“Tulip Universe” is photographer Marques Vickers visual survey of the cup shaped flower often popularly misunderstood and underestimated for its beauty. His pictorial edition features over 110 images of this exotic flower capturing the diversity of colors and complexity of design. From the Preface by Linda L. Allen: Tulips are generally perceived as a simple, sweet flower. In truth, there are over 3,000 varieties that include every color other than blue and have a history as fascinating as the most glorious rose or exotic orchid. The tulip is commonly thought to have originated in the Netherlands – in particular Holland. Cultivation actually began in Central Asia over a thousand years ago and was later brought East by the Turks. In the mid 1600’s they were introduced to Europe. In an unusual twist the Dutch obsession was fueled, in part, by a virus that caused broken tulips. The disease, identified by the botanist Carolus Clusius, caused gorgeous striations within flower’s color. Tulip Mania was rampant and the price of bulbs soared. At its height, some bulbs sold for 10 times an average workingman’s yearly salary and cost more than most homes. Speculation on future crops earned tulips the dubious distinction of having caused the first investment bubble. Although opinions differ and there is no recorded history, it is generally accepted that the resulting market crash had a catastrophic effect on the country’s economy. The spring-blooming tulips are members of the Liliaceae family, which includes asparagus, aloe, garlic, onions, and wide diversity of flowers. Their height varies from less than 8 inches to 2 feet and may bloom from 1 to 3 weeks although their bloom time is usually limited to 1 – 7 days. Commonly there is one flower per stem but some varieties have up to 4. There may be from 2 – 12 leaves. While many have no scent, some are known for their beautiful scent. Most varieties of tulips are almost perfectly symmetrical. It appears that the flower possesses 6 petals. Actually, they have 3 petals and 3 sepals. Since the sepals and petals are almost the same size and shape, the common misconception was developed. As mentioned, tulips come in every color but blue. The most common are yellow, orange, violet, pink and red with the last being the most popular. Today, some varieties combine a variety of colors and rival the showiest tropical flower. Rather than a virus they are the result of extensive breeding programs.

Discover the secrets of alien spices, cosmic marinades, and meteoric desserts. Whether you're a seasoned chef or a budding cook, Galactic Delights offers something for everyone. Unleash your creativity and experiment with dishes that are truly out of this world. Dive deep into the captivating world of peaceful and warring gods as we unravel the mysteries of their celestial realms. In this enlightening journey, we'll delve into the duality of ancient deities, exploring their benevolent nature and their fierce battles for power.

The sumptuous Topkapı Palace in eighteenth century Istanbul is a place of breathtaking splendour where human foibles, love, lust and above all greed reign supreme in the lives of a sultan, a painter, a grand vizier and some of the world’s most beautiful women. Imperial favour has raised a graceful blossom to the symbol of a time that history would later name the Tulip Era. Sultan Ahmed III reigns over a still vast empire as his close companion and Chief Imperial Painter Levnî creates exquisite works of art. But real power lies with his trusted Grand Vizier İbrahim Pasha. In the background, the radiant denizens of the imperial harem fight for supremacy in their cloistered universe. How will history record Sultan Ahmed III? Hedonist, aesthete or reformer? What will happen to his descendants? 'Unto the Tulip Gardens: My Shadow' is a novel founded on historical fact woven by the silken yarn of imagination.

“Death of a Post Office: The Bruised Legacy of Architect William H. Corlett” details the abrupt 2014 closure and aftermath of the Franklin Street Post Office in Napa, California. The Art Deco style building, constructed in 1933 sustained significant structural damage during the August 23rd Napa earthquake closing the facility to public access and mail sorting operations. Author Marques Vickers began photographing the exterior damage on the morning of the quake and continued in intervals until January 2017. Over 70+ images display the building’s exterior wounds. Vickers’ narrative follows the history and complexity of restoring local architect’s William H. Corlett’s design, originally financed by Franklin Roosevelt’s Works Progress Administration. The brick edifice features exterior terra cotta friezes of shields, ram heads, eagles, and decorative cornices. Sizable bronze urn lanterns front the entrance and exit doors. The interior showcases an elaborate lobby featuring detailed woodwork, ceilings and lower walled marble paneling. In 1985, the building was added to the National Register of Historical Places. The repair cost evaluation in July 2015, prompted the US Postal Service to announce their intention to demolish the building. A subsequent concerted public outcry resulted in the authority modifying their decision and offering the building for sale. The stipulation that the structure be restored to its original architectural integrity has become problematic. Napa is destined to lose their main post office but potentially gain a commercial development. The book photographs another Corlett designed building, the Alexandria Hotel that sustained significant damage during the quake. Privately owned, restoration work began immediately and was completed in 2016. An additional 30+ photos document the stages of repair and five additional Corlett structures in Napa. Despite the severity of the structural destruction, Corlett’s legacy remains intact.

