“Entombing Our Icons: The Jimi Hendrix, Bruce and Brandon Lee and Lake View Cemetery Memorials” features over 125 photographic images captured by artist Marques Vickers. The photography portrays musician Jimi Hendrix’s tomb and Seattle’s Lake View Cemetery featuring the gravesites of Bruce and Brandon Lee and other notable historical personages. Vickers features an essay within the edition entitled “Entombing An Icon: Celebrity Death Worship and The Anonymous Forgotten” detailing the daily processional remembrance visits and biographies of two of the most recognized Seattle icons. Hendrix’s memorial is located in suburban Renton and the Lake View Cemetery in the Capitol Hill district of Seattle, Washington. The deaths of Jimi Hendrix, Bruce Lee and his son Brandon Lee have been significantly documented but remain shrouded in speculation and mystery. Vickers’ essay details their biographies and each man’s final 24 hours. Divergent theories and accounts have accompanying their deaths over the subsequent decades. Jimi Hendrix’s international musical fame while he lived lasted a brief four years upon his emergence from the London music scene in 1966. His electrifying performances at the 1969 Woodstock and 1970 Isle of Wright Music Festivals cemented his career legacy. He remains one of the most popular and copied electrical guitar performers globally. He died on September 18, 1970 by asphyxiation from his own vomit induced by his barbiturate and amphetamine use in London. In 1995 with proceeds from Jimi’s substantial royalty earnings, his father Al Hendrix enlarged the compact family internment area to a 54-plot space near the entrance of Renton’s Evergreen Cemetery. Designed by architect Mark Barthelemy, a granite commemorative gazebo is supported by three massive pillars. The interior includes three laser-etched portraits of the performer accompanied by handwritten lyrics from some of his most memorable compositions. The immense edifice was completed in 2002 and is visited by an estimated 15,000 visitors annually. Bruce and Brandon Lee were buried adjacent at the Lake View Cemetery. Bruce’s reddish rectangular headstone is composed of granite bearing his image, with gold letter engravings and a black opened book at the base. Brandon’s headstone was designed by Washington sculptor Kirk McLean and features two twisting rectangles of charcoal granite joined at the bottom. The pair of stones gives the symbolic impression of being pulled apart at the summit. Bruce Lee is lionized as a Chinese-American martial artist, Hong King film actor and director, martial arts instructor to celebrities, philosopher and founder of his own self-titled martial arts movement called Jeet Kun Do. He became the undisputed global face of a martial arts craze during the latter decades of the 20th century. He died on July 20, 1973 in Hong Kong of a cerebral edema while napping before a scheduled dinner appointment. Conspiracy theories and rumors immediately circulated due to some of the notorious enemies he had cultivated with his efforts to expand martial-arts exposure internationally. A reported family curse directed towards him by these hostile organizations gained credibility on March 31, 1993 with the accidental shooting death of Brandon Lee during the filming of the movie “The Crow”. Established in 1872 as a Masonic burial ground, Seattle’s Lake View Cemetery reflects the multinational population of urban Seattle. Tombs and bronze plaques signifying Russian Orthodox, Communist and Masonic affiliations, Asian Nationalism and even artistic ciphers are interspersed amidst the grounds. Their designations and the various monuments’ artistic craftsmanship are captured vividly through Vickers’ lens. Numerous renowned Seattle patriarchs including the namesakes Mercer, Yesler, Denny, Maynard, Boren and Nordstrom are buried on the Pioneer incline tract of the cemetery. Chief Seattle’s eldest daughter, Princess Angeline lies buried obscurely on the grounds. Inscriptions involving wars, fraternal organizations, popular causes, the arts and specific tragedies are visually captured in the edition.

