A collection of horror and dark fantasy short stories written by Han Song, along with academic commentary, interview, biography, and illustrations.

The Circus is back in town. The fifth issue of your favorite cheap thrills is over the top and proud of it. We’ve got sci-fi/horror/noir/crime/and humor just a page turn away. Behold stoners hunting UFOs, distracted workers causing nuclear meltdowns, detectives fighting crazy cat ladies, pharmacists surviving dystopian futures, Ukrainian mobsters, no luck assassins, demon conjurers, slime-ballers with dirty mags and a twinkle in their eye, haunted insomniacs, and finally a family’s favorite pet alien and his need to boo-boo. Edited by J.D. Graves with stories by Die Booth, Aristo Couvaras, Adam S. Furman, R. Daniel Lester, Cameron Mount, David Rachels, Aeryn Rudel, E.F. Sweetman, Cynthia Ward, and J. Manfred Weichsel. Strap yourself in Thrill Seeker—we’re excited to take our Quality Cheap Thrills down and out!

A collection of horror and dark fantasy short stories written by Han Song, along with academic commentary, interview, biography, and illustrations.

The twelve Gothic tales of this collection span the nineteenth-century South and are from some of the most famous writers of the age, such as Edgar Allan Poe, to more recently rediscovered and now celebrated writers such as Kate Chopin and Charles Chesnutt, to the completely and unfairly obscure E. Levi Brown. Companion readings—some themselves quite chilling—are by celebrated writers and well-known historical figures, such as Thomas Jefferson, Charles Brockden Brown, Jacques Dessalines, and W. E. B DuBois. These readings place the fiction in the context of the South and the Caribbean: the revolution in Haiti, Nat Turner’s rebellion, the realities of slavery and the myths spun by its apologists, the aftermath of the Civil War, and the brutalities of Jim Crow laws.

The most celebrated science fiction short story editor of our time, multi-award-winning editor and Locus Magazine critic Jonathan Strahan presents the definitive collection of best short science fiction of 2020. With short works from some of the most lauded science fiction authors, as well as rising stars, this science fiction collection displays the top talent and cutting-edge cultural moments that affect our lives, dreams, and stories. These brilliant authors examine the way we live now, our hopes, and struggles, all through the lens of the future. An assemblage of future classics, this star-studded anthology is a must-read for anyone who enjoys the vast and exciting world of science fiction.

Perhaps the brevity of short fiction accounts for the relatively scant attention devoted to it by scholars, who have historically concentrated on longer prose narratives. The Geographies of African American Short Fiction seeks to fill this gap by analyzing the ways African American short story writers plotted a diverse range of characters across multiple locations—small towns, a famous metropolis, city sidewalks, a rural wooded area, apartment buildings, a pond, a general store, a prison, and more. In the process, these writers highlighted the extents to which places and spaces shaped or situated racial representations. Presenting African American short story writers as cultural cartographers, author Kenton Rambsy documents the variety of geographical references within their short stories to show how these authors make cultural spaces integral to their artwork and inscribe their stories with layered and resonant social histories. The history of these short stories also documents the circulation of compositions across dozens of literary collections for nearly a century. Anthology editors solidified the significance of a core group of short story authors including James Baldwin, Toni Cade Bambara, Charles Chesnutt, Ralph Ellison, Zora Neale Hurston, and Richard Wright. Using quantitative information and an extensive literary dataset, The Geographies of African American Short Fiction explores how editorial practices shaped the canon of African American short fiction.

Best Book of the Year NPR • The Washington Post • Boston Globe • TIME • USA Today • Entertainment Weekly • Real Simple • Parade • Buzzfeed • Electric Literature • LitHub • BookRiot • PopSugar • Goop • Library Journal • BookBub • KCRW • Finalist for the National Book Award • One of the New York Times Notable Books of the Year • One of the New York Times Best Historical Fiction of the Year • Instant New York Times Bestseller A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence. Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony. With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets fearlessly reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

Offering the first systematic overview of modern and contemporary Chinese literature from a translation studies perspective, this handbook provides students, researchers and teachers with a context in which to read and appreciate the effects of linguistic and cultural transfer in Chinese literary works. Translation matters. It always has, of course, but more so when we want to reap the benefits of intercultural communication. In many universities Chinese literature in English translation is taught as if it had been written in English. As a result, students submit what they read to their own cultural expectations; they do not read in translation and do not attend to the protocols of knowing, engagements and contestations that bind literature and society to each other. The Bloomsbury Handbook of Modern Chinese Literature in Translation squarely addresses this pedagogical lack. Organised in a tripartite structure around considerations of textual, social, and large-scale spatial and historical circumstances, its thirty plus essays each deal with a theme of translation studies, as emerged from the translation of one or more Chinese literary works. In doing so, it offers new tools for reading and appreciating modern and contemporary Chinese literature in the global context of its translation, offering in-depth studies about eminent Chinese authors and their literary masterpieces in translation. The first of its kind, this book is essential reading for anyone studying or researching Chinese literature in translation.

The 'RONALD STANDISH SERIES - Complete Collection' encompasses a remarkable anthology of 5 detective novels and 14 short stories, showcasing the versatile literary styles and rich thematic explorations characteristic of H.C. McNeile, known by his pen name, Sapper. This collection traverses the breadth of early 20th-century detective fiction, offering readers a panoramic view of the genre's evolution. The complexity of the narratives, ranging from gripping suspense to intricate plot twists, demonstrates the author's pioneering role in shaping the detective story landscape. Each piece within the anthology serves as a testament to the literary prowess and imaginative capacity of Sapper, making it a vital compendium for enthusiasts of the genre. Herman Cyril McNeile's background as a British Army officer imbues his narratives with authenticity, blending his firsthand experiences of World War I with his literary creations. This unique confluence of the real and the fictional provides a robust foundation for the Ronald Standish stories, setting them apart from contemporary works. The collection not only mirrors the historical and cultural milieu of the early 20th century but also aligns with the literary movement of its time, offering insights into the societal impact of war and the consequent evolution of detective fiction. The 'RONALD STANDISH SERIES - Complete Collection' by H.C. McNeile is an indispensable anthology for readers eager to delve into the heart of early 20th-century detective literature. The compilation presents a unique opportunity to explore a spectrum of narratives that reflect the era's complexities through the lens of detective fiction. This collection is recommended for literary scholars, enthusiasts of the genre, and anyone curious about the historical development of narrative storytelling. Engaging with this anthology promises not only a profound educational experience but also an enthralling journey through the various shades of human experience and ingenuity.

Narratives of Community in the Black British Short Story offers the first systematic study of black British short story writing, tracing its development from the 1950s to the present with a particular focus on contemporary short stories by Hanif Kureishi, Jackie Kay, Suhayl Saadi, Zadie Smith, and Hari Kunzru. By combining a postcolonial framework of analysis with Jean-Luc Nancy’s deconstructive philosophy of community, the book charts key tendencies in black British short fiction and explores how black British writers use the short story form to combat deeply entrenched notions of community and experiment with non-essentialist alternatives across differences of ethnicity, culture, religion, and nationality.