Helping to delight in the drawings of Caravaggio, Carracci, Michelangelo, Urbino, Tavarone, Vasari, Veronese, and others, this book looks at this key period in the development of drawing in Europe.

The magnificent frescoes in chapels, town halls, and palaces across Italy together represent one of the greatest achievements of Renaissance art. Commissioned both by private patrons and by the Church, artists such as Giotto, Masaccio, Piero della Francesca, Mantegna, and Annibale Carracci responded with images of matchless beauty. Leading scholars of Renaissance art and culture treat the works selected for this series in their artistic and historical contexts; each cycle is illustrated with a complete set of the highest quality color reproductions.

The drawings featured in this volume are from the Royal Collection at Windsor Castle. Eighteen sheets are supreme examples of Michelangelo's draftsmanship; fifty are by his contemporaries and successors - including Raphael, Sebastiano del Piombo, Perino del Vaga, Pordenone, and Annibale Carracci - and demonstrate Michelangelo's impact on their technique, style, and imagery. Among the other artists represented are Alessandro Allori, Bartolommeo Ammanati, Baccio.

In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.

Annibale Carracci (1560-1609) fu una delle figure chiave (1560-1609) nello sviluppo dell'arte barocca italiana, e tuttavia la sua arte può sembrare problematica per diversi aspetti. Questo volume analizza la sua carriera dagli esordi a Bologna fino alle opere successive a Roma, il cui apice è raggiunto con il suo capolavoro, gli splendidi affreschi della Galleria Farnese. Il volume indaga inoltre il linguaggio religioso fortemente espressivo che sviluppò nelle pale d'altare, adeguate espressioni dei princìpi della Contro-Riforma, e i suoi importanti contributi all'evoluzione del paesaggio classico. Annotation Supplied by Informazioni Editoriali

The Masters of Art Series presents the world’s first e-Art books, allowing digital readers to explore the works of the world’s greatest artists in comprehensive detail. This volume presents the complete works of Michelangelo Merisi da Caravaggio, the master of baroque painting, in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete extant paintings of Michelangelo Merisi da Caravaggio — over 90 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Caravaggio’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the complete paintings * Easily locate the paintings you want to view * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights YOUNG SICK BACCHUS BOY WITH A BASKET OF FRUIT CARDSHARPS SAINT FRANCIS OF ASSISI IN ECSTASY THE MUSICIANS BACCHUS SAINT CATHERINE OF ALEXANDRIA JUDITH BEHEADING HOLOFERNES NARCISSUS CALLING OF SAINT MATTHEW THE CRUCIFIXION OF SAINT PETER THE CONVERSION OF SAINT PAUL ON THE ROAD TO DAMASCUS THE SUPPER AT EMMAUS AMOR VICTORIOUS JOHN THE BAPTIST ENTOMBMENT DAVID WITH THE HEAD OF GOLIATH THE MARTYRDOM OF SAINT URSULA The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Biography BRIEF BIOGRAPHY OF CARAVAGGIO by Ralph N. James Please visit www.delphiclassics.com to browse through our range of exciting titles

"Explores the imitation of Michelangelo by three artists, Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi, from the 1520s to the time around Michelangelo's death in 1564. Argues that his Mannerist followers applied imitation to identify with and/or create ironical distance from to the older artist"--Provided by publisher.