At least since the Romantic era, poetry has often been understood as a powerful vector of collective belonging. The idea that certain poets are emblematic of a national culture is one of the chief means by which literature historicizes itself, inscribes itself in a shared cultural past and supplies modes of belonging to those who consume it. But what, then, of the exiled, migrant or translingual poet? How might writing in a language other than one’s mother tongue complicate this picture of the relation between poet, language and literary system? What of those for whom the practice of poetry is inseparable from a sense of restlessness or unease, suggesting a condition of not being at home in any one language, even that of their mother tongue? These questions are crucial for four French-language poets whose work is the focus of this study: Armen Lubin (1903-74), Ghérasim Luca (1913-94), Edmond Jabès (1912-91) and Michelle Grangaud (1941-). Ranging across borders within and beyond the Francosphere – from Algeria to Armenia, to Egypt, to Romania – this book shows how a poetic practice inflected by exile, statelessness or non-belonging has the potential to disrupt long-held assumptions of the relation between subjects, the language they use and the place from which they speak.

A close study of four French-language poets and the poetry of exile. Poetry has often been understood as a powerful vector of collective belonging. The idea that certain poets are emblematic of a national culture is one of the chief means by which literature historicizes itself, inscribes itself in a shared cultural past, and supplies modes of belonging to those who consume it. But, how does the exiled, migrant, or translingual poet complicate this narrative? For Armen Lubin, Ghérasim Luca, Edmond Jabès, and Michelle Grangaud, the practice of poetry is inseparable from a sense of restlessness or unease. Ranging across borders within and beyond the Francosphere--from Algeria, Armenia, Egypt, and Romania--this book shows how a poetic practice inflected by exile, statelessness, or non-belonging has the potential to disrupt long-held assumptions about the relation between subjects, the language they use, and the place from which they speak.

Ethics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works of Dante Alighieri, including chapters on Dante’s modern ‘afterlife’. Together the chapters explore how Dante’s writings engage with the contemporary culture of medieval Florence and Italy, and how and why his political and moral thought still speaks compellingly to modern readers. The collection’s contributors range across different disciplines and scholarly traditions – history, philology, classical reception, philosophy, theology – to scrutinise Dante’s Divine Comedy and his other works in Italian and Latin, offering a multi-faceted approach to the evolution of Dante’s political, ethical and legal thought throughout his writing career. Certain chapters focus on his early philosophical Convivio and on the accomplished Latin Eclogues of his final years, while others tackle knotty themes relating to judgement, justice, rhetoric and literary ethics in his Divine Comedy, from hell to paradise. The closing chapters discuss different modalities of the public reception and use of Dante’s work in both Italy and Britain, bringing the volume’s emphasis on morality, political philosophy, and social justice into the modern age of the nineteenth, twentieth, and twenty-first centuries.

The Book of Questions, of which volumes IV, V, VI are together published here, is a meditative narrative of Jewish Experience, and, more generally, man's relation to the world. In these volumes the word is personified in the woman Yael, silence in her still-born child Elya. Even though words imply ambiguity and lies, they are the home of the exile. A book becomes the Book, fragments of the law that are in some way unified, where past and present, the visionary, and the common place, encounter each other. For Jabes every word is a question in the book of being. Man defines himself in the world against all that threatens his existence- death, the infinite, silence, that is, God, his primal opponent. How can one speak what cannot be spoken?

Benjamin Fondane—who was born and educated in Romania, moved as an adult to Paris, lived for a time in Buenos Aires, where he was close to Victoria Ocampo, Jorge Luis Borges’s friend and publisher, and died in Auschwitz—was an artist and thinker who found in every limit, in every border, “a torture and a spur.” Poet, critic, man of the theater, movie director, Fondane was the most daring of the existentialists, a metaphysical anarchist, affirming individual against those great abstractions that limit human freedom—the State, History, the Law, the Idea. Existential Monday, the first selection of his philosophical work to appear in English, includes four of Fondane's most thought-provoking and important texts, "Existential Monday and the Sunday of History," "Preface for the Present Moment," "Man Before History" (co-translated by Andrew Rubens), and "Boredom." Here Fondane, until now little-known except to specialists, emerges as one of the enduring French philosophers of the twentieth century.

Exploring the work of Hannah Arendt, Franz Kafka, W.H. Auden, George Orwell, Samuel Beckett, and Simone Weil, among other, Placeless People argues that we urgently need to reconnect with the moral and political imagination of these writers to tackle today's refugee 'crisis'.

"Against a backdrop of dizzying urbanization, French utopian thinkers of the nineteenth century set out to explore the transformative possibilities of the modern metropolis. Linking literary analyses with diverse strands of cultural and intellectual history, this study considers how the utopian vision of the city in turn came to impinge on prose writing by poets: in Saint-Simonian literature, and in texts by Theophile Gautier, Charles Baudelaire and Arthur Rimbaud. At points steeped in the hyperbolic rhetoric of utopian projects, these texts nonetheless wear away at the internal coherence of that rhetoric and the idealizing meanings it supports. What emerges from Greg Kerr's analysis is a hitherto unfamiliar dimension of these writings, revealing the alertness of some of the greatest exponents of nineteenth-century poetry to the dynamic possibilities of utopian writing, and suggesting new ways to understand the evolution of poetic discourse across the century. Greg Kerr is Lecturer in French at the University of Lancaster."

Benjamin Fondane was that rarest of poets: an experimental formalist with a powerful lyric poetic voice; a renegade surrealist who was also a highly original existential philosopher; a self-consciously Jewish poet of diaspora and loss, whose last manuscripts made it out of Drancy in 1944 just before his deportation to Auschwitz-Birkenau, where he was murdered, yet whose poetry speaks of an overflowing plenitude. This bilingual selection is the first volume of Fondane’s poetry to appear in English, and it includes a broad sample of his work, from the coruscating and comic cinepoems of his surrealist years, to philosophical meditations, to poems that in their secular and mystical Judaism confront the historical calamity—and imaginative triumph—of European Jewry.

In their virtuoso displays of literary talent, Nabokov and Kundera showcase the strategies that allow their protagonists to succeed as emigres: a creative fusing of past and present through the prism of the imagination.".