Overzicht van het werk van de Amerikaanse architectuurfotograaf (1900-1976).

In 2030, the world's population will be a staggering eight billion people. Of these, two-thirds will live in cities, and most will be poor. With limited resources, this uneven growth will be one of the greatest challenges faced by societies across the globe. Over the next years, city authorities, urban planners and designers, economists, and many others will have to join forces to avoid major social and economical catastrophes, working together to ensure these expanding megacities will remain habitable. To engage this international debate The Museum of Modern Art presents Uneven Growth, Tactical Urbanisms for Expanding Megacities, its third iteration in the 'Issues in Contemporary Architecture' series. Following the same model as the critically acclaimed Rising Currents: Projects for New York's Waterfront and Foreclosed: Rehousing the American Dream, Uneven Growth brings together an international group of scholars, practitioners, and experts of architecture and urbanism in a series of workshops, an exhibition, and a publication to focus on how emergent forms of tactical urbanism can address the increasing inequality of urban development around the globe. Featuring proposals for six global metropolises - New York, Mumbai, Rio de Janeiro, Istanbul, Hong Kong and Lagos - each developed by a team pairing local practitioners with international researchers, Uneven Growth documents the brainstorming sessions and workshops. Interviews with each team and essays by leading scholars on the issue make the publication a rich resource for students and professionals alike, and a catalyst for worldwide change.

How American architecture can address systemic anti-Black racism: a creative challenge in 10 case studies Reconstructions: Architecture and Blackness in Americais an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a "field guide"--reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal. A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume's richly illustrated presentations of the architectural projects at the heart of MoMA's groundbreaking exhibition.

What do the technical practices, procedures, and systems that have shaped institutions of higher learning in the United States, from the Ivy League and women’s colleges to historically black colleges and land-grant universities, teach us about the production and distribution of knowledge? Addressing media theory, architectural history, and the history of academia, Knowledge Worlds reconceives the university as a media complex comprising a network of infrastructures and operations through which knowledge is made, conveyed, and withheld. Reinhold Martin argues that the material infrastructures of the modern university—the architecture of academic buildings, the configuration of seminar tables, the organization of campus plans—reveal the ways in which knowledge is created and reproduced in different kinds of institutions. He reconstructs changes in aesthetic strategies, pedagogical techniques, and political economy to show how the boundaries that govern higher education have shifted over the past two centuries. From colleges chartered as rights-bearing corporations to research universities conceived as knowledge factories, educating some has always depended upon excluding others. Knowledge Worlds shows how the division of intellectual labor was redrawn as new students entered, expertise circulated, science repurposed old myths, and humanists cultivated new forms of social and intellectual capital. Combining histories of architecture, technology, knowledge, and institutions into a critical media history, Martin traces the uneven movement in the academy from liberal to neoliberal reason.

Published on the occasion of the exhibition held at the Art Institute of Chicago, Sept. 24, 2012-Feb. 24, 2013.

This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.

This book surveys the projects that define WORKac (WORK Architecture Company) as one of the most progressive and playful architecture firms in practice today. WORKac: We’ll Get There When We Cross That Bridge traces fifteen years of collaboration between architects Amale Andraos and Dan Wood. Structured as a conversation between the two partners, the book alternates between explorations of seminal projects and discussions framing a series of issues that are key to their work. The book follows the firm’s career over the course of three Five-Year Plans (Say Yes to Everything, Make No Medium-Sized Plans, Stuff the Envelope), examining the relationships between work and life, and the limits and opportunities of collaborative creativity and practice. WORKac has achieved international acclaim, winning design competitions in Russia, Gabon, and China, and in 2015 the practice was named the 2015 AIANY State Firm of the Year. Showcasing projects for MoMA PS1, Edible Schoolyards NYC, Anthropologie, Diane von Furstenberg, Creative Time, and many more, the book is a tasting menu of everything the practice embraces: never assuming what architecture “is” but always imagining together what it can become. From residential interiors to futuristic masterplans of ecological cities, WORKac samples the wide spectrum of their critical, witty, and dialogued work.

Segregation by Design draws on more than 100 years of quantitative and qualitative data from thousands of American cities to explore how local governments generate race and class segregation. Starting in the early twentieth century, cities have used their power of land use control to determine the location and availability of housing, amenities (such as parks), and negative land uses (such as garbage dumps). The result has been segregation - first within cities and more recently between them. Documenting changing patterns of segregation and their political mechanisms, Trounstine argues that city governments have pursued these policies to enhance the wealth and resources of white property owners at the expense of people of color and the poor. Contrary to leading theories of urban politics, local democracy has not functioned to represent all residents. The result is unequal access to fundamental local services - from schools, to safe neighborhoods, to clean water.

Alfred Neumann (1900-1968) was a Czech architect whose work was wrought in the context of postwar modernism and the establishment of the State of Israel in 1948. Today, his influence and impact have been largely forgotten, but, in their time, Neumann's original designs received praise and elicited controversy in almost equal measure, offering exciting new possibilities to the modernist mainstream. Space Packed renews attention to this pioneering architect who made a vast contribution to modern architecture and had a lasting impact on Israel's broader architectural culture. Drawing on Neumann's writings and close study of both built and unbuilt projects, Rafi Segal discusses the development of Neumann's architectural theory and methodology and documents his built works from the 1950s and '60s against the backdrop of contemporary architectural discourse and the demands of the newly created State of Israel. The book also features a complete, chronological catalog of Neumann's buildings and designs, fully illustrated, including many previously unpublished photographs, drawings, and sketches. The first book to provide a detailed account of Neumann's work, Space Packed celebrates the career of this highly skilled and innovative architect, and it will be welcomed by architects and architectural historians.