The author of Mongrels and the author of The Cabin at the End of the World team up to tell a quirky and uplifting fantasy “that will enthrall young teens” (School Library Journal). Things Mary doesn’t want to fall into: the river, high school, her mother’s life. Things Mary does kind of want to fall into: love, the sky. This is the story of a girl who sees a boy float away one fine day. This is the story of the girl who reaches up for that boy with her hand and with her heart. This is the story of a girl who takes on the army to save a town, who goes toe-to-toe with a mad scientist, who has to fight a plague to save her family. This is the story of a girl who would give anything to get to babysit her baby brother one more time. If she could just find him. It’s all up in the air for now, though, and falling fast . . . Fun, breathlessly exciting, and full of heart, Floating Boy and the Girl Who Couldn’t Fly is an unforgettable ride. “Straddles the border between magic realism and weird science . . . an entertaining, thoughtful piece.” —Publishers Weekly “Absolutely adorable . . . The plot was fast paced and driven and it kept me intrigued until the very end. It was [a] really light, easy read.” —Read Rant Review

“Wonderfully strange tales―cunningly written―eerie and satiric by turn” from the Edgar Award–winning author of The Cutting Room (David Greenspan, five-time Obie Award–winning author). The Family Unit and Other Fantasies is a superb collection of darkly comic, largely fantastical stories set in our jittery, polarized, increasingly impersonal age. Whether it’s the tale of a corporation that buys a man’s family; two mysterious survivors of a superstorm who are given shelter by a gullible couple; an erotic adventure set during an urban terrorist alert; or a nightmare in which a man sees his neighborhood being developed and disappearing at a truly alarming speed; these stories are by turn funny and frightening, uncanny, and unnerving. “A masterful, unnervingly funny collection set in a society with no place to hide: in other words, our own.” —Irina Reyn, award-winning author of Mother Country “Laurence Klavan uncovers the places you didn’t know exist, the gaps between everyday life and existential horror, where the disconnect between reality and the weird operates its quiet and subtle magic.” —Maxim Jakubowski, author and editor of The Mammoth Book of Erotica “Disturbing, surprising, and unflinchingly intimate, Laurence Klavan’s stories make the mundane bizarre and are absolutely engrossing.” —Danica Novgorodoff, author of The Undertaking of Lily Chen

As a video game world faces virtual apocalypse, the Skids stop playing and start fighting for their lives in this award-winning debut young adult novel. They’re called the Skids. They’ve got three eyes, tank treads, and a bucket-full of attitude. They live to play the games, score points, and try to make the next level before getting vaped—all for the notion that someone out there must be watching. Johnny Drop’s the best skid the Skidsphere’s seen in generations, but he won’t get to enjoy it for long. Because his world is about to die. And then Johnny’s going to learn that the universe is larger than he ever dreamed. Part Hunger Games, part Ready Player One, and a bit of The Matrix smashed into the mix, The Skids is the Copper Cylinder Award–winning debut novel in the Skids Trilogy.

Brilliantly inventive speculative stories that offer “highly original riffs on everything from superhero to zombie fiction” (Toronto Star). A guilt-ridden nurse atones for her sins by joining her zombified patients in exile. A lone soldier stands guard on a desolate Arctic island against an invasion that may be all in his mind. A folk singer tries to unionize Hell. In these strange, funny short stories, you will journey to places beyond your imagination: from a resettlement center for refugees from ancient Rome, to a lost country recreated by its last citizen on the Internet, to a restaurant where the owner’s ghost lingers for one final party. Discover the secret connection between Mark Twain and Frankenstein, and the magic power of blackberry jam—all in this debut collection by an author whose work has been nominated for the Sidewise Award and Pushcart Prize. “Readers interested in modern speculative fiction would be strongly recommended to make this their next choice.” —Publishers Weekly

