Fitzgerald's sensitivity about wealth and position--later made evident in such classics as The Great Gatsby and Tender is the Night--was bred of his St. Paul family and associations.

Presents the boyhood diary of twentieth-century author F. Scott Fitzgerald who wrote about his life in the Crocus Hill neighborhood of St. Paul, Minnesota. Describes Fitzgerald's interactions with friends, rivals, and crushes--many of whom came from prominent St. Paul families. Includes an introduction and afterword discussing the history and significance of the diary.

If you think you know F. Scott Fitzgerald, this book will come as a delightfully intimate surprise. Fitzgerald scholar Dave Page has meticulously scoured the letters, scrapbooks, and diaries of the great American novelist, offering a fresh look at the young writer and his St. Paul friends and neighbors. Readers will learn about--and recognize--the sources for the characters and the places he wrote about--as well as understand why St. Paul so inspired him. F. Scott Fitzgerald fans already know and love some of the enchanting and mischievous characters that populate his early novels and short stories. There was Bernice, who bobbed not only her hair but her cousin's as well. And those pranksters who crashed the wrong party disguised as an exotic camel! And then there was the poor Southern belle who almost froze to death in the St. Paul Winter Carnival's ice palace. Many of Fitzgerald's characters and tales were based on real people and events from the young writer's life, set against the socioeconomic times of the Jazz Age, where he perceived a great gulf between the haves and the have-nots in his hometown. F. Scott Fitzgerald in Minnesota combines insights into the writer's early career with the rich architectural history of St. Paul, taking readers into the homes and places he frequented. Page's well-researched analysis is complemented by Jeff Krueger's sensitive color photographs of homes still standing, and supplemented by fascinating historic photographs of lives well lived in old St. Paul.

This Side of Paradise is a novel about post-World War I youth and their morality. Amory Blaine is a young Princeton University student with an attractive face and an interest in literature. His greed and desire for social status warp the theme of love weaving through the story.

A self-portrait of a great writer 's rise and fall, intensely personal and etched with Fitzgerald's signature blend of romance and realism. The Crack-Up tells the story of Fitzgerald's sudden descent at the age of thirty-nine from glamorous success to empty despair, and his determined recovery. Compiled and edited by Edmund Wilson shortly after F. Scott Fitzgerald's death, this revealing collection of his essays—as well as letters to and from Gertrude Stein, Edith Wharton, T.S. Eliot, John Dos Passos—tells of a man with charm and talent to burn, whose gaiety and genius made him a living symbol of the Jazz Age, and whose recklessness brought him grief and loss. "Fitzgerald's physical and spiritual exhaustion is described brilliantly," noted The New York Review of Books: "the essays are amazing for the candor."

A self-portrait of a great writer. A Short Autobiography charts Fitzgerald's progression from exuberant and cocky with "What I think and Feel at 25", to mature and reflective with "One Hundred False Starts" and "The Death of My Father." Compiled and edited by Professor James West, this revealing collection of personal essays and articles reveals the beloved author in his own words.

A collection of F. Scott Fitzgerald’s remarks on his craft, taken from his works and letters to friends and colleagues—an essential trove of advice for aspiring writers. As F. Scott Fitzgerald famously decreed, “An author ought to write for the youth of his own generation, the critics of the next, and the schoolmasters of ever after.” Fitzgerald's own work has gone on to be reviewed and discussed for over one hundred years. His masterpiece The Great Gatsby brims with the passion and opulence that characterized the Jazz Age—a term Fitzgerald himself coined. These themes also characterized his life: Fitzgerald enlisted in the US army during World War I, leading him to meet his future wife, Zelda, while stationed in Alabama. Later, along with Ernest Hemingway and other American artist expats, he became part of the “Lost Generation” in Europe. Fitzgerald wrote books “to satisfy [his] own craving for a certain type of novel,” leading to modern American classics including Tender Is the Night, This Side of Paradise, The Beautiful and Damned. In this collection of excerpts from his books, articles, and personal letters to friends and peers, Fitzgerald illustrates the life of the writer in a timeless way.

Francis Scott Key Fitzgerald was an American author of novels and short stories, whose works are the paradigm writings of the Jazz Age, a term he coined himself. He is widely regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the "Lost Generation" of the 1920s. He finished four novels: This Side of Paradise, The Beautiful and Damned, his most famous, The Great Gatsby and what is now considered his true masterpiece, Tender Is the Night. A fifth, unfinished novel, The Love of the Last Tycoon, was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with despair and age. This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents and the following works: This Side of Paradise (1920), The Beautiful and the Damned (1922), The Mystery of the Raymond Mortgage (1909), Reade, Substitute Right Half (1910), A Debt of Honor (1910), The Room with the Green Blinds (1911), A Luckless Santa Claus (1912), Pain and the Scientist (1913), The Trail of the Duke (1913), Shadow Laurels (1915), The Ordeal (1915), Little Minnie McCloskey: A story for girls (1916), The old frontiersman: A story of the frontier (1916), The diary of a sophomore (1917), The prince of pests: A story of the war (1917), Cedric the stoker (1917), The Spire and the Gargoyle (1917), Tarquin of Cheapside (1917), Babes in the Woods (1917), Sentiment—And the Use of Rouge (1917), The Pierian Springs and the Last Straw (1917), Porcelain and Pink (1920), Head and Shoulders (1920), Benediction (1920), Dalyrimple Goes Wrong (1920), Myra Meets His Family (1920), Mister Icky (1920), The Camel’s Back (1920), Bernice Bobs Her Hair (1920), The Ice Palace (1920), The Offshore Pirate (1920), The Cut-Glass Bowl (1920), The Four Fists (1920), The Smilers (1920), May Day (1920), The Jelly-Bean (1920), The Lees of Happiness (1920), Jemina (1921): A Wild Thing, A Mountain Feud, The Birth of Love, A Mountain Battle, “As one.”, O Russet Witch! (1921), Tarquin of Cheapside (1921), The Popular Girl (1922), Two for a Cent (1922), The Curious Case of Benjamin Button (1922), The Diamond as Big as the Ritz (1922), Winter Dreams (1922).

The "Fresh Air" book critic investigates the enduring power of The Great Gatsby -- "The Great American Novel we all think we've read, but really haven't." Conceived nearly a century ago by a man who died believing himself a failure, it's now a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As Maureen Corrigan, Gatsby lover extraordinaire, points out, while Fitzgerald's masterpiece may be one of the most popular novels in America, many of us first read it when we were too young to fully comprehend its power. Offering a fresh perspective on what makes Gatsby great -- and utterly unusual -- So We Read On takes us into archives, high school classrooms, and even out onto the Long Island Sound to explore the novel's hidden depths, a journey whose revelations include Gatsby 's surprising debt to hard-boiled crime fiction, its rocky path to recognition as a "classic," and its profound commentaries on the national themes of race, class, and gender. With rigor, wit, and infectious enthusiasm, Corrigan inspires us to re-experience the greatness of Gatsby and cuts to the heart of why we are, as a culture, "borne back ceaselessly" into its thrall. Along the way, she spins a new and fascinating story of her own.

This captivating biography explores the life of Grace Flandrau and the upper crust of St. Paul, Minnesota, in the early 20th century. The author of six novels, including the acclaimedBeing Respectable, and numerous short stories, Flandrau was a contemporary of F. Scott Fitzgerald and one of Minnesota’s best-known writers. A cautionary tale that illuminates the constraints placed on women writers during the birth of Jazz Age literature, this life story also examines the honesty and integrity that Flandrau was known for, as well as her fall from literary and social grace.