A history and guide to Old Silver and Old Sheffield Plate, with the most comprehensive table of hallmarks ever published in one book. Here is the fascinating story of the great silversmiths and their art. All the factors of interest to the amateur, collector or connoisseur of Old Silver and Old Sheffield Plate are authoritatively covered: The development of design in tea services, flatware, candlesticks, trays, cups. Values and scarcity. Where to buy. How to collect. How to detect frauds. Reproductions. And most important, this book permits the exact and indisputable identification of Old Silver by means of the Hallmark tables. These are conveniently and simply arranged so that anyone may trace in a few moments any hallmarked piece of silver of American, English, Sheffield, French, German or other European origin.The splendid pictures are from photographs of authentic pieces from the foremost dealers in Antique Silver. Mr. Seymour B. Wyler, himself a well-known New York dealer, is regarded both in this country and abroad as an authority. "What the Kovels don't know about antiques," says House Beautiful, "isn't worth knowing."

Two volumes containing the annual bibliographies of 18th century scholarship published in the Philological Quarterly. "An excellent aid to the student of 18th century literature."—Saturday Review. Volume 2, 1939-1950, includes consolidated index for both volumes. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.