Flinders Petrie has been called the “Father of Modern Egyptology”—and indeed he is one of the pioneers of modern archaeological methods. This fascinating biography of Petrie was first published to high acclaim in England in 1985. Margaret S. Drower, a student of Petrie’s in the early 1930s, traces his life from his boyhood, when he was already a budding scholar, through his stunning career in the deserts of Egypt to his death in Jerusalem at the age of eighty-nine. Drower combines her first-hand knowledge with Petrie’s own voluminous personal and professional diaries to forge a lively account of this influential and sometimes controversial figure. Drower presents Petrie as he was: an enthusiastic eccentric, diligently plunging into the uncharted past of ancient Egypt. She tells not only of his spectacular finds, including the tombs of the first Pharaohs, the earliest alphabetic script, a Homer manuscript, and a collection of painted portraits on mummy cases, but also of Petrie’s important contributions to the science of modern archaeology, such as orderly record-keeping of the progress of a dig and the use of pottery sherds in historical dating. Petrie's careful academic methods often pitted him against such rival archaeologists as Amélineau, who boasted he had smashed the stone jars he could not carry away to be sold, and Maspero and Naville, who mangled a pyramid at El Kula they had vainly tried to break into.

Published in 1931, this intriguing autobiography recounts the life and adventures of a leading Egyptologist who influenced a generation of archaeologists.

The Archaeology of Race considers more widely the role of racial theory in archaeology and its contemporary political implications.

The Religion of Ancient Egypt is a classic religious studies text by the great pioneering English egyptologist, W. M. Flinders Petrie. Before dealing with the special varieties of the Egyptians' belief in gods, it is best to try to avoid a misunderstanding of their whole conception of the supernatural. The term god has come to tacitly imply to our minds such a highly specialised group of attributes, that we can hardly throw our ideas back into the more remote conceptions to which we also attach the same name.

Mythical animals, florals, rosettes, religious and secular symbols, more.