The big bad Wolf is hungry for her flesh. Red Riding Hood is a bad girl. She’s nineteen years old, and all she wants to do is play with boys. After walking in on one too many trysts, Red’s mother decides she can no longer handle her wild daughter, and sends her away to live with Auntie Mmm. The big bad Wolf is on the prowl in the big dark woods. Only, the woods have been getting smaller and smaller, and the Wolf is past his prime. Then he sees sexy Red Riding Hood walking by. She brings back memories of all the young maidens he stole away when he was young. He decides he must have her. He races ahead to Auntie’s house, and fools Red Riding Hood into thinking he is her Auntie. What follows is a night of kinky sex, as the Wolf dominates and owns Red Riding Hood, pushing her past any limits she has known. But when the sex is over, Wolves like to eat their prey. Erotic Red Riding Hood is a fantasy re-telling of the classic fairy tale. It is for adults only.

"Alan Dundes of the University of California, Berkeley, continues his exploration of well-loved fairy tales with this casebook on one of the best-known of them all: Little Red Riding Hood. The twelve essays are by international scholars representing an impressive cross section of theoretical approaches."--Page 4 of cover.

Jack Zipes presents the many faces of Little Red Riding Hood. Bringing together 35 of the best versions of the tale, from the Brothers Grimm to Anne Sexton, Zipes uses the tales to explore questions of Western culture, sexism and politics.

Red Riding Hood runs a local Tavern with her grandmother, Ruby. She doesn’t need a man in her life to be happy, and she prides herself in being an independent woman. During a busy night, a highwayman named, Robin One Eye, shows up offering her protection as a pack of werewolves in the area have become a threat to the local public. He requires a fee, but Red refuses; she's ready to to take her chances with the wolves. Unfortunately, One Eye keeps coming back, sabotaging her business and threatening clients, forcing Red to seek help with the one and only, Alpha King. A hot, arrogant werewolf who's had his eye on her since he stepped foot into Farrington. But Red's been independent for far too long to get tied up again, especially when William not only wants her soul, but heart as well.

This unique anthology contributes to cross-cultural exchange and facilitates comparative study of the tale for readers interested in fairy-tale studies, cultural studies, and literary history.

A global study of modern adaptations for readers of all ages of Little Red Riding Hood. Red Riding Hood for All Ages investigates the modern recasting of one of the world's most beloved and frequently told tales. Author Sandra L. Beckett examines an international selection of contemporary fiction for children, adolescents, and adults to find a wide range of narrative and interpretive perspectives in the tale and its revisions. Beckett shows how authors and illustrators from around the globe have renewed the age-old tale in a range of multilayered, sophisticated, and complex textual and visual Red Riding Hood narratives. With a child protagonist who confronts grown-up issues of sexuality, violence, and death, the Red Riding Hood story appeals to readers of all age groups and is often presented in crossover texts that can be enjoyed by both children and adults. Beckett presents a wide selection of retellings, many of which have been never translated into English. Texts come from a variety of countries in Europe, North America, South America, Africa, and Asia and date from the early twentieth to the twenty-first century. This wealth of stories and illustrations is organized thematically into sections that consider Little Red Riding Hood alternately as a cautionary tale, an initiation story, a story focused on the wolf, a tale inspired by the wolf within, and a story of an unconventional girl who runs with wolves. This volume provides a global survey of Red Riding Hood's story in contemporary culture, proving that the character is omnipresent in modern literature and that the universal appeal of her story knows no age boundaries. Red Riding Hood for All Ages will be of interest to scholars of folklore, gender studies, and literature, as well as librarians, educators, parents, and all those interested in the many interpretations of the Red Riding Hood tale.

Sandra Beckett's book explores the contemporary retellingof the Red Riding Hood tale in Western children's literature.

The complete plays, including never before published work, from one of the major writers of the twentieth century.

Drawing on theoretical paradigms from gender and cultural studies, Martin develops a participatory model of modernist literature and culture.