A Royal Prisoner is the thrilling and terrifying fifth installment of Allain and Souvestre's Fantomas series. Jerome Fandor is out on the streets of France when he runs into the king of Heisse-Weimar and his lover. However, everyone is not who they seem.

The Royal Prisoner tells a story of betrayal and loyalty, lust for power and vows of revenge portrayed in striking poetic rhythms. Years have passed since everything was taken from himhis family, his home, his freedom. Imprisoned for turning his back on his king, the sovereign of the land, the prisoner vows to escape his imprisonment to fulfill one last debt to his family and to himselfto murder the king in cold blood. The Royal Prisoner delves into his dark world of adventure and torture, revealing his final tale through a collection of narrative poems. What evolves is a poetic saga that follows the prisoner from the lonely, dark world of his prison cell to the bright world where he rightly belonged. Welcome to the dungeons depths, where bone-chilling claws unclench beneath the royal rugs unfurled. Above the cherished, enchanted pearls, you lie chained by wrists on a vertical bed, your back on cold stones, stewing in dread. Like many before you and like many beside, you wait for your doom when heads severed from hide. But this is your price, your reward for your crimes, youve been condemned to hot flames rather than blessed white chimes. You call out to echoes, preaching tales of loyalty, of how your deeds were soul-good; its release shouldnt be fee.

This eBook edition of "A Royal Prisoner" has been formatted to the highest digital standards and adjusted for readability on all devices. The King of Hesse-Weimar is arriving in, with a famous diamond of tremendous worth in his keeping. Fantômas bites the bait and foils the ingenious and diabolical plot to steal the diamond, but the redoubtable Inspector Juve and his faithful sidekick Fandor know Fantômas too well not to anticipate it.

She was raised to be beautiful, nothing more. And then the rules changed . . . In icy Dasnaria, rival realm to the Twelve Kingdoms, a woman’s role is to give pleasure, produce heirs, and question nothing. But a plot to overthrow the emperor depends on the fate of his eldest daughter. And the treachery at its heart will change more than one carefully limited life . . . THE GILDED CAGE Princess Jenna has been raised in supreme luxury—and ignorance. Within the sweet-scented, golden confines of the palace seraglio, she’s never seen the sun, or a man, or even learned her numbers. But she’s been schooled enough in the paths to a woman’s power. When her betrothal is announced, she’s ready to begin the machinations that her mother promises will take Jenna from ornament to queen. But the man named as Jenna’s husband is no innocent to be cozened or prince to charm. He’s a monster in human form, and the horrors of life under his thumb are clear within moments of her wedding vows. If Jenna is to live, she must somehow break free—and for one born to a soft prison, the way to cold, hard freedom will be a dangerous path indeed... Praise for The Mark of the Tala “Magnificent...a richly detailed fantasy world.” —RT Book Reviews, 41⁄2 stars, Top Pick “Well written and swooningly romantic.” —Library Journal, starred review

Knowing she was seen as a threat to the queen she served, Lady Katherine Grey, legitimate heir to the throne, longs only for the comfort of a loving marriage and a quiet life far from the intrigue of the Tudor court. After seeing her sister become the pawn of their parents and others seeking royal power and then lose their lives for it, she is determined to avoid the vicious struggles over power and religion that dominate Queen Elizabeth's court. Until she finds love-then Kat is willing to risk it all, even life in prison.

Valor is under arrest for the attempted murder of the crown prince. Her parents are outcasts from the royal court, her sister is banished for theft of a national treasure, and now Valor has been sentenced to life imprisonment at Demidova, a prison built from stone and ice. But that's exactly where she wants to be. For her sister was sent there too, and Valor embarks on an epic plan to break her out from the inside. No one has escaped from Demidova in over three hundred years, and if Valor is to succeed she will need all of her strength, courage and love. If the plan fails, she faces a chilling fate worse than any prison ... An unforgettable story of sisterhood, valour and rebellion, Prisoner of Ice and Snow will fire you up and melt your heart all at once. Perfect for fans of Katherine Rundell, Piers Torday and Cathryn Constable.

Princess Kazunomiya, half-sister of the Emperor of Japan, relates in her diary and in poems the confusing events occurring in the Imperial Palace in 1858, including political and romantic intrigue.

Well then — and I must premise that I am going, perforce, to rake up the very scandal which my dear Lady Burlesdon wishes forgotten — in the year 1733, George II. sitting then on the throne, peace reigning for the moment, and the King and the Prince of Wales being not yet at loggerheads, there came on a visit to the English Court a certain prince, who was afterwards known to history as Rudolf the Third of Ruritania. The prince was a tall, handsome young fellow, marked (maybe marred, it is not for me to say) by a somewhat unusually long, sharp and straight nose, and a mass of dark-red hair — in fact, the nose and the hair which have stamped the Elphbergs time out of mind. He stayed some months in England, where he was most courteously received; yet, in the end, he left rather under a cloud. For he fought a duel (it was considered highly well bred of him to waive all question of his rank) with a nobleman, well known in the society of the day, not only for his own merits, but as the husband of a very beautiful wife. In that duel Prince Rudolf received a severe wound, and, recovering therefrom, was adroitly smuggled off by the Ruritanian ambassador, who had found him a pretty handful. The nobleman was not wounded in the duel; but the morning being raw and damp on the occasion of the meeting, he contracted a severe chill, and, failing to throw it off, he died some six months after the departure of Prince Rudolf, without having found leisure to adjust his relations with his wife — who, after another two months, bore an heir to the title and estates of the family of Burlesdon. This lady was the Countess Amelia, whose picture my sister-in-law wished to remove from the drawing-room in Park Lane; and her husband was James, fifth Earl of Burlesdon and twenty-second Baron Rassendyll, both in the peerage of England, and a Knight of the Garter. As for Rudolf, he went back to Ruritania, married a wife, and ascended the throne, whereon his progeny in the direct line have sat from then till this very hour — with one short interval. And, finally, if you walk through the picture galleries at Burlesdon, among the fifty portraits or so of the last century and a half, you will find five or six, including that of the sixth earl, distinguished by long, sharp, straight noses and a quantity of dark-red hair; these five or six have also blue eyes, whereas among the Rassendylls dark eyes are the commoner...FROM THE BOOKS.

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A look at how our monuments to World War II shape the way we think about the war by an award-winning historian. Keith Lowe, an award-winning author of books on WWII, saw monuments around the world taken down in political protest and began to wonder what monuments built to commemorate WWII say about us today. Focusing on these monuments, Prisoners of History looks at World War II and the way it still tangibly exists within our midst. He looks at all aspects of the war from the victors to the fallen, from the heroes to the villains, from the apocalypse to the rebuilding after devastation. He focuses on twenty-five monuments including The Motherland Calls in Russia, the US Marine Corps Memorial in the USA, Italy’s Shrine to the Fallen, China’s Nanjin Massacre Memorial, The A Bomb Dome in Hiroshima, the balcony at Yad Vashem in Jerusalem and The Liberation Route that runs from London to Berlin. Unsurprisingly, he finds that different countries view the war differently. In monuments erected in the US, Lowe sees triumph and patriotic dedications to the heroes. In Europe, the monuments are melancholy, ambiguous and more often than not dedicated to the victims. In these differing international views of the war, Lowe sees the stone and metal expressions of sentiments that imprison us today with their unchangeable opinions. Published on the 75th anniversary of the end of the war, Prisoners of History is a 21st century view of a 20th century war that still haunts us today.