[Gouinlock] has succeeded in naturalizing the moral life more reliably and coherently than the generation of Dewey, Santayana, and their heirs. . . . may well prove to be a landmark for the philosophical understanding of the moral conception of life in our times. - John P. Anton, University of South Florida. . . No one has done as much as Gouinlock has to tell us how our lives can be made worth living. - Peter H. Hare, State University of New York at Buffalo. . . Must reading for those interested in understanding our current problems. - John Lachs, Vanderbilt UniversityPlato defined eros as the yearning for things beautiful and good. It is on this original sense that philosopher James Gouinlock bases this insightful study of ethics and wisdom. Gouinlock argues that the only fruitful way to evaluate the norms of social life is to understand them as natural forces, not as arbitrary matters of convention or derivatives of some abstract theory. The good life and the meanings of life consist in the recognition and pursuit of values that are already resident in natural experience. Successful pursuit of them requires teaching, the accumulation of wisdom, and the cultivation of virtue. Above all is eros, the motivating force that drives us to search for life's most precious goods. In so doing we acquire a wisdom according to nature.Inspired by Greek philosophy, Gouinlock's approach avoids the pitfalls of moral systems that evolve out of abstract theorizing and tend to ignore well-established practice and conviction. Gouinlock makes the important point that social practices, like natural forces, though subject to change in varying degrees, are rarely amenable to radical overhaul. The real values of common life occur in a difficult, demanding, and often-perilous environment. This is not a context in which anything goes, for it possesses inherent constraints as well as opportunities. As Gouinlock shows in detail, there is much wisdom to be gained from understanding the distinctive functions of nature in the conduct of life.Written with clarity and eloquence, this original and fully developed philosophy of life makes fundamental philosophical arguments accessible to educated lay readers as well as to professional philosophers.James S. Gouinlock (Atlanta, GA) is professor emeritus of philosophy at Emory University and the author or editor of six books, including Rediscovering the Moral Life: Philosophy and Human Practice and The Moral Writings of John Dewey.

[Eros Is More] is a beautifully masterful collection. - Aracelis Girmay

Death, my dear, is only the beginning... Freud once theorized that human beings are subject to two drives: love (Eros) and death (Thanatos). While his psychoanalytic theory has long been expanded upon, no one can argue how fundamental love and death is to our existence. Within this collection are twelve stories that explore the fine line between these concepts. It also features a diverse group of authors whose often unheard voices tell stories of resilience, strength, and triumph through tragedy. Haunting as any Quill & Crow anthology, these stories seek to intrigue, inspire, and give a whole new meaning to "until death do us part."

Eros: The Myth of Ancient Greek Sexuality is a controversial book that lays bare the meanings Greeks gave to sex. Contrary to the romantic idealization of sex dominating our culture, the Greeks saw eros as a powerful force of nature, potentially dangerous and in need of control by society: Eros the Destroyer, not Cupid the Insipid, is what fired the Greek imagination. The destructiveness of eros can be seen in Greek imagery and metaphor, and in their attitudes toward women and homosexuals. Images of love as fire, disease, storms, insanity, and violence—top 40 song clichés for us—locate eros among the unpredictable and deadly forces of nature. The beautiful Aphrodite embodies the alluring danger of sex, and femmes fatales like Pandora and Helen represent the risky charms of female sexuality. And homosexuality typifies for the Greeks the frightening power of an indiscriminate appetite that threatens the stability of culture itself. In Eros: The Myth of Ancient Greek Seualily, Bruce Thornton offers a uniquely sweeping and comprehensive account of ancient sexuality free of currently fashionable theoretical jargon and pretensions. In its conclusions the book challenges the distortions of much recent scholarship on Greek sexuality. And throughout it links the wary attitudes of the Greeks to our present-day concerns about love, sex, and family. What we see, finally, are the origins of some of our own views as well as a vision of sexuality that is perhaps more honest and mature than our own dangerous illusions.

Two innovative spiritual teachers show how to use desire and passion—eros—as a gateway to realizing our fullest potential What do desire and passion have to do with our spiritual journey? According to A. H. Almaas and Karen Johnson, they are an essential part of it. Conventional wisdom cautions that desire and passion are opposed to the spiritual path—that engaging in desire will take you more into the world, into egoic life. And for most people, that is exactly what happens. We naturally tend to experience wanting in a self-centered way. The Power of Divine Eros challenges the view that the divine and the erotic are separate. When we open to the energy, aliveness, spontaneity, and zest of erotic love, we will find it inseparable from the realm of the holy and sacred. When this is understood, desire and passion become a gateway to wholeness and to realizing our full potential. Through guided exercises, the authors reveal how our relationships become opportunities on the spiritual journey to express ourselves authentically, to relate with openness, and to discover dynamic inner realms with another person. Through embodying the energy of eros, each of us can learn to be fully real and alive in all of our interactions.

Selected by the Modern Library as one of the 100 best nonfiction books of all time A book about romantic love, Eros the Bittersweet is Anne Carson's exploration of the concept of "eros" in both classical philosophy and literature. Beginning with, "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her," Carson examines her subject from numerous points of view, creating a lyrical meditation in the tradition of William Carlos Williams's Spring and All and William H. Gass's On Being Blue. Epigrammatic, witty, ironic, and endlessly entertaining, Eros is an utterly original book.

Cupid and Psyche Apuleius - Cupid and Psyche is a story from the Latin novel Metamorphoses, also known as The Golden Ass, written in the 2nd century AD by Apuleius. It concerns the overcoming of obstacles to the love between Psyche (Soul or Breath of Life) and Cupid (Desire), and their ultimate union in a sacred marriage.

Julie, an eleven-year-old Irish Catholic, had no inkling that the mysterious yet undeniable bond formed in a fleeting encounter with a priest would later transform her life. This memoir, in part told through actual letters, is the inspiring story of how two souls, grounded in faith and destined to be together, escape violence to move confidently from darkness to light and from fear to love.

Rodin’s erotic depictions of women in drawings, sculptures, plasters, bronzes, and marbles The theme of the erotic is ever present in the work of August Rodin, both in his sculptures and in his many drawings. Throughout his career, he depicted sexual desire in all its facets, in every mood from delicate innocence to frank intensity, bearing witness to an endless fascination with the flesh and a love of the female form. Taking a chronological path through Rodin's career, this is an intimate approach to the many faces of sex and sensuality in his body of work and in the society within which his art was forged, from mythological portrayals of passion to the context of contemporary erotic literature. The topics featured include his relationships with women, his friendships with poets and artists, and the controversy that his sculptures caused in the late nineteenth and early twentieth centuries, when French society was marked by a hypocritical disparity between public morals and private desires. In a 1916 interview, Rodin spoke out against his critics: "They protest against the immorality of my work, they criticize me for loving women…. But they are incapable of understanding what I do." This witty and insightful book, packed with beautiful images, will shed new light on this intriguing aspect of the artist's world and his skill at capturing the fleeting nature of pleasure in timeless art.

A revision of the author's Ph.D. thesis for the U. of Toronto. It examines political dimensions of Don Quixote, which have mostly been ignored by Anglophone critics, and their implications with respect to Christianity. Paper edition (unseen), $22.95. Annotation copyright by Book News, Inc., Portland, OR