A classic anthology of Minnesota literature, with selections from novels, short stories, essays, and memoirs, that conveys the diversity of the Minnesota Experience.

Biographical essays covering women from the early years of Minnesota Territory to the opening days of the feminist movement. Includes an updated list of women who have served in the Minnesota legislature; and women who have risen to prominence as judges, business leaders, and sports figures.

In the closing decades of the nineteenth century Minnesota produced three young men of great talent who each went east to become writers. Two of them became famous: F. Scott Fitzgerald and Sinclair Lewis. This is the story of the third man: Charles Macomb Flandrau. Flandrau, a model of style and worldly sophistication and destined, almost everyone agreed, for greatness, was among the most talented young writers of his generation. His short stories about Harvard in the 1890s were called “the first realistic description of undergraduate life in American colleges” and sold out of the first printing in a few weeks. From 1899 to 1902 Flandrau was among the most popular contributors to the Saturday Evening Post. Alexander Woollcott rated him the best essayist in America. And Viva Mexico!, Flandrau’s account of life on a Mexican coffee plantation, is a classic, perhaps the best travel book ever written by an American. Yet Flandrau turned his back on it all. Financially independent, he chose a solitary, epicurean life in St. Paul, Mexico, Majorca, Paris, and Normandy. In later years, he confined his writing to local newspaper pieces and letters to his small circle of family and friends. Using excerpts from these newspaper columns and unpublished letters, Larry Haeg has painstakingly recreated the story of this urbane, talented, witty, lazy, enigmatic, supremely private man who never reached the peak of literary success to which his talent might have taken him. This very readable biography provides a detailed and honest portrayal of Flandrau and his times. It will fascinate readers interested in writers’ life stories and scholars of American literature as well as general readers interested in midwestern literary history.

Take a tour of the lost mansions of the Twin Cities

Tourist art production is a global phenomenon and is increasingly recognized as an important and authentic expression of indigenous visual traditions. These thoughtful, engaging essays provide a comparative perspective on the history, character, and impact of tourist art in colonized societies in three areas of the world: Africa, Oceania, and North America. Ranging broadly historically and geographically, Unpacking Culture is the first collection to bring together substantial case studies on this topic from around the world.

compiled and written by the Federal Writers' Project of the Works Progress Administration. Rev. ed.

Historic Glacier National Park captures the most interesting moments in the park’s history, the slices of life in northwestern Montana that provide an idea of what life was like for those who chose to explore this gloriously beautiful snowy corner of the United States. There’s the presence of Native Americans in nearly every aspect of the park’s history, the significant influence of the Great Northern Railway as a leader as the park gained its footing, and people who made history in this astonishing Rocky Mountain landscape. Once Congress decided to make Glacier a national park, developers created hotels, chalets, campgrounds, residences, and the most spectacularly scenic road in the United States. Historic Glacier National Park provides just enough of this rich history to make the experience of visiting the park better than expected.

A woman who lived life on her own terms, Hahn was an unknown and struggling writer when Congo Solo was published. Here - restored to the form she had intended - is Hahn's unforgettable narrative, a vivid, provocative, and at times disturbing first-hand account of the racism, brutality, sexism, and exploitation that were everyday life realities under Belgium's iron-fisted colonial rule. Until now, the few copies of Congo Solo in circulation were the adulterated version, which the author altered after pressure from her publisher and threats of litigation from the main character's family. This edition makes available a lost treasure of women's travel writing that shocks and impresses, while shedding valuable light on the gender and race politics of the period.

One of the Lost Generation modernists who gathered in 1920s Paris, Kay Boyle published more than forty books, including fifteen novels, eleven collections of short fiction, eight volumes of poetry, three children's books, and various essays and translations. Yet her achievement can be even better appreciated through her letters to the literary and cultural titans of her time. Kay Boyle shared the first issue of This Quarter with Gertrude Stein and Ernest Hemingway, expressed her struggles with poetry to William Carlos Williams and voiced warm admiration to Katherine Anne Porter, fled WWII France with Max Ernst and Peggy Guggenheim, socialized with the likes of James Joyce, Marcel Duchamp, and Samuel Beckett, and went to jail with Joan Baez. The letters in this first-of-its-kind collection, authorized by Boyle herself, bear witness to a transformative era illuminated by genius and darkened by Nazism and the Red Scare. Yet they also serve as milestones on the journey of a woman who possessed a gift for intense and enduring friendship, a passion for social justice, and an artistic brilliance that earned her inclusion among the celebrated figures in her ever-expanding orbit.