Author Marques Vickers returns to his hometown of Vallejo, California with his memoir “You Can’t Return Home Except Through Photographs and Memory”. The personal narrative traces his formation within a community that through his eyes has slipped a notch from both the middle-class and affluence. Vickers employs a light but candid tone on a gravely perceived subject, Vallejo’s regressive deterioration. The suburban San Francisco Bay Area town of 120,000 was formerly the California State Capital twice and home to the Mare Island Naval Shipyard. The base closed in 1996 creating an employment void that prompted stagnation within the downtown core. Vickers was raised locally during the 1960s-70s. He traces the specific causes for decline as the proliferation of long simmering racial tensions, homelessness, aggressive criminality and drug trafficking. Returning in 1987 as an adult following a twelve-year absence, he was struck by the town’s smallness of scale. In spite of the successful recruitment of Marine World Africa USA in 1986, the addition has not elevated Vallejo into a desirable extended stay tourist destination. He observes that seemingly for every positive step forward, the city tends to relapse two steps backwards. Despite the deterioration, most Vallejoans he knows are proud of their grounded heritage. His text is far from bleak and bitter. He cites the town’s distinctiveness, attractions and diversity that positively impacted his personal development. His photo compilation was prompted by a return for the funeral service of a 90-year-old friend Andy who died on New Years Day 2017. Andy, a former longtime resident, avoided local visitations noting the degenerating conditions from his residence in adjacent Benicia. The author’s own series of memories were exhumed at the same time as the body of his friend was being lowered into the ground for burial. Vickers surveys the present tense community with his camera lens portraying a bittersweet reality. Although he cannot overlook the obvious, he hopes the current downtown may ultimately be viewed as an isolated puzzle piece fitting into a larger positive legacy. Balancing his criticism with objectivity, humor and insight, Vickers attempts to accurate portray a subject he mourns and knows intimately.

Michael McCaffrey has lost his teaching idealism, but not pragmatism towards his profession. “Teaching with One Eye Shut” escorts you into the classroom, faculty room sanctuary and campus grounds of St. Elizabeth-St. Ignacious (SESI), a northern California Catholic high School. Your host, McCaffrey is an eight-year business instructor beyond the burnout stage and uncertain as to his future in the profession. His turmoil carries over into his personal life and relationships. McCaffrey shares his clear-eyed observations about classroom instruction, discipline, peers and the bureaucracy accompanying teaching. He dismisses imposed school administration artificial team-building tactics. For him, teachers are individuals expressing their point of view on subject matters as they visualize it. Peer’s advice and Principals are of marginal value. His evaluations are often cutting and dismissive. They are balanced by periodic inspiring and surprising heroics emerging from unlikely sources. McCaffrey seemingly has an unflinching opinion about everyone and especially himself. His students can be a distracted and devouring audience, but he is genuinely appreciated. He introduces the reader into the authentic and sometimes erratic nature of classroom lecture and discussion. His teaching subjects include technology, marketing and law. His students’ responses address more poignant issues including racism, home life and their futures beyond schooling. The deeper exchanges are often conducted between classes or emerge amidst casual conversations and daily interactions. McCaffrey addresses timely issues over the success and shortcomings of contemporary education. He concludes that society comfortably maintains misplaced priorities and ignorance towards education and its practitioners. He takes issue with uninvolved parents who drop their children off like dirty laundry and expect a private institution to cleanse them of their bad habits while educating them. He maintains that Catholic education is distinct and different from public schools. His conclusion is based on expected behavioral accountability and reinforced discipline, rather than superior personal, facilities and educational techniques. A school’s objective remains to stimulate a graduating class of lifelong learners. This lofty goal is tested daily by certain under-achieving, troubled and unmotivated students, neurotic faculty members and hamstrung by trifling misdirected rules. McCaffrey notes that victories surface when his contemporaries enable students to navigate the tenuous labyrinth of adolescence and learning His varied observations encompass teacher liability, absence policies, and career burnout, objective grading, classroom discipline, school fundraising, compensation, athletic programs, peer gossip and pranks, equipment deficiencies, and dress codes. McCaffrey is SESI’s acknowledged faculty satirist who zealously guards his private time absent of extra-curricular supervisions. He is never a perennial candidate for Teacher of the Year honors. His cast of instructional intimates and foils include basketball coach and confident Rich Ringer, siren Suzzi Issacs, milquetoast Dennis Greeley, incompetent Alex Orrigo, misdirected Tim Lovelace, mumbling Principal Brother Moody and a colorful parade of diverse and eclectic personalities. A variety of candid and favorite students are introduced with the irrepressible Ralphie Houwser heading the list. McCaffrey feels trapped by his inability to move forward with his life. A year ending interaction with one of his peers offers him hope. Will a Parisian rendezvous on Bastille Day become his ultimate liberation from professional and personal stagnation? “Teaching with One Eye Shut” addresses the fragile and volatile role of mentors and educators. McCaffrey’s memoir offers a realistic and humorous view of the realities behind high school instructing, spiced by his periodic exaggerations.

