Although not translated into English until 1549, Erasmus's most famous work, the Praise of Folly, has an English provenance as the product of his friendship with Thomas More. The text of the original translation, by Thomas Chaloner, appears here for the first time in a fully annotated, modernised edition. It is presented alongside a selection from the English Paraphrases, a central text of the Edwardian Reformation; translations of two pacifist works, the Bellum Erasmiand The Complaint of Peace, the second of which is constructed as an oration, like Praise of Folly; and the essay on the adage Sileni Alcibiadis.

The translation of Erasmus's Manual of the Christian Soldier, thought to be by William Tyndale, is one of the foundational texts of the English Reformation. The present edition is based for the first time on the recently-discovered manuscript dating from 1523. It is accompanied by translations of other key religious works, Erasmus's treatise on the Lord's Prayer and the introduction to the New Testament; by the anti-papal satire, Julius Exclusus; and by the Epistle in Praise of Matrimony and the Proverbs, both translated by the English Erasmian, Richard Taverner, in support of Thomas Cromwell's reformist agenda.

Latin was for many centuries the common literary language of Europe, and Latin literature of immense range, stylistic power and social and political significance was produced throughout Europe and beyond from the time of Petrarch (c.1400) well into the eighteenth century. This is the first available work devoted specifically to the enormous wealth and variety of neo-Latin literature, and offers both essential background to the understanding of this material and sixteen chapters by leading scholars which are devoted to individual forms. Each contributor relates a wide range of fascinating but now little-known texts to the handful of more familiar Latin works of the period, such as Thomas More's Utopia, Milton's Latin poetry and the works of Petrarch and Erasmus. All Latin is translated throughout the volume.

Presents a selection of writings by sixteenth-century Dutch theologian Desiderius Erasmus, including "The Praise of Folly," an ironic speech by the pagan goddess Folly in praise of herself, and includes critical essays.

A study of the development of literary culture in sixteenth-century England that explores the relationship between the Reformation and literary renaissance of the Elizabethan period through the exploration of the theme of the 'common'.

Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.