can be subject to a dissertation or not. It is important that it consistently comprises of satirical jokes as well as having the aspiration of teaching its viewers something; it has to make them think. A cartoon does not necessarily only have to be entertainment, neither requesting critical review nor treatment. Matt Groening describes Futurama like this: "It's about a pizza delivery boy named Fry who, on New Year's Eve 1999, gets inadvertently frozen in a cryogenics lab and wakes up 1,000 years later. The themes: If you are a loser, is it possible to reinvent yourself? How do you deal with the desire for youth, for the return of dead loved ones, and what does it mean to be finite in the universe? Boy, is this too pretentious or what?" [...] The idea of projecting problems of the present into the future has its genesis in Edward Bellamy's Looking Backward 2000-18875. Unlike famous dystopias like Aldous Huxley's Brave New World, George Orwell's 1984, H.G. Wells' Time Machine, or Ray Bradbury's Fahrenheit 451, Looking Backward draws a positive picture of the future in order to encourage his coevals to work towards the society he depicts. In contrast to that, dystopias use current events, like technological breakthroughs or political changes, consider a possible development and present a worst case scenario, which needs to be avoided. In the next two chapters it will be discussed whether Futurama stands in a dystopian tradition and in how far allusions to possible literary and other archetypes are important.

Situating post-WWII New York literature within the material context of American urban history, this work analyzes how literary movements such as the Beat Generation, the New York poets and Black Arts Moment criticized the spatial restructuring of post-WWII New York City.

American Science Fiction Film and Television presents a critical history of late 20th Century SF together with an analysis of the cultural and thematic concerns of this popular genre. Science fiction film and television were initially inspired by the classic literature of H.G. Wells and Jules Verne. The potential and fears born with the Atomic age fuelled the popularity of the genre, upping the stakes for both technology and apocalypse. From the Cold War through to America's current War on Terror, science fiction has proved a subtle vehicle for the hopes, fears and preoccupations of a nation at war.The definitive introduction to American science fiction, this book is also the first study to analyze SF across both film and TV. Throughout, the discussion is illustrated with critical case studies of key films and television series, including The Day the Earth Stood Still, Planet of the Apes, Star Trek: The Next Generation, The X-Files, and Battlestar Galactica.

This book explores expertise relevant for two working groups of NeDiMAH, a European Science Foundation (ESF) funded Research Networking Programme. It examines mapping methods, procedures, tools, criticism, awareness, challenges and solutions around the concepts of “Space and Time” and “Information Visualization”. The chapters explore digital methods in the representation of natural disasters, industrial design, cultural, and the history of architecture. The conclusions link to related research and present suggestions for further work including representing landscape not just as another 3D model but as historic evolution with specialised tools.

The sprawling story of a Czech-American family's determined struggle and unforgettable odyssey from the hunger and hardship of Eastern Europe, across the cold and gray Atlantic in steerage, and on into America's growing cities and isolated farms. The Novaks survive and grow through love and loss, peace and war, epidemic and Depression, in a wondrous new land far from home a young and raw America immersed in the restless throes of change. JOURNEY is a great, new family saga of turmoil, heartbreak, and humor with characters as vivid and colorful as the rich American landscape of the last hundred years.

In the words of Walt Disney, "Animation can explain whatever the mind of man can conceive." Part biography, part history, part artistic commentary, this volume looks at major figures in the field of animation and discusses how their contributions have affected the course of the industry--and, in many cases, popular culture as a whole. These gifted artists are divided into several classifications: Idealists (Art Babbitt, John Hubley); Mavericks (John Kricfalusi, Terry Gilliam); Technicians (Max and Dave Fleischer); Influencers (Frank Tashlin, Matt Groening, Ray Harryhausen, Ed Benedict); Trailblazers (Lotte Rieniger, Lillian Friedman); Teller of Tales (Henry Selick); Teachers (George Newall, Tom Yohe, the FMPU); and Storytellers (Joe Grant, Bill Scott, Michael Maltese). A selective list of each animator's key films and awards is included.