Michelangelo And His Influence
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Author |
: Paul Joannides |
Publisher |
: |
Total Pages |
: 224 |
Release |
: 1996 |
ISBN-10 |
: UOM:39015041000780 |
ISBN-13 |
: |
Rating |
: 4/5 (80 Downloads) |
Synopsis Michelangelo and His Influence by : Paul Joannides
The drawings featured in this volume are from the Royal Collection at Windsor Castle. Eighteen sheets are supreme examples of Michelangelo's draftsmanship; fifty are by his contemporaries and successors - including Raphael, Sebastiano del Piombo, Perino del Vaga, Pordenone, and Annibale Carracci - and demonstrate Michelangelo's impact on their technique, style, and imagery. Among the other artists represented are Alessandro Allori, Bartolommeo Ammanati, Baccio.
Author |
: Paul Joannides |
Publisher |
: |
Total Pages |
: 0 |
Release |
: 1996 |
ISBN-10 |
: 0853317135 |
ISBN-13 |
: 9780853317135 |
Rating |
: 4/5 (35 Downloads) |
Synopsis Michelangelo and His Influence by : Paul Joannides
Author |
: Francis Ames-Lewis |
Publisher |
: Routledge |
Total Pages |
: 282 |
Release |
: 2017-09-29 |
ISBN-10 |
: 9781351552301 |
ISBN-13 |
: 1351552309 |
Rating |
: 4/5 (01 Downloads) |
Synopsis Reactions to the Master by : Francis Ames-Lewis
The immense effect that Michelangelo had on many artists working in the sixteenth century is widely acknowledged by historians of Italian Renaissance art. Yet until recently greater stress has been placed on the individuality of these artists' styles and interpretation rather than on the elucidation of their debts to others. There has been little direct focus on the ways in which later sixteenth-century artists actually confronted Michelangelo, or how those areas or aspects of their artistic production that are most closely related to his reveal their attitudes and responses to Michelangelo's work. Reactions to the Master presents the first coherent study of the influence exerted by Michelangelo's work in painting and sculpture on artists of the late-Renaissance period including Alessandro Allori, Agnolo Bronzino, Battista Franco, Francesco Parmigianino, Jacopo Pontormo, Francesco Salviati, Raphael, Giorgio Vasari, Marcello Venusti, and Alessandro Vittoria. The essays focus on the direct relations, such as copies and borrowings, previously underrated by art historians, but which here form significant keys to understanding the aesthetic attitudes and broader issues of theory advanced at the time.
Author |
: Carmen C. Bambach |
Publisher |
: Metropolitan Museum of Art |
Total Pages |
: 395 |
Release |
: 2017-11-05 |
ISBN-10 |
: 9781588396372 |
ISBN-13 |
: 1588396371 |
Rating |
: 4/5 (72 Downloads) |
Synopsis Michelangelo by : Carmen C. Bambach
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
Author |
: William E. Wallace |
Publisher |
: Cambridge University Press |
Total Pages |
: 477 |
Release |
: 2011-07-25 |
ISBN-10 |
: 9781139505680 |
ISBN-13 |
: 1139505688 |
Rating |
: 4/5 (80 Downloads) |
Synopsis Michelangelo by : William E. Wallace
In this vividly written biography, William E. Wallace offers a new view of the artist. Not only a supremely gifted sculptor, painter, architect and poet, Michelangelo was also an aristocrat who firmly believed in the ancient, noble origins of his family. The belief in his patrician status fueled his lifelong ambition to improve his family's financial situation and to raise the social standing of artists. Michelangelo's ambitions are evident in his writing, dress and comportment, as well as in his ability to befriend, influence and occasionally say 'no' to popes, kings and princes. Written from the words of Michelangelo and his contemporaries, this biography not only tells his own stories, but also brings to life the culture and society of Renaissance Florence and Rome. Not since Irving Stone's novel The Agony and the Ecstasy has there been such a compelling and human portrayal of this remarkable yet credible human individual.