This edition is an intimate photo examination of the infamous Butte, Montana sex trade once nationally recognized during the late 19th and early 20th century. Over 135 current photographs document the remnants of the famed copper mining town’s prostitution core. The work details historical anecdotes, narratives on colorful personages and perspective on an era when prostitution was locally institutionalized. The remaining Dumas Brothel is a profiled parlor house noteworthy for its operational longevity between 1890-1982. The Dumas is the longest tenured American house of prostitution. The property weathered numerous reform movements and attempts towards forced closure by governmental authorities. Owner tax evasion ultimately shuttered the property. Across the road is the Blue Range Building, the last street-facing example of the lowest extremity of prostitution once employed within the district. The seven sets of ground floor doors and adjacent windows housed segregated cubicles called cribs. Diminutive cribs accommodated only a single bed and an occasional washbasin. Lower esteemed prostitutes serviced clients from these utilitarian spaces. Butte’s prostitution industry reinforced a rigid hierarchy of distinguishing elite mistresses for the affluent and influential, from lowly street solicitors. The lifestyle of sex professionals was plagued by drug addiction, financial debt, sexually transmitted diseases, pregnancy, abortion, violence and abuse by their patrons and jealousy-motivated clients. Suicide was common even amongst the highest regarded women within such a cannibalistic environment, During the turn of the twentieth century, Butte was one of the largest Rocky Mountain population centers. Its licentious reputation mirrored contemporary Las Vegas. Unlike many western frontier settlements, cowboy culture made minimal intrusion. Butte’s red-light district is a haunting environment with a complex past.

Shadowlands is a photographic concept edition accentuating contours, silhouettes and dominant color compositions of 150 photographic images. Many of the images are recognizable icons and landmarks. They are transformed into graphic arts appearance by employing photo imaging software. The accompanying shadows create a foreboding and often sinister impression. The result is a glimpse into the unconscious white space that frames and lightens photography. Photographer Marques Vickers has assembled a diverse portfolio of internationally compiled images. Their reverse lighting reinvents the impression, often upsetting our conventional interpretation of their substance and matter. The effect mirrors the surrealists’ notion of superficially unseen structures that open the portal for interpretative meanings. Imagery is enabled to transcend precise and simplistic definition.

“So You Think You Know Washington State Wines?” is designed to simplify your understanding by identifying growing trends, grape descriptions and the history of Washington wine production. The edition profiles the 15 top wine grapes and the unique aspects of the state’s growing sectors. The 62-page edition is idea for wine collectors, winemakers and anyone who appreciates a world class Washington vintage. The following are just seventeen from hundreds of little known facts about Washington wines and the 2015 grape harvest. 1. Washington is the second largest producer of premium table wine in the United States behind California. Washington’s harvest comparatively represents only 6% of the overall California production levels. 2. Washington’s red grape varietals harvested 112.8 thousand tons in 2015. The closest California equivalent was the San Luis Obispo, Santa Barbara, and Ventura County. 3. The State of Washington harvested 222 thousand tons of wine grapes during the 2015 harvest, down 2.2% overall from the previous year. The deficit was attributed to the excessive heat conditions and a reduced Cascade Mountain snowpack. 4. Red varietal grapes account for 51% of the total production and actually increased yields by 5% during the 2015 harvest. 5. Cabernet Sauvignon was the top-producing grape during 2015 with 47,400 tons, representing 21% of the overall harvest. Cabernet Sauvignon had the largest growth rate. 6. White Riesling was the top white wine and second most overall produced grape with 44,100 tons, accounting for 20% of the total. Washington produces more White Riesling than any other state. 7. Chardonnay was the third most produced grape with 42,000 tons, Merlot fourth with 35,200 tons and Syrah fifth with 16,000 tons. 8. Grenache Noir is the most lucratively priced wine grape in Washington and sold for $1,722 per ton. Cabernet Sauvignon averaged $1,527 per ton, an increase of 5.5% from 2014. Cabernet Sauvignon sells in the Napa Valley in excess of $6,000 per ton. 9. The growing regions of San Luis Obispo County, Yakima Valley and Walla Walla Valley share numerous similarities. Their topographies feature expansive arid flatlands surrounded by hilly terrain. Each region has a long historical agricultural tradition. 10. Top-tiered Washington vineyards have commanded pricing between $75,000-$80,000 per acre. Large established vineyards have been documented to sell for $25,000-$30,000 and bare unplanted terrain often averages $10,000-$15,000 per acre. 11. Washington has 14 American Viticultural Areas (AVAs) recognized and defined by the United States Treasury Department. Seven have only been established within the last ten years and three stretch across the Oregon border. 12. The primary growth advantage Washington offers over neighboring Oregon is the capacity to expand wine grape cultivation. Washington has twice as much plantable acreage available. 13. Today, 98% of the wine grapes grown are east of the Cascade Mountains. In 1970, there were only ten official wineries in all of Washington. By 2000, that figure had expanded to 163 and by 2010, more than 700 wineries. Currently it is estimated that there are over 900 wineries. 14. The two largest Washington growing regions, the Yakima and Walla Walla Valleys share the topography of a desert landscape and the tributary waters of the Columbia River branching out via the Yakima and Walla Walla Rivers. 15. The Walla Walla Valley averages approximately the same annual rainfall levels as the Napa Valley (21 inches). The Yakima Valley received even less rainfall (8 inches), but is supplemented by a snowfall level of 23 inches. 16. The Yakima Valley profits from the accumulating rains and snows of Mount Ranier and Mount Adams, part of the Cascade Mountain Range. The melting Spring snowpack results in substantial volumes of water that are channeled into the region and directed by canals and aqueducts into the agricultural basins and hillsides.

