In an effort to foster awareness of new plays, and provide for the ever-constant need of audition material, we are proud to announce a new series of monologue books highlighting the latest Samuel French publications. Each year, starting with 2008, monologues from or most recent publications will be selected by our editorial staff to be included in that year's collection. Complete with play synopses, a thematic index, and broad range of styles, you are sure to find one that suits your audition needs. A wonderful way to sample our latest publications, too! Volume 1 includes such titles and authors as: Eurydice by Sarah Ruhl, The Receptionist by Adam Bock, In the Continuum by Danai Gurira & Nikkole Salter, Bach at Leipzig by Itamar Moses, and many more.

Through the deconstruction of these monologues, actors will learn to develop and maintain solo scenes that will communicate six important elements about their casting suitability. Developing the proper mindset and applying this deconstruction process will best prepare the actor for selecting an appropriate monologue from any source and delivering achievable performance goals.

Audition monologues selected from plays first published in American theatre magazine since 1985.

Editor Craig Pospisil has drawn exclusively from Dramatists Play Service publications to compile this collection, which features over fifty monologues. You will find an enormous range of voices and subject matter, characters from their teens to their seve

Audition monologues selected from plays first published in American theatre magazine since 1985.

An incessantly ringing cell phone in a quiet caf. A stranger at the next table who has had enough. And a dead man - with a lot of loose ends. So begins Dead Man's Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur ''Genius'' Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead - and how that remembering changes us - it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl's plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers' Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.

Drawing on conversations with hundreds of women about their genitalia, the author presents a collection of performance pieces from her one-woman show of the same name.

One-Minute Monologues for Teensis a collection of 100 original comedy and drama scripts on a wide range of topics. They are easily relatable to teenage actors' real-life roles as daughters, sons, students, (student athletes, ) and after-school employees. Each monologue is gender-neutral and may be performed by both male and female actors in a one-minute timeframe. No props or costumes are required. The monologues are clean, family-friendly, and include positive messages, life lessons, and ethical questions for young people written between the lines. Ultimately, these monologues can help parents and teachers encourage positive attitudes and behaviors in our teen performers - and their classmates and audiences too. Appropriate for film, television, and theater training and performance - as well as college drama program auditions.

Sixteen year old Rachel Stein is having a bad year. Her father hasn't changed out of his pajamas since 9/11. Her mother has begun a close, personal relationship with Jesus. Her new neighbor, a sixteen-year-old Elvis impersonator, has fallen for her hard. And the Apocolypse is coming Wednesday. Her only hope is that Stephen Hawking will save them all.