Author |
: Miles J. Unger |
Publisher |
: Simon and Schuster |
Total Pages |
: 448 |
Release |
: 2015-07-21 |
ISBN-10 |
: 9781451678789 |
ISBN-13 |
: 1451678789 |
Rating |
: 4/5 (89 Downloads) |
Synopsis Michelangelo by : Miles J. Unger
Among the immortals--Leonardo, Rembrandt, Picasso--Michelangelo stands alone as a master of painting, sculpture, and architecture. He was not only the greatest artist in an age of giants, but a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse and promoting the novel idea that it was the artist, rather than the lord who paid for it, who was creative force behind the work. This is the life of perhaps the most famous, most revolutionary artist in history, told through the stories of six of his magnificent masterpieces.
Author |
: Carolina Mangone |
Publisher |
: Yale University Press |
Total Pages |
: 289 |
Release |
: 2020-06-16 |
ISBN-10 |
: 9780300247732 |
ISBN-13 |
: 0300247737 |
Rating |
: 4/5 (32 Downloads) |
Synopsis Bernini's Michelangelo by : Carolina Mangone
A novel exploration of the threads of continuity, rivalry, and self-conscious borrowing that connect the Baroque innovator with his Renaissance paragon Gianlorenzo Bernini (1598–1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti—the master of the previous age. Bernini’s Michelangelo is the first comprehensive examination of Bernini’s persistent and wide-ranging imitation of Michelangelo’s canon (his art and its rules). Prevailing accounts submit that Michelangelo’s pervasive, yet controversial, example was overcome during Bernini’s time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear’s oeuvre. Such imitation earned him the moniker “Michelangelo of his age.” Investigating Bernini’s “imitatio Buonarroti” in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter’s reveals how Bernini approached Michelangelo’s art as a surprisingly flexible repertory of precepts and forms that he reconciled—here with daring license, there with creative restraint—to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini’s imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo’s art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.
Author |
: Jennifer Dasal |
Publisher |
: Penguin |
Total Pages |
: 289 |
Release |
: 2020-09-15 |
ISBN-10 |
: 9780143134596 |
ISBN-13 |
: 0143134590 |
Rating |
: 4/5 (96 Downloads) |
Synopsis ArtCurious by : Jennifer Dasal
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author |
: Ascanio Condivi |
Publisher |
: Wentworth Press |
Total Pages |
: 108 |
Release |
: 2019-03-22 |
ISBN-10 |
: 1010718150 |
ISBN-13 |
: 9781010718154 |
Rating |
: 4/5 (50 Downloads) |
Synopsis The Life of Michelagnolo Bvonarroti by : Ascanio Condivi
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author |
: David Hemsoll |
Publisher |
: Getty Publications |
Total Pages |
: 257 |
Release |
: 2018-04-03 |
ISBN-10 |
: 9781606065655 |
ISBN-13 |
: 1606065653 |
Rating |
: 4/5 (55 Downloads) |
Synopsis The Life of Michelangelo by : David Hemsoll
The fame and influence of Michelangelo Buonarroti (1475–1564) were as immediate as they were unprecedented. It is not surprising, therefore, that he was the only living artist Giorgio Vasari included in the first edition of Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550. Revised and expanded in 1568, Vasari’s monumental work comprises more than two hundred biographies; for centuries it has been recognized as a seminal text in art history and one of the most important sources on the Italian Renaissance. Vasari’s biography of Michelangelo, the longest in his Lives, presents Michelangelo’s oeuvre as the culminating achievement of Renaissance painting, sculpture, and architecture. He tells the grand story of the artist’s expansive career, profiling his working habits; describing the creation of countless masterpieces, from the David to the Sistine Chapel ceiling; and illuminating his relationships with popes and other illustrious patrons. A lifelong friend, Vasari also quotes generously from the correspondence between the two men; the narrative is further enhanced by an abundance of colorful anecdotes. The volume’s forty-two illustrations convey the range and richness of Michelangelo’s art. An introduction by the scholar David Hemsoll traces the textual development of Vasari’s Lives and situates his biography of Michelangelo in the broader context of Renaissance art history.