In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations

The 6th edition of this numismatic classic offers much more than previous editions, not only in terms of the number of varieties recorded but also in terms of the way in which the data has been recorded and presented. It has been completely renumbered to do away with the confusing letter suffixes used in previous editions, and is now arranged by monarch rather than denomination; all new numbers are cross-referenced to the previous edition.

Tells how to investigate the history of furniture, silver, jewelry, clocks, toys, and books, and how to select an appraiser

Story based on a little girl and her silver anklets; for children.

In simple rhyming text a young Muslim girl and her family guide the reader through the traditions and colors of Islam. Full color.

One of the most important teachers of historical swordsmanship, Stephen Hand has delivered what may well be his Magnum Opus, a detailed study in text and photographs of his best form, the swordsmanship of the 16th century English swordmaster, George Silver. In nearly 800 photographs, Mr. Hand explores the depth of Silver's technique, presenting for the student a clear and concise path to fighting with the single-handed sword. These techniques are from the same period as William Shakespeare, and it is even supposed that Silver had something to do with the staging of swordsmanship in Shakespeare's plays. So these techniques should have special interest to those involved in swordplay on the stage. Students of fencing history, members of the SCA, LARPS, or students of Renaissance history will also find this first-ever exploration of Silver's amazingly effective techniques surpremely valuable.