Over forty years after the groundwater table of the Silicon Valley was declared contaminated, the source remains tainted and unfit for human consumption. Twenty-five former toxic waste sites are profiled “In Search of Toxic Silicon Valley: The Subterranean Poisoning From High Technology Manufacturing”. The edition focuses on visually documenting the contemporary redevelopment of these properties decades after they have become removed from closer public and media scrutiny. During the 1960s through early 1990s, an environmental disaster originated from leaking hazardous chemicals and solvents employed in semiconductor manufacturing. A lethal combination of Volatile Organic Compounds (VOCs) seeped through on-site industrial storage containers. These concentrated leakages formed toxic plumes that penetrated between thirty and five hundred feet beneath the ground surface. The plumes ranged from three hundred feet to ten miles in length. Drinking water, regional creeks, streams and estuary lands were affected. The result has left the technology heartland with an extended network of contaminated groundwaters. The resulting contamination of soils and waters created a large-scale clean-up dilemma for a region that has sustained prosperity from the evolution of the technology industry. Neighboring public health consequences have included documented elevated statistics on cancer rate spikes and birth defects. Limited follow-up litigation has generally resulted in no-fault disclosure financial settlements. Only one individual has faced criminal related disposal charges and was convicted of ten misdemeanors. Federal Superfund clean up projects began in the 1980s, coordinated by the U.S. Environmental Protection Agency (EPA). The Silicon Valley has the highest concentration of Superfund sites in the United States. Reclamation projects transported polluted soils to federal hazardous waste sites. Water excavation pumping, filtering and monitoring stations were established. These ongoing treatments have reversed groundwater contamination levels to acceptable EPA standards. They have not completely eliminated the toxic compound presence or eradicated the risk of vapor intrusion aboveground. Silicon Valley groundwater remains unacceptable for public consummation. The most affected cities currently outsource drinking water from the Hetch Hetchy reservoir in Yosemite, Sacramento Delta, San Luis Reservoir and long-established municipal and private wells. The subsequent reuses of formerly contaminated parcels currently include residential, retail and commercial developments, a shopping center and church. Only a small percentage of lands remain dormant and these are targeted for future development. The Silicon Valley manufacturing era remains a discreetly mentioned blight to the legacy of the industry. The semiconductor manufacturing process has subsequently been relocated offshore. Instead of prioritizing hygienic solutions for production and waste disposal, the shifting has reportedly created an equally dangerous source of dioxin pollution transported globally by prevailing winds and ocean currents. The author’s research is based exclusively from EPA archived documentation and related contaminant databases. The text and photographs are best summarized in his chilling opening paragraph: This is a story about unhappy endings. This is a narrative about how the manufacture of technology has potentially forever poisoned the subterranean strata of the Silicon Valley. In brief, this is a horror story.