“Goh-Goh is angry at you for not being a good Little Sister. Wah. . . . Why are you so selfish? You know you are not supposed to anger bad spirits during Ghost Month.” I sputtered, “You think Goh-Goh is a bad spirit? A gwai?” “Ai-yah. Don’t call them that. Do you want to anger them? They are the Good Brothers. You call them the Good Brothers. Ho hing dai.” Tori Wong is starting over. She's given herself a new name, dropped out of university to work at a downtown Toronto bookstore, and fled her parents' strict home to do all the things she's never done before. Like go out on weeknights, flirt with her cute co-worker Egan, and live out of the shadow of her overachieving brother, to whom her parents always compare her--even though he’s dead. But turning your back on the past isn't as easy as it seems. Especially during Yu Lan, or The Festival of Hungry Ghosts, when traditional Chinese believe that neglected spirits roam the earth. Not one but three forgotten ghosts come back to haunt Tori: her vengeful brother Seymour, and ambitious Vicky and meek little Mui-Mui, herself at age seventeen and eleven. Despite her attempts to appease them, none of them approve of Tori’s new life and interfere with her job and her budding relationship with Egan. And although it's Seymour who literally burns with jealousy of the living, Tori begins to despair that she too is a hungry ghost and has more in common with him than she’d thought . . .

From the author of Quaternity: “The story of an immortal champion in an American West that never was, and so is all the truer for it” (Richard Parks, author of The Long Look). Thermopylae. Masada. Agincourt. And now, Haxan, New Mexico Territory, circa 1874. Through a sea of time and dust, in places that might never be, or can’t become until something is set right, there are people destined to travel. Forever. Marshal John Marwood is one of these men. Taken from a place he called home, he is sent to fight an eternal war. It never ends, because the storm itself, this unending conflict, makes the world we know a reality. Along with all the other worlds waiting to be born. Or those that were born, but died like a guttering candle in eternal night . . . The first in a series, Haxan is Lonesome Dove meets The Punisher—real, gritty, violent, and blatantly uncompromising. “A mixture of western and urban fantasy, with a cold, moody atmosphere that makes us want to put on a sweater. The author leaves the door open for a sequel, but, given the kind of life Marwood lives, it could be set anywhere, or anytime.” —Booklist

A collection of the best weird fantasy stories by the Doctor Who series writer and World Fantasy Award–winning author. SHORTLISTED FOR THE SHIRLEY JACKSON AWARD Prolific author and screenwriter Robert Shearman has won numerous awards for his short stories of dark fantasy and horror. In this collection, Shearman visits worlds that are unsettling and strange. Sometimes they are just like ours―except landlocked countries may disappear overnight, marriages to camels are the norm, and the dead turn into musical instruments. Sometimes they are quite alien―where children carve their own tongues from trees, and magic shows are performed to amuse the troops in the war between demons and angels. There is horror, and dreams—fulfilled and squandered—of true love. Venture into the world of Robert Shearman’s darkly exhilarating imagination. They do the same things different there.

From the editors of Dark Faith, Maurice Broaddus and Jerry Gordon, comes a collection of supernatural crime noir. You think you're safe. What a joke. You don't think about the places you pass every day. The side streets. The alleys. The underbridges. All you'd have to do is take a step to the side. Then you'd know. The streets are filled with shadows.

A Locus Award Finalist NATIONAL BESTSELLER December 12th, 2019, Jade returns to the rural lake town of Proofrock the same day as convicted Indigenous serial killer Dark Mill South escapes into town to complete his revenge killings, in this “superb” (Publishers Weekly) sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones. Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho. Dark Mill South’s Reunion Tour began on December 12th, 2019, a Thursday. Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over. Don’t Fear the Reaper is the “adrenaline-filled” (Library Journal, starred review) sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones.

Even as Stephen Graham Jones generates a dizzying range of brilliant fiction, his work remains strikingly absent from scholarly conversations about Native and western American literature, owing in part to his unapologetic embrace of popular genres such as horror and science fiction. Steeped in dense narrative references, literary and historical allusions, and experimental postmodern stylings, his fiction informs a broad array of literary and popular conversations. The Fictions of Stephen Graham Jones is the first collection of scholarship on Jones’s ever-expanding oeuvre. The diverse methodologies that inform these essays—from Native American critical theory to poststructuralism and gothic noirism—illuminate the unique complexity of Jones’s narrative worlds while positioning his works within broader conversations in literary studies and popular culture. Jones challenges at every turn the notions of what constitutes Native American literature and what it means to be a Native American writer. Contributing editor Billy J. Stratton foregrounds these heavily contested questions and their ongoing relevance to readers and critics alike.