Michael McCaffrey continues to wrestle with his own alienation and detachment from the teaching profession, direction of his life and personal relationships. He is compelled to deal with unexpected loss and abandonment on multiple levels. Throughout his ordeals, he maintains his sense of humor and perspective. His setbacks, distractions and inertia make forward progress challenging. He observes the similar difficulty and indecisiveness experienced by two of his former university classmates. His intentioned departure from teaching following his ninth year does not materialize. His ambition towards cultivating a stable relationship evaporates for reasons initially uncertain to him. He has difficulty coming to terms with his fragmented life that only periodically offers glimpses of hope and clarity. An encounter with a former high school girlfriend prompts him to consider what might have happened had he never left his hometown. Another classmate, a self-professed business success, lectures one of classes and illustrates the contrast between McCaffrey’s present stagnation and a vocational path he abandoned early in his career. As his narrative enters into his thirteenth year of teaching, his observations and caustic opinions become more pronounced and unwelcome. He’s aware of the estrangement with his current faculty peers. As his closet confidants leave, he realizes St. Elizabeth-St. Ignacious High School has changed irrevocably. He is not an integral part of the shift and has become professionally expendable. During his tenth teaching year, a new Principal, Brother Morton Brickell replaces the departed Brother (Mumbles) Moody. McCaffrey compares Moody to a flute and Brickell to a brass trumpet, often loudly overstating the obvious. Brickell’s own tenure and influence becomes abbreviated due to a change in school management. During the summer following his eleventh year, the financial allure of shifting back to corporate employment coupled by a seemingly healthy relationship nearly changes his fate. Despite the promising prospects, McCaffrey is destined to continue teaching and remaining alone. Brickell’s replacement, Sister (Stoneface) Stanley clashes with McCaffrey her initial year following scrutiny of his teaching and religious commitment. The frigidity of their interactions prompts him to question how long she will tolerate his continued employment. McCaffrey continues his satirical exchanges and pranks with faculty foils and adds additional victims. He charts the meteoric influential rise of the maintenance duo of Sid and Barney that culminates in a faculty Christmas party implosion. He assists a faculty peer in formatting teaching credential assignments that concludes with him doubting the substantive value of academic professional training. McCaffrey documents his lively and playful interactions with his students. Tense moments intervene. He is confronted by a failing student that nearly erupts into a physical altercation. He must also calm the religious proselytizing from one of his zealous students seeking to convert him. He attempts to keep his lectures varied and relevant despite his flagging enthusiasm. One of his classroom discussions addresses the increasingly escalating violence in his hometown when one of his students nearly becomes a casualty from a drive-by shooting. A former favorite student returns on campus basking in an acclaim that eluded him while attending SESI. Another returns as a polished and attractive woman completing a teaching internship and introduces complications into McCaffrey’s relationship void and loneliness. McCaffrey’s forebodings about Sister Stanley’s motives reach fruition during contract negotiations following his thirteenth teaching year. Will McCaffrey survive a decisive effort to get rid of him? If he is destined to leave, who will ultimately determine the terms of his departure?

