Overzicht van het werk van de Amerikaanse architectuurfotograaf (1900-1976).

A long-awaited survey of the full range of Stoller's stunning photography

A riveting and superbly illustrated account of the enigmatic House Beautiful editor’s profound influence on mid-century American taste From 1941 to 1964, House Beautiful magazine’s crusading editor-in-chief Elizabeth Gordon introduced and promoted her vision of “good design” and “better living” to an extensive middle-class American readership. Her innovative magazine-sponsored initiatives, including House Beautiful’s Pace Setter House Program and the Climate Control Project, popularized a “livable” and decidedly American version of postwar modern architecture. Gordon’s devotion to what she called the American Style attracted the attention of Frank Lloyd Wright, who became her ally and collaborator. Gordon’s editorial programs reshaped ideas about American living and, by extension, what consumers bought, what designers made, and what manufacturers brought to market. This incisive assessment of Gordon’s influence as an editor, critic, and arbiter of domestic taste reflects more broadly on the cultures of consumption and identity in postwar America. Nearly 200 images are featured, including work by Ezra Stoller, Maynard Parker, and Julius Shulman. This important book champions an often-neglected source—the consumer magazine—as a key tool for deepening our understanding of mid-century architecture and design.

'This Side of Paradise explores the synergistic relationship between Los Angeles and photography from the mid-19th century to the present through the key themes of language and the body.

This 1982 book is an account of an alternative way of thinking about evolution and the theory of games.

As Maynard grew from a scattering of small hill farms to a booming center of industry and immigration, much of its colorful history was nearly forgotten. With a rollicking collection of his essays, newspaper columnist David A. Mark uncovers the hidden gems of the town's history. Learn why Babe Ruth shopped in Maynard during his Red Sox days and what they fed the animals at the Taylor mink ranch. Find out who is buried--and who is not--in the Maynard family crypt and which rock 'n' roll bands recorded in the studio upstairs from Woolworths on Main Street. Almost lost to time, these remarkable moments in history helped shape Maynard into the vibrant community that it is today.

Globalization, technology, and politics have altered the definition and expectations of citizenship and the right to place. 'Dimensions of Citizenship' documents contributions from the seven firms selected to represent the United States in the 2018 Venice Architecture Biennale. This paperback volume profiles and illustrates each of the US Pavilion contributions and contextualizes them in terms of scale.0Drawing inspiration from the Eames? Power of Ten, 'Dimensions of Citizenship' will provide a view of belonging across seven stages starting with the individual (Citizen), then the collective (Civic, Region, Nation), and expanding to include all phases of contemporary society, real and projected (Globe, Network, Cosmos). Additional essays?by Ingrid Burrington, Ana María León, and Nicholas de Monchaux, among others?will offer essential and enquiring responses to these themes. 00Exhibition: US Pavilion, Venice Architecture Biennale, Italy (16.05.-25.11.2018).

In 2004, Darfur, Sudan was described as the "world's greatest humanitarian crisis." Twenty years previously, Darfur was also the site of a disastrous famine. Famine that Kills is a seminal account of that famine, and a social history of the region. In a new preface prepared for this revised edition, Alex de Waal analyzes the roots of the current conflict in land disputes, social disruption and impoverishment. Despite vast changes in the nature of famines and in the capacity of response, de Waal's original challenge to humanitarian theory and practice including a focus on the survival strategies of rural people has never been more relevant. Documenting the resilience of the people who suffered, it explains why many fewer died than had been predicted by outsiders. It is also a pathbreaking study of the causes of famine deaths, showing how outbreaks of infectious disease killed more people than starvation. Now a classic in the field, Famine that Kills provides critical background and lessons of past intervention for a region that finds itself in another moment of humanitarian tragedy.