In this book, Frances Sanchez tells a dominant story in a poetic form of ones ability to go from failure to achievements and destruction to restoration. Each story reflects the personal & factual events that have occurred in her life & in the lives of those around her. By being a witness to calamity & the struggle to overcome addiction, loss of direction, fiasco & neglection, Frances finds passion as well as therapy in her poetry. The life experiences in this book are intended to capture the attention of every reader in search of relation, or a way to colligate to their own lives & situations. Frances believes that everyone has a story & that by telling hers; she is in hopes of being someone elses voice, motivation or even just their way of finding closure. As you read Experienced Expressions you must open up your mind as well as your heart, for it is said; that the one who reads with passion & recognition will appreciate it most. This is a magnificant book of encouraging testimonies from one runner to another striving to win the races in life. It is also a touching presentation of the strength it takes to go through some tramatic journeys, the patience to get through them & the courage to relive it all in order to manifest guidence to those in similar situations. The most important message that Frances wants every reader to know is that you can & you will make it. Sometimes what once seemed impossible was infact possible the whole time, but it wasnt until we opened our eyes that we would see it. Inclusion Frances anticipates that you will be left with a revolutionary experience that will leave you will an eye opening expression by the end of this book. May you enjoy!

Despite the very obvious differences between looking at Manet’s Woman with a Parrot and listening to Elgar’s Cello Concerto, both experiences provoke similar questions in the thoughtful aesthete: why does the painting seem to express reverie and the music, nostalgia? How do we experience the reverie and nostalgia in such works of art? Why do we find these experiences rewarding in similar ways? As our awareness of emotion in art, and our engagement with art’s emotions, can make such a special contribution to our life, it is timely for a philosopher to seek to account for the nature and significance of the experience of art’s emotions. Damien Freeman develops a new theory of emotion that is suitable for resolving key questions in aesthetics. He then reviews and evaluates three existing approaches to artistic expression, and proposes a new approach to the emotional experience of art that draws on the strengths of the existing approaches. Finally, he seeks to establish the ethical significance of this emotional experience of art for human flourishing. Freeman challenges the reader not only to consider how art engages with emotion, but how we should connect up our answers to questions concerning the nature and value of the experiences offered by works of art.

Put the power of Expressions to work in your animations with controls and efficiencies impossible to achieve with traditional keyframing techniques. No programming skills are required. Foundation concepts and skills orient the new designer and serve as a handy reference to the experienced one. Basics of creating expressions, variables, commands, and expression helpers precede the leap into javascript and math essentials for more advanced expressions that include randomness, physical simularions and 3D. Full color illustrations display the scripts and the resulting effects, pickwhip techniques, and sequential animations. Downloadable companion files include Quicktime movies of the demo animations, and AE project files that permit you to examine the Expressions. Extensive notes are provided to aid you in implementing the extensive library of Expressions available for your use on Adobe LiveDocs.

The introduction provides a thorough overview of the current status of research in the field, and each essay seeks to push the theoretical boundaries that shape our understanding of women’s experience and agency during the Holocaust and of the ways in which they have expressed their memories.

Idiomatic Expressions and Somatic Experience in Psychoanalysis examines how verbal and non-verbal language is used in the consulting room, and how those different modes of communication interact to provide a more comprehensive picture of the patient's relational world. It is the product of a comprehensive research project exploring the affinity between idiomatic expressions and somatic behaviors and symptoms. Idiomatic expressions are viewed as bridging the gap between somatic sensations and mental experiences. Ravit Raufman deals with one of the fundamental aspects in human life- the way our behavior is governed by unconscious primary experiences, suggesting methods by which to decipher patient behaviors that are apparently detached and unreasonable. The first part presents case studies of people who enact and revive verbal idiomatic expressions through their behavior. The second describes how therapists use non-verbal mechanisms, operating in their own minds, to understand their patients’ inner lives. Based on relational and inter-subjective approaches in psychoanalysis, the case studies illustrate the various ways in which the therapist's subjective experience is "objectively" used to learn about patients’ subjective relational experience, so as to verbally formulate experiences that are pre-verbal. Raufman combines Freudian ideas regarding the affinity between somatic symptoms and verbal expressions, with a contemporary relational perspective. The book combines scientific findings with a narrative style, including life-stories of various individuals, as well as a description of the therapist's own subjective experience. This book will appeal to clinical psychologists and psychoanalytic psychotherapists as well as anyone interested in understanding human psyche and behavior.

Emotional experiences and emotional responses have been mostly considered a psychobiological phenomenon, which man genetically acquired from the animal world. Animals require emotionally controlled behavior for dealing with the survival needs, in terms of needs for food, safety, and sexual gratifications. These emotional responses may often occur without perception or awareness of the presence of the causative stimulus, which we have called processing of the unconscious mind. Outside this realm, man cognitively processes every emotional state and response, and labels them, which may be considered to have positive or negative effects on the individual and others. However, we are aware that the same emotional arousal is the driving force in every individual, and that man cannot lift even a little finger without emotional arousal. This phenomenal role of emotion has been largely ignored and many of us do not care for the proper emotional development of a child and strategic and sincere application of emotional arousal in the later years. The whole emphasis on the mind of man has been invested in many, on consciousness, which today we know is a mere fallacy. Learning to control emotional arousal is a basic lesson of social conditioning, which gives man ability to control thinking, actions and responses. Without emotional controls, actions and responses are automatically initiated, when the emotional arousal reaches certain critical level. Without emotional arousal man is a vegetative system, not capable of thinking, acting, and responding. Thinking and creating indeed form the foundation of growth for man.