The second edition of “Murder in California: The Topography of Evil” is Marques Vickers’ visual return to 108 infamous crime scenes detailing the shocking and often searing narratives behind each tragedy. Over 225 images amplify insight by escorting the reader to the crime location, offering a critical context and perspective for understanding. The captured snapshots portray visual testimonies of extinguished lives removed by acts of violence. Crime scenes often revert back into unremarkable landscape or unassuming buildings over the ensuing years and decades. Several have altered little since their moment of infamy. Many are passed daily by pedestrian and vehicular traffic unaware of a location’s unique significance. California has been the residence for many notorious profiled individual and serial killers including the Zodiac, Ted Unabomber Kaczynski, Charles Manson, Sirhan Sirhan, Jim Jones, Richard Allen Davis, David Carpenter, The Menendez Brothers, Juan Corona, Rodney Alcala, Phil Spector, Dan White, Juan Corona, Richard Ramirez and Scott Peterson. The media has christened some monikers including the Trailside Killer, Children of Thunder, Co-ed Killer, Vampire of Sacramento, Zebra Killers and the Death House Landlady. The state has been the death site of notable victims including Senator Robert Kennedy, San Francisco Mayor George Moscone, Supervisor Harvey Milk, Mobster Bugsy Siegel, Black Panther Huey P. Newton, Journalist Chauncey Bailey, Nicole Simpson-Brown, Rapper Notorious B.I.G., Polly Klaas, Lacy Peterson, the Heaven’s Gate cult, singers Marvin Gaye, Sam Cooke and actors Haing Ngor, Ramon Novarro and Sal Mineo. The Murder in California edition profiles are segmented into nine categories including assassinations, abductions, historical legacies, reckless homicides, chance encounters and manslaughters, law enforcement fatalities and controversies, unsolved murders, rampage and serial killers. Within the context of examining each profile, many important issues and questions are raised without necessarily culminating in resolution. These include capital punishment, racial perceptions, contributing parental influences, media reporting, public opinion, juvenile sentencing, self-incrimination protections and the impartiality of our judicial system. An extensive and updated listing of fatality victims is included along with convicted and deceased killers. Each living convict still registered within the United States penal systems is identified by their current penitentiary residence. Vickers’ own introduction to the consequences of murder began with the 1968 killings of David Faraday and Betty Lou Jenson by the Zodiac killer in the author’s hometown. Faraday was an acquaintance of Vickers through Boy Scouts and his older sister knew both victims. His reflections on the trauma inflicted on his intimate suburban community correspond with the realization that a single homicide affects far more individuals than simply the victim. Hundreds and often thousands may be touched by the arbitrariness and unfairness of life being terminated abruptly and prematurely. Cases Profiled (By Sequential Order and Category): Assassinations: Oakland School Superintendent Dr. Marcus Foster, Mobster Bugsy Siegel, Journalist Chauncey Bailey, Mickey and Trudy Thompson, San Francisco Mayor George Moscone and Supervisor Harvey Milk, Rapper Christopher Wallace (Notorious B.I.G.), The Marin County Courthouse Shootout Massacre, Senator Robert F. Kennedy, Hitman Joseph The Animal Barboza, Vic Weiss and the Wonderland Gang. Abductions: Patty Hearst, Nicholas Markowitz, Brooke Hart, The Onion Field Killings, Polly Klaas, Ramona Irene Price, Cal Poly Student Kristin Smart, Kevin Collins, Rachel Newhouse, Aundria Crawford and Karen Mitchell. Historical Legacies: Fung Little Pete Jing Toy, Charles Crawford, US President Warren Harding, Ned Doheny and Hugh Plunkett, Mary Ellen Pleasant, Orcutt Freeway Sniper, Miles Archer and Eastside Salinas Gang Killings. Chance Encounters and Manslaughter Killings Ennis Cosby, Diane Whipple, Haing Ngor, Huey P. Newton, Johnny Stompanato, Barbara Graham, Marvin Gaye, Phil Hartman, Phil Spector, Ramon Novarro, Ronni Chasen, Sal Mineo, Sam Cooke and Father Eric Freed. Unsolved Murders: The Black Dahlia, Lindsay Cutshall and Jason Allen, Bob Domingos and Linda Edwards, Santa Rosa Hitchhiker Murders, Crips Gang Founder Raymond Washington, David Nadel, Geneva Ellroy, Virginia Rapp, Kym Morgan, William Desmond Taylor, Ted Healy and the Visalia Ransacker. Rampage Mass Murders: Elliot Rodger, The Helzer Brothers, Bruce Pardo, The 101 California Building Rampage, John Linley Frazier, Edward Charles Allaway, Golden Dragon Restaurant, Meritage Salon, John Kenney, Frederick Martin Davidson, Lynwood Jim Drake, High School student Andy Williams, Oikos University Shootings, Nicolas Holzer, the Cleveland Elementary Schools in San Diego and Stockton and Marcus Wesson. Premeditated Murders: Playboy Playmate Dorothy Stratten, Laci Peterson, John Morency, Artie Mitchell, Nicole Brown-Simpson, Menendez Brothers, Bonnie Lee Bakley, Vincent Brothers, Marin County Barbeque Killings and Ewell Family Executions. Law Enforcement Fatalities and Controversies Captain Walter Auble. Oscar Grant III, Newhall CHP Massacre, Office Thomas Guerry, Oakland Macarthur Boulevard Shooting, Demetrius DeBose, Policeman Matthew Pavelka and the North Hollywood Bank of America Shootout. Serial Killings: Zodiac Killer, Charles Manson, Dorothea Puente, Efren Saldivar, Ted Unabomber Kaczynski, The Two Night Stalkers, The Zebra Killings, Heaven’s Gate Suicide, Edmund Kemper III, Lawrence Bittaker and Roy Norris, Juan Corona, Richard Trenton Chase, Speedfreak Killers, Herbert Mullin, David Carpenter, Reverend Jim Jones and the People’s Temple Massacre, Hillside Strangler and Rodney Alcala.

