This beautiful anthology brings together over 250 poems about flowers, plants and trees from eight centuries of writing in English, creating a rich bouquet of intriguing juxtapositions. Fourteenth-century lyrics sit next to poems of the twenty-first century; celebrations of plants native to the English soil share the volume with more exotic plant poetry. There are thirty poems about roses, by poets as diverse as Shakespeare, Dorothy Parker and the South African, Seitlhamo Motsapi; but there are also sections devoted to more unusual plants such as the mandrake, the starapple and the tamarind. An ex-gardener, the celebrated poet Sarah Maguire brings her extensive horticultural knowledge to bear on all the poems, arranging them into botanical families, identifying the plants being written about and writing a fascinating introduction. Whether you are a poetry lover, a gardener, a botanist, or simply the purchaser of the occasional bunch of flowers, this unique anthology allows you to luxuriate amidst the world's flora.

A philosophical discussion about the meanings of nature which can give rise to our motivations to conserve nature.

An evocative and richly illustrated exploration of flowers and how, over the centuries, they have given us so much sustenance, meaning, and pleasureThe bright yellow of a marigold and the cheerful red of a geranium, the evocative fragrance of a lotus or a saffron-infused paella—there is no end of reasons to love flowers. Ranging through the centuries and across the globe, Kasia Boddy looks at the wealth of floral associations that has been passed down in perfumes, poems, and paintings; in the design of buildings, clothes, and jewelry; in songs, TV shows, and children’s names; and in nearly every religious, social, and political ritual.Exploring the first daffodils of spring and the last chrysanthemums of autumn, this is also a book about seasons. In vibrant detail and drawing on a rich array of illustrations, Boddy considers how the sunflower, poppy, rose, lily—and many others—have given rise to meaning, value, and inspiration throughout history, and why they are integral to so many different cultures.

By sensing the fundamental ideas of earth and the earth-thought, this collection seeks to negotiate with and react to the underlying semasiological or psycho-geographical principle of geopoetics that cuts across varied and at times conflicting schools. From reading some geopoetical texts to understanding the idea of earth in Humboldt and Marx-Engels, topolitics in Tintin, reef-thinking, geopoet(h)ics and Asiabodh, the volume tries to perceive how we poetically exist with the earth. Isn’t literature, taking a cue from Hölderlin, a symptom of the way “man lives poetically on the earth”? How is our body and psyche integral parts of the earth-thought? How does literature deal with the concepts of space and place? How literature enables us to comprehend the underlying principle of geopoetics — the principle of finding art in earth? These are some of the critical questions which this volume seeks to explore. Literature exemplifies a geographical consciousness — an “intimate and subjective” experience of the earth. This book is an attempt to conceive this eclectic infusion of art and earth, so that we are able to ensure that the world of the art always remains in touch with the earth of the world. Let us, through this book, un-earth this deep-rooted spatiality and geographicality in literature. Let us imitate earth through art, as this is the only place where we can live.

At once a major resource for historians of science and an excellent introduction to natural history for the general reader, David Allen's The Naturalist in Britain established a precedent for investigating natural history as a social phenomenon. Here the author traces the evolution of natural history from the seventeenth to the early twentieth centuries, from the "herbalizings" of apprentice apothecaries to the establishment of national reserves and international societies to the emergence of natural history as an organized discipline. Along the way he describes the role of scientific ideas, popular fashion, religious motivations, literary influences, the increase of leisure time and disposable income, and the tendency of like-minded persons to form clubs. His comprehensive and entertaining discussion creates a vibrant portrait of a scientific movement inextricably woven into a particular culture.

Proceedings of the 22d-33d annual conference of the Library Association in v. 1-12; proceedings of the 34th-44th, 47th-57th annual conference issued as a supplement to v. 13-23, new ser. v. 3-ser. 4, v. 1.

This volume of commemorative and celebratory essays, first published in 1974, concentrates on William Empson – the critic, the poet and friend. The papers range from the biographical to the academic, but what every one suggests is the impossibility of separating the man from his work and the ‘life’ from the ‘thought’. This book constitutes an important study of Empson, his work and his impact upon people and literary studies of our time.