Examines seven types of ambiguity, providing examples of it in the writings of Shakespeare, Wordsworth, and T.S. Eliot.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

William Empson (1906SH84) was one of the twentieth century's most distinctive critical voices, and left a profound mark upon Anglo-American literary culture. This book is the first full study of Empson's literary criticism in its various aspects, taking account of recent developments in critical theory and of Empson's complex SH at times deeply antagonistic SH attitude towards those developments. In their diversity of viewpoint and critical approach the nine essays reflect this sturdy resistance to fashionable trends of 'Eng. Lit.' opinion. Topics include the relations between Empson and Derrida's approaches to the issue of textual 'undecidability', and Empson's prominent (if unwilling role) in the shaping of English as an academic discourse. Christopher Norris's extended introduction charts the ground and offers a major revaluation of Empson's place in the theoretical tradition.

Written in Empson's typically witty and iconoclastic style, Using Biography is a brilliant exploration of writers asdiverse as Marvell, Dryden, Fielding,Yeats, Eliot, and Joyce. The last book hecompleted before his death in 1984, itis his most recent since Milton's God waspublished in 1961. Empson's earlierbooks inspired American New Criticism,but unlike the New Critics Empson hasalways been an intentionalist. UsingBiography is dramatic evidence of hisfiercely held view that biographical material can help us appreciate a writer'smethods and intentions. It demonstratesa shrewd understanding of human relationships as they occur, not always explicitly, in works of literature.

The book provides an engaging record of the author's reactions to the cultures and artworks he encountered during his travels, and presents experimental theories about Buddhist art that many authorities of today have found to be remarkably prescient. It also casts important new light on the author's other works, highlighting in particular the affinities of his thinking with that of the religious and philosophical traditions of Asia.

William Empson (1906-1984) was the foremost English literary critic of the twentieth century. His public life and travels took him through many of the major events of the modern world. This compelling account is the second of two volumes exploring his remarkable life and work.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

From one of today's most distinguished critics, a beautifully written exploration of one of the twentieth century's most important literary critics Are literary critics writers? As Michael Wood says, "Not all critics are writers—perhaps most of them are not—and some of them are better when they don't try to be." The British critic and poet William Empson (1906–84), one of the most important and influential critics of the twentieth century, was an exception—a critic who was not only a writer but also a great one. In this brief book, Wood, himself one of the most gifted writers among contemporary critics, explores Empson as a writer, a distinguished poet whose criticism is a brilliant literary performance—and proof that the act of reading can be an unforgettable adventure. Drawing out the singularity and strength of Empson's writing, including its unfailing wit, Wood traces the connections between Empson's poetry and criticism from his first and best-known critical works, Seven Types of Ambiguity and Some Versions of Pastoral, to later books such as Milton's God and The Structure of Complex Words. Wood shows why this pioneer of close reading was both more and less than the inventor of New Criticism—more because he was the greatest English critic since Coleridge, and didn't belong to any school; and less because he had severe differences with many contemporary critics, especially those who dismissed the importance of an author's intentions. Beautifully written and rich with insight, On Empson is an elegant introduction to a unique writer for whom literature was a nonstop form of living.

John Haffenden's acclaimed biography of William Empson (1906-1984), the foremost English literary critic of the twentieth century, is now available in paperback. An authoritative and compelling account and the first of two volumes exploring his remarkable life and work.