“Tulip Universe” is photographer Marques Vickers visual survey of the cup shaped flower often popularly misunderstood and underestimated for its beauty. His pictorial edition features over 110 images of this exotic flower capturing the diversity of colors and complexity of design. From the Preface by Linda L. Allen: Tulips are generally perceived as a simple, sweet flower. In truth, there are over 3,000 varieties that include every color other than blue and have a history as fascinating as the most glorious rose or exotic orchid. The tulip is commonly thought to have originated in the Netherlands – in particular Holland. Cultivation actually began in Central Asia over a thousand years ago and was later brought East by the Turks. In the mid 1600’s they were introduced to Europe. In an unusual twist the Dutch obsession was fueled, in part, by a virus that caused broken tulips. The disease, identified by the botanist Carolus Clusius, caused gorgeous striations within flower’s color. Tulip Mania was rampant and the price of bulbs soared. At its height, some bulbs sold for 10 times an average workingman’s yearly salary and cost more than most homes. Speculation on future crops earned tulips the dubious distinction of having caused the first investment bubble. Although opinions differ and there is no recorded history, it is generally accepted that the resulting market crash had a catastrophic effect on the country’s economy. The spring-blooming tulips are members of the Liliaceae family, which includes asparagus, aloe, garlic, onions, and wide diversity of flowers. Their height varies from less than 8 inches to 2 feet and may bloom from 1 to 3 weeks although their bloom time is usually limited to 1 – 7 days. Commonly there is one flower per stem but some varieties have up to 4. There may be from 2 – 12 leaves. While many have no scent, some are known for their beautiful scent. Most varieties of tulips are almost perfectly symmetrical. It appears that the flower possesses 6 petals. Actually, they have 3 petals and 3 sepals. Since the sepals and petals are almost the same size and shape, the common misconception was developed. As mentioned, tulips come in every color but blue. The most common are yellow, orange, violet, pink and red with the last being the most popular. Today, some varieties combine a variety of colors and rival the showiest tropical flower. Rather than a virus they are the result of extensive breeding programs.

Marques Vickers’ “Herron Island, Washington” is a photographic survey showcasing the diminutive island with a land area of 300 acres and population of 150. Located along the Case Inlet of Southern Puget Sound, the island’s dimensions are estimated at one and a quarter miles in length by one half mile in width. Vickers’ nearly 150 images capture the prominent north and south coastline beaches, interior residential terrain and roundtrip ferry transfers from the mainland peninsula. The island is abundant with deer, eagles, seals, seagulls, Pacific geoducks (large clams), beach, flora, fauna and spectacular views of the Puget Sound straits. Despite Herron Island’s luster, safety and tranquility, it remains virtually unknown to western Washington residents and beyond. Herron Island was initially discovered in 1792 as part of Lieutenant Peter Puget’s expedition, under the command of Captain George Vancouver. The original landing party was greeted with inhospitable weather conditions and the island remained unoccupied for nearly fifty years. An American naval exploration party led by Lieutenant Charles Wilkes re-explored and re-charted Puget Sound including the island in 1841. The island’s name was changed from Wednesday Island to Herron Island in recognition of one of Wilkes' crew members. Little background has been documented about Seamon Herron. Another century passed with reportedly only a sole caretaker habitant. The island was privately purchased during the 1950s. Herron Island was incorporated on April 30, 1958 as a non-profit, non-stock Washington Corporation composed of the owners and purchasers of island property. Buildable lots were partitioned and resold for development. The island is currently self-sustaining and does not receive local, state or federal funding. Over the decades, the interior has been graded and roads connect the island throughout. A community building, fire station and water system has been established for residents. Access to the island is available exclusively via a daily operating ferry and limited by invitation only from an island resident most of the year. The crossing requires approximately ten minutes to the mainland dock.