"The sixth novel in the Fantomas series finds the master criminal up to his old tricks, while Inspector Juve is stuck in prison and Fandor is on the run from police."--Goodreads.

"Years after his first appearance, Fantômas is still scary." — The Washington Post "A brilliant criminal … a great romp." — San Francisco Chronicle A noblewoman is hacked to death in her chateau, a Russian princess is boldly robbed in a posh hotel, and a lord's lifeless body is found stuffed inside a trunk. Everyone recognizes the deeds of Fantômas, a master of disguise whose daring and diabolical crimes paralyze Parisians with terror. One man has sworn to bring the phantom killer to justice: Inspector Juve, who ventures from dark alleys to brilliant salons in his relentless pursuit of the evil genius. The first in a series of wildly popular French thrillers, Fantômas created a sensation in pre-WWI Europe. The original pulp fiction, its appeal transcended every level of society. Cocteau, Colette, and Picasso were avid readers, and subsequent generations of artists, writers, and musicians have drawn inspiration from this enduringly stylish and suspenseful novel.

Part 1, Books, Group 1, v. 24 : Nos. 1-148 (March, 1927 - March, 1928)

The Fantomas books, created and written by Pierre Souvestre and Marcel Allain, form one of the longest-running and most famous crime series in France. Fantomas first appeared in 1911 and was featured in a total of 32 volumes written by the two collaborators, then a subsequent 11 volumes written by Allain alone after Souvestre's death. The character was also the basis of various film, television, and comic book adaptations. In the history of crime fiction, he represents a transition from Gothic novel villains of the 19th century to modern-day serial killers. This volume collects the first 5 books in the series: I. FANTOMAS The Adventures of Detective Juve in pursuit of a master in crime. II. THE EXPLOITS OF JUVE In this continuation Fantomas appears as the leader of a gang of Apaches, and as a physician of standing. Juve tracks the criminal to his secret hiding-place, but Fantomas escapes. III. MESSENGERS OF EVIL Filled with hair-raising incidents this tale is a fascinating recital of remarkable happenings in the life of the master-criminal of Paris. IV. A NEST OF SPIES In this volume Fantomas is an ambassador for a foreign power engaged in Paris in obtaining important military secrets for Germany. Detective Juve unmasks him, but the criminal again escapes. V. A ROYAL PRISONER This volume tells of the daring exploits of Fantomas in his attempts to get possession of the King of Hesse-Weimar’s famous diamond. If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 290+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

This eBook edition of "A Royal Prisoner" has been formatted to the highest digital standards and adjusted for readability on all devices. The King of Hesse-Weimar is arriving in, with a famous diamond of tremendous worth in his keeping. Fantômas bites the bait and foils the ingenious and diabolical plot to steal the diamond, but the redoubtable Inspector Juve and his faithful sidekick Fandor know Fantômas too well not to anticipate it.

Narrative strategies for vast fictional worlds across a variety of media, from World of Warcraft to The Wire. The ever-expanding capacities of computing offer new narrative possibilities for virtual worlds. Yet vast narratives—featuring an ongoing and intricately developed storyline, many characters, and multiple settings—did not originate with, and are not limited to, Massively Multiplayer Online Games. Thomas Mann's Joseph and His Brothers, J. R. R. Tolkien's Lord of the Rings, Marvel's Spiderman, and the complex stories of such television shows as Dr. Who, The Sopranos, and Lost all present vast fictional worlds. Third Person explores strategies of vast narrative across a variety of media, including video games, television, literature, comic books, tabletop games, and digital art. The contributors—media and television scholars, novelists, comic creators, game designers, and others—investigate such issues as continuity, canonicity, interactivity, fan fiction, technological innovation, and cross-media phenomena. Chapters examine a range of topics, including storytelling in a multiplayer environment; narrative techniques for a 3,000,000-page novel; continuity (or the impossibility of it) in Doctor Who; managing multiple intertwined narratives in superhero comics; the spatial experience of the Final Fantasy role-playing games; World of Warcraft adventure texts created by designers and fans; and the serial storytelling of The Wire. Taken together, the multidisciplinary conversations in Third Person, along with Harrigan and Wardrip-Fruin's earlier collections First Person and Second Person, offer essential insights into how fictions are constructed and maintained in very different forms of media at the beginning of the twenty-first century.