After studying ancient Greek for a year, students often become discouraged when presented with unabridged classical texts that offer only minimal supportive apparatus. In welcome contrast, this intermediate-level textbook reinforces the first-year lessons and enables students to read Plato's Symposium, one of the most engaging works in Attic Greek, the dialect taught in most first-year courses. To meet the needs of students who are reading extended passages of challenging Greek for the first time, Louise Pratt, a classical scholar with more than twenty years' teaching experience, has lightly condensed the early readings, supplementing them with review exercises and new vocabulary. She includes the remaining portion of the dialogue in its entirety to give students the experience of reading Plato's imaginative dialogue in all its richness. All readings are glossed, with explanatory notes appearing on the same page as the relevant texts. Enlivened by twenty-five illustrations, Eros at the Banquet also features an introduction explaining the Symposium's historical and philosophical significance, a comprehensive glossary, and an up-to-date bibliography. Instructors may also supplement this volume with Pratt's The Essentials of Greek Grammar: A Reference for Intermediate Readers of Attic Greek, which includes many examples from the Symposium.

Emmanuel Falque’s The Wedding Feast of the Lamb represents a turning point in his thought. Here, Falque links philosophy and theology in an original fashion that allows us to see the full effect of theology’s “backlash” against philosophy. By attending closely to the incarnation and the eucharist, Falque develops a new concept of the body and of love: By avoiding the common mistake of “angelism”—consciousness without body—Falque considers the depths to which our humanity reflects animality, or body without consciousness. He shows the continued relevance of the question “How can this man give us his flesh to eat?” (John 6:52), especially to philosophy. We need to question the meaning of “this is my body” in “a way that responds to the needs of our time” (Vatican II). Because of the ways that “Hoc est corpus meum” has shaped our culture and our modernity, this is a problem both for religious belief and for culture.

Provocative reinterpretation of Plato's Symposium.

Designed for intermediate-level students, this textbook presents an outline of the essential forms and syntax of ancient Attic Greek. A perfect supplement to Louise Pratt’s Eros at the Banquet, it also stands alone as a useful resource for any student seeking to move beyond the basics of Greek into the exciting experience of reading classical literature in its original language. The Essentials of Greek Grammar is based on the author’s many years of classroom experience and on the handouts she developed and fine-tuned to supplement a variety of textbooks and approaches. In part 1 of the volume, Pratt covers the following: morphology and parts of speech in increasing order of complexity, from articles and pronouns through adjectives; active and passive participles; nouns, with a summary of endings and examples of the three declensions; verbs, with summaries and examples of regular and irregular forms. Part 2 presents syntax, moving from the relatively straightforward case uses of nouns and pronouns, to the uses and positions of adjectives and the complexities of verb types and moods. Pratt also includes miscellaneous figures of speech and a handy appendix listing two hundred common Attic verbs and their principal parts.

Olga Broumas has chosen poems from the full range of Odysseas Elytis's Nobel Prize-winning poetry, including his early work when he was associated with the Surrealists, to the entirety of his long poem The Little Mariner, as well as a previously unavailable selection of his last poems, written shortly before his death in 1996. Elytis himself offers the best description of his work: If a separate personal Paradise exists for each of us, mine must be irreparably planted with trees of words which the wind silvers like poplars, by people who see their confiscated justice given back, and by birds that even in the midst of the truth of death insist on singing in Greek and saying eros, eros, eros.