Publisher's description: The many powerful accounts of the Holocaust have given rise to women's voices, and yet few researchers have analyzed these perspectives to learn what the horrifying events meant for women in particular and how they related to them. In Experience and Expression, the authors take on this challenge, providing the first book-length gendered analysis of women and the Holocaust, a topic that is emerging as a new field of inquiry in its own right. The collection explores an array of fascinating topics: rescue and resistance, the treatment of Roma and Sinti women, the fate of female forced laborers, Holocaust politics, nurses at so-called euthanasia centers, women's experiences of food and hunger in the camps, the uses and abuses of Anne Frank, and the representations of the Holocaust in art, film, and literature in the postwar era.

This ambitious volume integrates findings from various disciplines in a comprehensive description of the modern research on love and provides a systematic review of love experience and expression from cross-cultural perspective. It explores numerous interdisciplinary topics, bringing together research in biological and social sciences to explore love, probing the cross-cultural similarities and differences in the feelings, thoughts, and expressions of love. The book’s scope, which includes a review of major theories and key research instruments, provides a comprehensive background for any reader interested in developing an enlightened understanding of the cultural diversity in the concepts, experience, and expression of love. Included among the chapters: How do people in different cultures conceptualize love? How similar and different are the experiences and expressions of love across cultures? What are the cultural factors affecting the experience and expression of love? Cross-cultural understanding of love as passion, joy, commitment, union, respect, submission, intimacy, dependency, and more. A review of the past and looking into the future of cross-cultural love research. Critical reading for our global age, Cross-Cultural Perspectives on the Experience and Expression of Love promotes a thorough understanding of cross-cultural similarities and differences in love, and in so doing is valuable not only for love scholars, emotion researchers, and social psychologists, but also for practitioners and clinicians working with multicultural couples and families. “The most striking feature of this book is the broad array of perspectives that is covered. Love is portrayed as a universally found emotion with biological underpinnings. The text expands from this core, incorporating a wide range of manifestations of love: passion, admiration of and submission to a partner, gift giving and benevolence, attachment and trust, etc. Information on each topic comes from a variety of sources, cross-culturally and interdisciplinary. The text is integrative with a focus on informational value of ideas and findings. If you take an interest in how love in its broadest sense is experienced and expressed, you will find this to be a very rich text.” Ype H. Poortinga, Tilburg University, The Netherlands & Catholic University of Leuven, Leuven, Belgium “In this wide-ranging book, Victor Karandashev expertly guides us through the dazzling complexity of our concept and experience of love. Not only does he show the many different ingredients that make up our conceptions of love in particular cultures, such as idealization of the beloved, commitment, union, intimacy, friendship, and others, he draws our attention to the bewildering array of differences between their applications in different cultural contexts, or to their presence or absence in a culture. In reading the book, we also get as a bonus an idea of how an elusive concept such as love can be scientifically studied by a variety of methodologies – all to our benefit. A masterful accomplishment.” Kövecses Zoltán, Eötvös Loránd University, Budapest, Hungary “Long considered a research purview of only a portion of the world’s cultures, we know today that love is universal albeit with many cultural differences in meaning, form, and expression. Moreover, love has a rich history of scholarship across multiple disciplines. Within this backdrop, Karandashev has compiled a remarkably comprehensive global review of how people experience and express their emotions in love. Covering the topic from a truly international and interdisciplinary perspective, this book is an indispensable source of knowledge about cultural and cross-cultural studies conducted in recent decades and is a must read for anyone interested in the universal and culturally diverse aspects of love.” David Matsumoto, San Francisco State University, Director of SFSU’s Culture and Emotion Research Laboratory

Natural languages – idioms such as English and Cantonese, Zulu and Amharic, Basque and Nicaraguan Sign Language – allow their speakers to convey meaning and transmit meaning to one another. But what is meaning exactly? What is this thing that words convey and speakers communicate? Few questions are as elusive as this. Yet, few features are as essential to who we are and what we do as human beings as the capacity to convey meaning through language. In this book, Gaetano Fiorin and Denis Delfitto disclose a notion of linguistic meaning that is structured around three distinct, yet interconnected dimensions: a linguistic dimension, relating meaning to the linguistic forms that convey it; a material dimension, relating meaning to the material and social conditions of its environment; and a psychological dimension, relating meaning to the cognitive lives of its users. By paying special attention to the puzzle surrounding first-person reference – the way speakers exploit language to refer to themselves – and by capitalizing on a number of recent findings in the cognitive sciences, Fiorin and Delfitto develop the original hypothesis that meaningful language shares the same underlying logical and metaphysical structure of sense perception, effectively acting as a system of classification and discrimination at the interface between cognitive agents and their ecologies.