'When I'm on the mat, I am so filled with this awareness that the slightest touch feels like electricity to my body, and my body reacts to that the same way it would have reacted if I touched a livewire.' Wrestling, kushti, rules the farmlands, as it has for centuries. It had pride of place in the courts of Chalukya kings and Mughal emperors. It was embraced by Hinduism and its epics, and has led its own untroubled revolution against the caste system. The British loved it when they first came to India, then rejected it during the freedom struggle. No, wrestling has never been marginal -- even if it is largely ignored in modern-day narratives of sport and culture. From the Great Gama to Sushil Kumar -- whose two Olympic medals yanked the kushti out of rural obscurity and on to TV screens -- and the many, many pehalwans in between, Enter the Dangal goes behind the scenes to the akharas that quietly defy urbanization. It travels to villages and small towns to meet the intrepid women who fight their way into this 'manly' sport. Beyond the indifferent wrestling associations and an impervious media is an old, old sport.Enter the dangal, and you may never leave.

The Wrestler's Body tells the story of a way of life organized in terms of physical self-development. While Indian wrestlers are competitive athletes, they are also moral reformers whose conception of self and society is fundamentally somatic. Using the insights of anthropology, Joseph Alter writes an ethnography of the wrestler's physique that elucidates the somatic structure of the wrestler's identity and ideology. Young men in North India may choose to join an akhara, or gymnasium, where they subject themselves to a complex program of physical and moral fitness. Alter's first-hand description of each detail of the wrestler's regimen offers a unique perspective on South Asian culture and society. Wrestlers feel that moral reform of Indian national character is essential and advocate their way of life as an ideology of national health. Everyone is called on to become a wrestler and build collective strength through self-discipline.

The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In Grounds for Play, Kathryn Hansen draws on field research to describe the different elements of nautanki performance: music, dance, poetry, popular story lines, and written texts. She traces the social history of the form and explores the play of meanings within nautanki narratives, focusing on the ways important social issues such as political authority, community identity, and gender differences are represented in these narratives. Unlike other styles of Indian theater, the nautanki does not draw on the pan-Indian religious epics such as the Ramayana or the Mahabharata for its subjects. Indeed, their storylines tend to center on the vicissitudes of stranded heroines in the throes of melodramatic romance. Whereas nautanki performers were once much in demand, live performances now are rare and nautanki increasingly reaches its audiences through electronic media—records, cassettes, films, television. In spite of this change, the theater form still functions as an effective conduit in the cultural flow that connects urban centers and the hinterland in an ongoing process of exchange.

"What fun things can you do with paper besides origami, you wonder? Lots!...make helicopters, bridges, telephones, spinners, and many other toys....demonstrate density, properties of sound, Bernoulli's principle, gravity, etc....your children can learn tons of science by doing these quick and easy activities. You can just stand around, admire, and be amazed."--Parent Council(r). Selected as Outstanding by Parent Council(r).

The author has made a successful attempt to script a social and political life of Hindustan of the period stretching from 1200-1550 AD. The author very convincingly brings home the impact of the invasion of the Muslim on the ancient Hindu order which was almost completely destroyed. The book draws a clear picture of how the early Muslim invaders succeeded in levying foundations which proved strong enough for the later Mughals in raising their glorious edifice. Thereby, the author proves that how Akbar as well as his successors followed the pattern, their Turkish and Afghan predecessors had shaped for them.

This book covers the underexplored subject of ‘fathering’ in India. It delves into the shared aspirations of men in India to nurture their children in sensitively attuned ways within the culturally prescriptive context that governs men’s roles as providers and caregivers. This work is based on over two decades of intensive research in India on how different groups construct and experience fatherhood and fathering under changing circumstances. It unmasks the heterogeneity that exists within fathering in India through conversations with fathers across diverse contexts—in privileged economic situations and those in difficult home and family circumstances, having children with disability, single-parent fathers and fathers in the military. A separate section discusses fathering daughters and shared parenting. Images and role models in fathering are brought alive through analysis of Hindi films, the media, children’s literature and classical literature. The conceptual analysis moves beyond the power and control dimensions commonly used to describe Indian men and fathers, to highlight their resilience, adaptability, positive involvement and developmental trajectories. This volume is for scholars, researchers and practitioners in developmental psychology, human development and family science, sociology, early childhood education and psychiatry, pediatrics, community medicine and allied fields.

A journey into today’s India through essays, photography, and more, shortlisted for a 2022 Edward Stanford Travel Writing Award. Since its earliest interactions with the West, India has been the object of a gross misinterpretation, a vague association with ideas of peace, spiritualism, the magic of the fakirs. Constantly reframed and mythologized by Westerners fleeing their supposedly rationalist societies, India continues to fascinate with its millennia-old history, shrines on every street corner, ancient beliefs and rituals, and unique linguistic and cultural diversity. Today this picture is mixed with that of a society changing at a frenetic pace and at the forefront of the digital revolution—a “shining India” of dynamic, fast-expanding megalopolises. Yet these success stories coexist with the daily plight of the large section of its population without access to drinking water or a toilet, with a rural economy (still employing the majority of its over 1.3 billion inhabitants) that depends on monsoons for irrigation and is threatened by climate change. The greatest democratic experiment ever attempted, India remains plagued by one of the vilest forms of class and racial discrimination, the caste system, exacerbated by the Hindu nationalist regime. All things considered, though, it’s hard to find a more dynamic and optimistic country or, as Arundhati Roy puts it, “a more irredeemably chaotic people.” This volume aims to depict India’s chaos and its contradictions, its terror and its joy, from the struggle of the Kashmiris to that of non-believers (hated by all religious sects), from the dances of the hijra in Koovagam to the success of the wrestler Vinesh Phogat, a symbol of the women who seek to free themselves from the oppressive patriarchal mores. Despite the obstacles and steps back, India continues its journey on the long path toward freedom and toward ending poverty for some of the world’s most destitute. Included are writings on: Caste: Yesterday, Today, and Tomorrow by Arundhati Roy · The Invention of Hindu Nationalism by Prem Shankar Jha · No Country for Women by Tishani Doshi · Plus: the grand ambitions of the world’s most underrated space program, Bollywood’s obsession with Swiss landscapes, an ode to Bengali food, eagerly awaiting the monsoon, the wrestler tackling stereotypes and much more . . . “These books are so rich and engrossing that it is rewarding to read them even when one is stuck at home.” —The Times Literary Supplement