"The orphans of Wanderville have decided never again to let themselves be misled by adults offering them shiny red apples and warm beds. They're going to make their way to California and establish a more permanent spot for Wanderville, one where the Society for Children's Aid and Relief (otherwise known as S-C-A-R) will never find them. But when the orphans are suddenly left without transportation, they must locate a new means of getting to their "town." Enter a dandy motorist with a proposition: If the orphans agree to take a mysterious gold medallion to the 1904 St. Louis World's Fair on his behalf, they will receive a handsome reward that will allow them to book passage west. With a particularly relentless S-C-A-R agent on their tail and little hope of discovering other travel money, the citizens of Wanderville conclude that the motorist's offer is their best bet. What they don't realize, however, is just how treacherous the journey to the fair will be and how much they will need to sacrifice on the way to their new home."--Dust jacket.

Robert W. Rydell contends that America's early world's fairs actually served to legitimate racial exploitation at home and the creation of an empire abroad. He looks in particular to the "ethnological" displays of nonwhites—set up by showmen but endorsed by prominent anthropologists—which lent scientific credibility to popular racial attitudes and helped build public support for domestic and foreign policies. Rydell's lively and thought-provoking study draws on archival records, newspaper and magazine articles, guidebooks, popular novels, and oral histories.

THE FIRST BOOK IN A HISTORICAL SERIES THAT'S PERFECT FOR FANS OF THE BOXCAR CHILDREN! Jack, Frances, and Frances’s younger brother Harold have been ripped from the world they knew in New York and sent to Kansas on an orphan train at the turn of the century. As the train chugs closer and closer to its destination, the children begin to hear terrible rumors about the lives that await them. And so they decide to change their fate the only way they know how. . . . They jump off the train. There, in the middle of the woods, they meet a boy who will transform their lives forever. His name is Alexander, and he tells them they've come to a place nobody knows about—especially not adults—and "where all children in need of freedom are accepted." It's a place called Wanderville, Alexander says, and now Jack, Frances, and Harold are its very first citizens.

Winner of the National Book Award • “Marvelous . . . You get lost in World’s Fair as if it were an exotic adventure. You devour it with the avidity usually provoked by a suspense thriller.”—The New York Times Hailed by critics from coast to coast and by readers of all ages, this resonant novel is one of E.L. Doctorow’s greatest works of fiction. It is 1939, and even as the rumbles of progress are being felt worldwide, New York City clings to remnants of the past, with horse-drawn wagons, street peddlers, and hurdy-gurdy men still toiling in its streets. For nine-year-old Edgar Altschuler, life is stoopball and radio serials, idolizing Joe DiMaggio, and enduring the conflicts between his realist mother and his dreamer of a father. The forthcoming Word’s Fair beckons, an amazing vision of American automation, inventiveness, and prosperity—and Edgar Altschuler responds. A marvelous work from a master storyteller, World’s Fair is a book about a boy who must surrender his innocence to come of age, and a generation that must survive great hardship to reach its future. Praise for World’s Fair “Something close to magic.”—Los Angeles Times “World’s Fair is better than a time capsule; it’s an actual slice of a long-ago world, and we emerge from it as dazed as those visitors standing on the corner of the future.”—Anne Tyler “Doctorow has managed to regain the awed perspective of a child in this novel of rare warmth and intimacy. . . . Stony indeed in the heart that cannot be moved by this book.”—People “Fascinating . . . exquisitely rendered details of a lost way of life.”—Newsweek “Wonderful reading.”—USA Today

Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it

From R. Barri Flowers, award-winning criminologist and bestselling author of Murder at the Pencil Factory and Murder of the Banker's Daughter comes the historical true crime short, Murder During the Chicago World's Fair: The Killing of Little Emma Werner.

What came to be known as the World s Columbian Exposition was planned to commemorate the 400th anniversary of Christopher Columbus s 1492 landfall in the New World. Chicago beat out New York City, St. Louis, Missouri, and Washington, DC, in its bid as host a coup for the Windy City. The site finally selected for the fair was Jackson Park, originally designed by Frederick Law Olmsted and Calvert Vaux, a marshy area covered with dense, wild vegetation. Daniel H. Burnham and John W. Root were selected as chief architects, creating the famous White City. The fair featured several different thematic areas: the Great Buildings, Foreign Buildings, State Buildings, and the Midway Plaisance, a nearly mile-long area that featured exotic exhibits. The exposition also showcased the world s first Ferris Wheel and introduced fairgoers to new sensations like Cracker Jack, Pabst Beer, and ragtime music. The World s Columbian Exposition, covering 633 acres, opened on May 1, 1893. Admission prices were 50cents for adults, 25cents for children under 12 years of age, and free for children under six. Unfortunately, by 1896, most of the fair s buildings had been removed or destroyed, but this collection takes readers on a tour of the grounds as they looked in 1893."

A humorous fictional account of a visit to the World's Columbian exposition illustrated with actual photographs and sketches of the buildings, exhibits, and fairgrounds.