On board an obsolete ship, nine weeks out from home, the latest batch of colonists arrive at their destination. A grim penal settlement in a wilderness worlds away from the homes they will never see again. TASMANIA? BOTANY BAY? No. For this is tomorrow, not yesterday. The dumping ground for social outcasts and political deportees is Mars, barren, unproductive, but invaluable as a convict settlement. What kind of welcome will the twenty-four deportees receive when the reception party from the Settlement reaches their stranded ship? And how will they survive in a primitive environment, an alien system?

Mars in the human imagination from the invention of the telescope to the present For centuries, the planet Mars has captivated astronomers and inspired writers of all genres. Whether imagined as the symbol of the bloody god of war, the cradle of an alien species, or a possible new home for human civilization, our closest planetary neighbor has played a central role in how we think about ourselves in the universe. From Galileo to Kim Stanley Robinson, Robert Crossley traces the history of our fascination with the red planet as it has evolved in literature both fictional and scientific. Crossley focuses specifically on the interplay between scientific discovery and literary invention, exploring how writers throughout the ages have tried to assimilate or resist new planetary knowledge. Covering texts from the 1600s to the present, from the obscure to the classic, Crossley shows how writing about Mars has reflected the desires and social controversies of each era. This astute and elegant study is perfect for science fiction fans and readers of popular science.

Popular Measures examines the influence of Congregationalist church practices on poetry and poetics in early New England. It considers how the rejection of set prayers, and the privileging of more spontaneous oral forms (such as the plain-style sermon and the conversion narrative) in colonial churches influenced the style of locally written religious verse. The book consists of an overview of church practices and their implications for poetry, followed by a series of case studies focusing on texts written at different stages of the colony's development from 1640 to 1700: the Bay Psalm Book, Michael Wigglesworth's The Day of Doom, and Edward Taylor's Gods Determinations. The investigation concludes that colonial religious writers transformed the poetic conventions they had inherited from England in order to enhance the effectiveness of their verse in a culture that portrayed forms and formality as, at best, able to lead an individual only halfway on the journey towards salvation. --University of Delaware Press.

This volume of the Cambridge History of the English Language covers the period 1476-1776, beginning at the time of the establishment of Caxton's first press in England and concluding with the American Declaration of Independence, the notional birth of the first (non-insular) extraterritorial English. It encompasses three centuries which saw immense cultural change over the whole of Europe: the late middle ages, the renaissance, the reformation, the enlightenment, and the beginnings of romanticism. During this time, Middle English became Early Modern English and then developed into the early stages of indisputably 'modern', if somewhat old-fashioned, English. In this book, the distinguished team of six contributors traces these developments, covering orthography and punctuation, phonology and morphology, syntax, lexis and semantics, regional and social variation, and the literary language. The volume also contains a glossary of linguistic terms and an extensive bibliography.

This early work by Thomas Nashe was originally published in 1600 and we are now republishing it with a brand new introductory biography. 'Summer's Last Will and Testament' is an Elizabethan era stage play that broke new ground in the development of English Renaissance drama. Thomas Nashe was born in November 1567. He was an English Elizabethan Pamphleteer, playwright, poet and satirist, but little is known with certainty about his life. Much of the information we have has been inferred from his writings. Nashe's first appearance in print was his preface to Robert Greene's Menaphon (1589), in which he offers a brief definition of art and an overview of contemporary literature. His early exercise in euphuism The Anatomy of Absurdity was published in the same year. From then on Nashe became involved in numerous political and religious causes, including the Martin Marprelate controversy where he sided with the bishops. Nashe offers an important insight into the workings of 16th century English life and his writings will continue to be studied for both their literary content and historical relevance.