Michael McCaffrey has lost his teaching idealism, but not pragmatism towards his profession. “Teaching with One Eye Shut” escorts you into the classroom, faculty room sanctuary and campus grounds of St. Elizabeth-St. Ignacious (SESI), a northern California Catholic high School. Your host, McCaffrey is an eight-year business instructor beyond the burnout stage and uncertain as to his future in the profession. His turmoil carries over into his personal life and relationships. McCaffrey shares his clear-eyed observations about classroom instruction, discipline, peers and the bureaucracy accompanying teaching. He dismisses imposed school administration artificial team-building tactics. For him, teachers are individuals expressing their point of view on subject matters as they visualize it. Peer’s advice and Principals are of marginal value. His evaluations are often cutting and dismissive. They are balanced by periodic inspiring and surprising heroics emerging from unlikely sources. McCaffrey seemingly has an unflinching opinion about everyone and especially himself. His students can be a distracted and devouring audience, but he is genuinely appreciated. He introduces the reader into the authentic and sometimes erratic nature of classroom lecture and discussion. His teaching subjects include technology, marketing and law. His students’ responses address more poignant issues including racism, home life and their futures beyond schooling. The deeper exchanges are often conducted between classes or emerge amidst casual conversations and daily interactions. McCaffrey addresses timely issues over the success and shortcomings of contemporary education. He concludes that society comfortably maintains misplaced priorities and ignorance towards education and its practitioners. He takes issue with uninvolved parents who drop their children off like dirty laundry and expect a private institution to cleanse them of their bad habits while educating them. He maintains that Catholic education is distinct and different from public schools. His conclusion is based on expected behavioral accountability and reinforced discipline, rather than superior personal, facilities and educational techniques. A school’s objective remains to stimulate a graduating class of lifelong learners. This lofty goal is tested daily by certain under-achieving, troubled and unmotivated students, neurotic faculty members and hamstrung by trifling misdirected rules. McCaffrey notes that victories surface when his contemporaries enable students to navigate the tenuous labyrinth of adolescence and learning His varied observations encompass teacher liability, absence policies, and career burnout, objective grading, classroom discipline, school fundraising, compensation, athletic programs, peer gossip and pranks, equipment deficiencies, and dress codes. McCaffrey is SESI’s acknowledged faculty satirist who zealously guards his private time absent of extra-curricular supervisions. He is never a perennial candidate for Teacher of the Year honors. His cast of instructional intimates and foils include basketball coach and confident Rich Ringer, siren Suzzi Issacs, milquetoast Dennis Greeley, incompetent Alex Orrigo, misdirected Tim Lovelace, mumbling Principal Brother Moody and a colorful parade of diverse and eclectic personalities. A variety of candid and favorite students are introduced with the irrepressible Ralphie Houwser heading the list. McCaffrey feels trapped by his inability to move forward with his life. A year ending interaction with one of his peers offers him hope. Will a Parisian rendezvous on Bastille Day become his ultimate liberation from professional and personal stagnation? “Teaching with One Eye Shut” addresses the fragile and volatile role of mentors and educators. McCaffrey’s memoir offers a realistic and humorous view of the realities behind high school instructing, spiced by his periodic exaggerations.

Marques Vickers’ “Herron Island, Washington” is a photographic survey showcasing the diminutive island with a land area of 300 acres and population of 150. Located along the Case Inlet of Southern Puget Sound, the island’s dimensions are estimated at one and a quarter miles in length by one half mile in width. Vickers’ nearly 150 images capture the prominent north and south coastline beaches, interior residential terrain and roundtrip ferry transfers from the mainland peninsula. The island is abundant with deer, eagles, seals, seagulls, Pacific geoducks (large clams), beach, flora, fauna and spectacular views of the Puget Sound straits. Despite Herron Island’s luster, safety and tranquility, it remains virtually unknown to western Washington residents and beyond. Herron Island was initially discovered in 1792 as part of Lieutenant Peter Puget’s expedition, under the command of Captain George Vancouver. The original landing party was greeted with inhospitable weather conditions and the island remained unoccupied for nearly fifty years. An American naval exploration party led by Lieutenant Charles Wilkes re-explored and re-charted Puget Sound including the island in 1841. The island’s name was changed from Wednesday Island to Herron Island in recognition of one of Wilkes' crew members. Little background has been documented about Seamon Herron. Another century passed with reportedly only a sole caretaker habitant. The island was privately purchased during the 1950s. Herron Island was incorporated on April 30, 1958 as a non-profit, non-stock Washington Corporation composed of the owners and purchasers of island property. Buildable lots were partitioned and resold for development. The island is currently self-sustaining and does not receive local, state or federal funding. Over the decades, the interior has been graded and roads connect the island throughout. A community building, fire station and water system has been established for residents. Access to the island is available exclusively via a daily operating ferry and limited by invitation only from an island resident most of the year. The crossing requires approximately ten minutes to the mainland dock.

“So You Think You Know Washington State Wines?” is designed to simplify your understanding by identifying growing trends, grape descriptions and the history of Washington wine production. The edition profiles the 15 top wine grapes and the unique aspects of the state’s growing sectors. The 62-page edition is idea for wine collectors, winemakers and anyone who appreciates a world class Washington vintage. The following are just seventeen from hundreds of little known facts about Washington wines and the 2015 grape harvest. 1. Washington is the second largest producer of premium table wine in the United States behind California. Washington’s harvest comparatively represents only 6% of the overall California production levels. 2. Washington’s red grape varietals harvested 112.8 thousand tons in 2015. The closest California equivalent was the San Luis Obispo, Santa Barbara, and Ventura County. 3. The State of Washington harvested 222 thousand tons of wine grapes during the 2015 harvest, down 2.2% overall from the previous year. The deficit was attributed to the excessive heat conditions and a reduced Cascade Mountain snowpack. 4. Red varietal grapes account for 51% of the total production and actually increased yields by 5% during the 2015 harvest. 5. Cabernet Sauvignon was the top-producing grape during 2015 with 47,400 tons, representing 21% of the overall harvest. Cabernet Sauvignon had the largest growth rate. 6. White Riesling was the top white wine and second most overall produced grape with 44,100 tons, accounting for 20% of the total. Washington produces more White Riesling than any other state. 7. Chardonnay was the third most produced grape with 42,000 tons, Merlot fourth with 35,200 tons and Syrah fifth with 16,000 tons. 8. Grenache Noir is the most lucratively priced wine grape in Washington and sold for $1,722 per ton. Cabernet Sauvignon averaged $1,527 per ton, an increase of 5.5% from 2014. Cabernet Sauvignon sells in the Napa Valley in excess of $6,000 per ton. 9. The growing regions of San Luis Obispo County, Yakima Valley and Walla Walla Valley share numerous similarities. Their topographies feature expansive arid flatlands surrounded by hilly terrain. Each region has a long historical agricultural tradition. 10. Top-tiered Washington vineyards have commanded pricing between $75,000-$80,000 per acre. Large established vineyards have been documented to sell for $25,000-$30,000 and bare unplanted terrain often averages $10,000-$15,000 per acre. 11. Washington has 14 American Viticultural Areas (AVAs) recognized and defined by the United States Treasury Department. Seven have only been established within the last ten years and three stretch across the Oregon border. 12. The primary growth advantage Washington offers over neighboring Oregon is the capacity to expand wine grape cultivation. Washington has twice as much plantable acreage available. 13. Today, 98% of the wine grapes grown are east of the Cascade Mountains. In 1970, there were only ten official wineries in all of Washington. By 2000, that figure had expanded to 163 and by 2010, more than 700 wineries. Currently it is estimated that there are over 900 wineries. 14. The two largest Washington growing regions, the Yakima and Walla Walla Valleys share the topography of a desert landscape and the tributary waters of the Columbia River branching out via the Yakima and Walla Walla Rivers. 15. The Walla Walla Valley averages approximately the same annual rainfall levels as the Napa Valley (21 inches). The Yakima Valley received even less rainfall (8 inches), but is supplemented by a snowfall level of 23 inches. 16. The Yakima Valley profits from the accumulating rains and snows of Mount Ranier and Mount Adams, part of the Cascade Mountain Range. The melting Spring snowpack results in substantial volumes of water that are channeled into the region and directed by canals and aqueducts into the agricultural basins and hillsides.