The Poetics of Eros in Ancient Greece offers the first comprehensive inquiry into the deity of sexual love, a power that permeated daily Greek life. Avoiding Foucault's philosophical paradigm of dominance/submission, Claude Calame uses an anthropological and linguistic approach to re-create indigenous categories of erotic love. He maintains that Eros, the joyful companion of Aphrodite, was a divine figure around which poets constructed a physiology of desire that functioned in specific ways within a network of social relations. Calame begins by showing how poetry and iconography gave a rich variety of expression to the concept of Eros, then delivers a history of the deity's roles within social and political institutions, and concludes with a discussion of an Eros-centered metaphysics. Calame's treatment of archaic and classical Greek institutions reveals Eros at work in initiation rites and celebrations, educational practices, the Dionysiac theater of tragedy and comedy, and in real and imagined spatial settings. For men, Eros functioned particularly in the symposium and the gymnasium, places where men and boys interacted and where future citizens were educated. The household was the setting where girls, brides, and adult wives learned their erotic roles--as such it provides the context for understanding female rites of passage and the problematics of sexuality in conjugal relations. Through analyses of both Greek language and practices, Calame offers a fresh, subtle reading of relations between individuals as well as a quick-paced and fascinating overview of Eros in Greek society at large.

In such novels as The Poison Master, Empire of Bones, and Nine Layers of Sky, Liz Williams sparked readers' imaginations by creating worlds at once strange and familiar. Now this bold new writer brings her best short fiction together in one stunning collection. The stories featured in The Banquet of the Lords of Night have appeared in Asimov's, Interzone, Realms of Fantasy, and The Third Alternative, among others. The stories within the covers of The Banquet of the Lords of Night are varied in style and subject matter, but they are all powerfully written. From the breathtaking title story, "Banquet of the Lords of Night" about an Earth plunged into a world of darkness where light is against the law to the stunning "The Man from the Ministry" in which we learn the how far a mother will go where her family is concerned; Williams displays an astonishing breadth and variety of writing styles. Williams is equally at home writing galaxy-spanning science fiction like "Quantum Anthropology" as she is weaving a tale like "Adventures in the Ghost Trade" which incorporates demons, magic, the afterlife, and private detectives. "Williams's unique cross-genre voice is a reinvigorating one for SF, fantasy and horror." Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

Originally published in 1979, Plato's Dialogue on Friendship is the first book-length interpretation of the Lysis in English, offering both a full analysis and a literal translation of this frequently neglected Platonic dialogue. David Bolotin interprets the Lysis as an important work in its own right and places it in the context of Plato's other writings. He attempts to show that despite Socrates' apparent failure to discover what a friend is, a coherent understanding of friendship emerges in the Lysis. His commentary follows the dialogue closely, and his interpretation unfolds gradually, as he is providing a detailed summary of the Lysis itself. Mr. Bolotin's translation captures the playfulness and rich ambiguities of the Lysis and its effectiveness as conversational drama. His book, written with precision and clarity, should be useful to students of political philosophy and ancient philosophy.

Frisbee Sheffield argues that the Symposium has been unduly marginalized by philosophers. Although the topic - eros - and the setting at a symposium have seemed anomalous, she demonstrates that both are intimately related to Plato's preoccupation with the nature of the good life, with virtue, and how it is acquired and transmitted. For Plato, analysing our desires is a way of reflecting on the kind of people we will turn out to be and on our chances of leading a worthwhile and happy life. In its focus on the question why he considered desires to be amenable to this type of reflection, this book explores Plato's ethics of desire.

The departmentalism of American universities has doubtless much to recommend it. It indicates that exuberance is not a sufficient sub stitute for scholarship, that, for better or for worse, every scholar today must be something of a specialist. But when any great writer and great thinker reaches out and grasps the whole of human life, the study of his work transcends specialization. And while exuberance may not replace scholarship, it may accompany it. Most of my work has been done in the history of political philosophy. I have dared to overstep departmental boundaries, because I believe that Shakespeare has something to say to political philosophy. I am not the first to express this view. Whether I express it well or badly, I shall not be the last. I want to thank Leo Strauss, my teacher. He has read the manus cript and given me the benefit of his insight and judgment. I want to thank Richard Kennington, who has taken so much time from his own work to comment meticulously and constructively on this work as on other things I have written. His help has been generous, and my appreciation is deep. I must, in particular, thank my colleague, Adolph Lowe. He has perused this study, much of it in several versions. Through long walks in Manchester, Vermont, we have discussed my work and his comments. Usually his comments have been compelling. I can regret only that I am completely unqualified to reciprocate.