Audition monologues selected from plays first published in American theatre magazine since 1985.

Audition monologues selected from plays first published in American theatre magazine since 1985.

Audition monologues for male characters selected from recent works by American playwrights including Tony Kushner, Jon Robin Baitz, Constance Congdon, Paula Vogel, Donald Margulies, Emily Mann, Eric Bogosian, Nicky Silver, and others. Unique to the TCG monologue series is a bibliography of other works by the playwrights included.

(Applause Acting Series). Lawrence Harbison has selected 100 terrific monologues for men from contemporary plays, all by characters between the ages of 18 and 35 perfect for auditions or class. There are comic monologues (laughs) and dramatic monologues (no laughs). Most have a compelling present-tense action for actors to perform. A few are story monologues and they're great stories. Actors will find pieces by star playwrights such as Don Nigro, Itamar Moses, Stephen Adly Guirgis, and Terence McNally; by exciting up-and-comers such as Nicole Pandolfo, Peter Sinn Nachtrieb, Crystal Skillman, Greg Kalleres, Reina Hardy, and J. Thalia Cunningham; and information on getting the complete text of each play. This is a must-have resource in the arsenal of every aspiring actor hoping to knock 'em dead with his contemporary piece after bowling over teachers and casting directors alike with a classical excerpt.

A collection of scenes and monologues by African American playwrights.

Fifty fabulous, fresh, new classical monologues for men await you within these pages. Everyone from the ancient Greeks to novelists of the 19th century is represented. They are not translated; they are adapted to the actor's needs and accessible to modern audiences. There are 25 dramatic and 25 comic-the largest collection of comic classical monologues on the market. The book is divided into 4 sections: Young Women's Dramatic, Mature Women's Dramatic, Young Women's Comedic and Mature Women's Com

"If brevity is the soul of a good audition, then these titles will prove a great resource." - CHOICEActors looking for short pieces to work on in class or to use for auditions need look no further. This volume is loaded with choices from contemporary and classic plays, novels, and stories. Shakespeare, Molière, and Chekhov are represented, along with contemporary writers such as Philip Roth and Steve Tesich. Many of the monologues in this book are from less well-known authors, making it the perfect choice for actors looking for something fresh¿something auditioners have never seen before.JOHN CAPECCI holds a Ph.D. in Speech Communication and has nearly twenty years experience coaching, teaching, and presenting public performances. John has taught communication techniques and performance theory and practice to high school, undergraduate, graduate, and adult learners. He also has published essays on the performance of literature.IRENE ZIEGLER ASTON is an actor, teacher, playwright, and novelist. Most recently, she played Maggie Runyon in The Contender (nominated for two academy awards) and can currently be seen as Mrs. Laughlin in Showtime¿s series, Going to California. She has taught speech, oral interpretation, and acting at Eastern Michigan University, Old Dominion University, and the University of Richmond, where she was an Artist in Residence.John and Irene have co-edited The Ultimate Audition Book II: 222 Monologues from Literature, Two Minutes and Under; The Ultimate Audition Book III: 222 Monologues, Two Minutes and Under from the Movies; and The Ultimate Audition Book IV: 222 Monologues, Two Minutes and Under.

For actors, acting students, and film buffs, this book of more than 100 movie monologues has the juiciest roles that will help you create the perfect audition. Whether you need a long or short part, you'll find great selections of male and female characters for all types across diverse age ranges. Use this reference for the featured scenes from screenplays of such classics as Adam’s Rib by Ruth Gordon and Garson Kanin, The Goodbye Girl by Neil Simon, The French Lieutenant’s Woman by Harold Pinter, and The Conversation by Francis Ford Coppola, among others.

(Applause Acting Series). Culled from the finalists for the prestigious Steinberg/American Theatre Critics New American Play Award from the years 2008-2012, Scenes and Monologues from Steinberg/ATCA New Play Award Finalists, 2008-2012 presents some of the finest, sharpest, and most immediate scenes and monologues from contemporary American drama. The book is divided into male-female, male-male, female-female scenes as well as male and female monologues and multiple character scenes. Actors, teachers, students of drama, as well as theater lovers will be thrilled by entries from such recent hits as Time Stands Still , Superior Donuts , Detroit , Water by the Spoonful , and Dead Man's Cell Phone , as well as material from such lesser known-but soon to be widely celebrated plays as 9 Circles , Becky's New Car , Perfect Mendacity , Splinters , and On the Spectrum . All are superbly constructed dramas told with ferocity, passion, wit, and supreme insight. Collectively, these scripts by our most promising and creative playwrights including Sarah Ruhl, Tracy Letts, Lee Blessing, Rebecca Gilman, Donald Margulies, Naomi Iizuka, Bill Cain, Rinne Groff, Quaira Alegria Hudes, and Yussef El Guindi reflect a collective vision of today's America that is startling in its ability to reveal the pressing circumstances and realities, the diverse characters and conflicts, and the "forms and pressures" of our emerging millennial era.

Renowned editor Larwrence Harbison brings together approximately one hundred never-before-published men’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights and future stars, including Jonathan Yukitch, Don Nigro, Lloyd Su, Daniel Damiano, Molly Goforth, Carlyle Brown, Seth Svi Rosenfeld, Brian Dykstra, Steven Hayet, David MacGregor, and Nat Cassidy. There are terrific comic pieces (laughs) and terrific dramatic pieces (no laughs), and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces.