By focusing on contemporary popular religious traditions, the book represents a substantial contribution to the study of modern religious practices in Banaras, holy city of India. This book offers in-depth, ethnographic views of many contemporary popular religious practices that have, for the most part, received little attention by scholars. Topics covered include the Ramlila celebrations, devotion to Hanuman, and goddess worship, and the way that Banarsi Boli, the local dialect of Banaras, supports its users in their identification with the sacred city.

The Wrestler's Body tells the story of a way of life organized in terms of physical self-development. While Indian wrestlers are competitive athletes, they are also moral reformers whose conception of self and society is fundamentally somatic. Using the insights of anthropology, Joseph Alter writes an ethnography of the wrestler's physique that elucidates the somatic structure of the wrestler's identity and ideology. Young men in North India may choose to join an akhara, or gymnasium, where they subject themselves to a complex program of physical and moral fitness. Alter's first-hand description of each detail of the wrestler's regimen offers a unique perspective on South Asian culture and society. Wrestlers feel that moral reform of Indian national character is essential and advocate their way of life as an ideology of national health. Everyone is called on to become a wrestler and build collective strength through self-discipline.

Nita Kumar offers an evocative and sensitive portrayal of rarely explored aspects of Hindu culture through her analysis of the way leisure time is used by Hindu and Muslim artisans of Banaras--the weavers, metalworkers, and woodworkers. Music, festivals, the place of physical culture, and the importance of going "to the outer side" all are examined as Kumar looks at changes that have occurred in leisure-time activities over the last century. The discussion raises questions of the cultural and conceptual aspects of working-class life, the role of fun and play in Indian thought, the importance of public activities in terms of personal identity, and the meaning of an Indian city to its residents. This analysis turns away from the usual models of Hindu-Muslim conflict by seeing divisions based on occupation, income level, education, and urban neighborhood as more relevant for the construction of identity than those based on religion or community. Kumar draws her information from police station records, Hindi newspapers and periodicals, publications of local individuals and organizations, oral history, and ethnographic data. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Banaras has been home to sages, artists, poets, musicians and seekers from all parts of India. The ancient canon of texts passed down orally by the sages was written and transcribed in the lanes and by-lanes of this city. Over the centuries, the art of grafting and subsuming the religious and cultural ethos became the hallmark of Banaras. In this book, Vertul Singh presents a kaleidoscopic view of Banaras that charts a narrative spanning from the present-day city and its origins as Kashi to the fin de siècle of the eighteenth and nineteenth centuries, which witnessed the city’s inclusionary development as a cultural and pilgrimage centre, an opulent trading hub and a basilica of political power. Weaving facts, interesting anecdotes and untold stories to make a rich tapestry, this book is an insider’s account and an unparalleled portrait of the city.

A key South Asian Studies title that brings together some of the best new writing on physicality in colonial India.

Emanating from a university teaching position in Singapore, artist Joan Marie Kelly navigates an interwoven view of complex community relations with her own status as foreigner by engaging communities with art making. Kelly connects the reader in an intimate visual narrative of lived realities through her paintings and text, immersing the reader or viewer in humanist levels of the world she navigates. She speaks to the global condition, giving it poignancy. Four scholars who have worked with Kelly closely have written essays examining the visual art and developmental processes and have lived interwoven relationships she immersed herself and others. Bhaskar Mukhopadhyay, a cultural theorist; artist Sarah Schuster, teacher at Oberlin College; Pamela Karimi, an Iranian art historian; and David Cohen, a prominent art critic in New York City, have all written from four distinct perspectives about years of artwork made by an artist deeply involved in the communities surrounding her.

'When I'm on the mat, I am so filled with this awareness that the slightest touch feels like electricity to my body, and my body reacts to that the same way it would have reacted if I touched a livewire.' Wrestling, kushti, rules the farmlands, as it has for centuries. It had pride of place in the courts of Chalukya kings and Mughal emperors. It was embraced by Hinduism and its epics, and has led its own untroubled revolution against the caste system. The British loved it when they first came to India, then rejected it during the freedom struggle. No, wrestling has never been marginal -- even if it is largely ignored in modern-day narratives of sport and culture. From the Great Gama to Sushil Kumar -- whose two Olympic medals yanked the kushti out of rural obscurity and on to TV screens -- and the many, many pehalwans in between, Enter the Dangal goes behind the scenes to the akharas that quietly defy urbanization. It travels to villages and small towns to meet the intrepid women who fight their way into this 'manly' sport. Beyond the indifferent wrestling associations and an impervious media is an old, old sport.Enter the dangal, and you may never leave.

A substantial contribution to the debate on the role of gender studies in the context of the development of Indian society is offered in this volume. The contributors highlight the problematic nature of the dual role the state is expected to play: on one hand it is vested with the responsibility for social reform; on the other it is seen as representing and furthering the interests of social groups based on race, class, caste or sex. This duality of the state is particularly evident in questions relating to gender, and male and female sexuality.